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John Orlando Parry
John Orlando Parry (3 January 1810 – 20 February 1879) was an English actor, pianist, artist, comedian, songwriter and singer. Biography Early career Parry, the only son of Welsh musician John Parry (known as ''Bardd Alaw''), was born in London and, at an early age, was taught by his father to sing and to play the harp and the piano. He also studied the harp under Robert Bochsa. As Master Parry, in May 1825, he appeared as a performer on the harp. As a baritone vocalist he made his début on 7 May 1830 at the Hanover Square Rooms, in London, on the occasion of Franz Cramer's concert, when he sang Handel's ''Arm, arm, ye brave!'' with much success. Parry was also an illustrator and artist. After receiving lessons from Sir George Smart in sacred and classical music, he was in demand as a singer at the Antient and Philharmonic concerts, and also at musical festivals in town and country. For him Sigismund Neukomm composed ''Napoleon's Midnight Review'', and several other son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East Molesey
Molesey is a district of two twin towns, East Molesey and West Molesey, in the Borough of Elmbridge, Surrey, England, and is situated on the south bank of the River Thames. East and West Molesey share a high street, and there is a second retail restaurant-lined street (Bridge Road) close to Hampton Court Palace in the eastern part of the district, which is also home to Hampton Court railway station in Transport for London's Zone 6. Molesey Hurst or Hurst Park is a large park by the River Thames in the north of the area, and is home to East Molesey Cricket Club. The Hampton Ferry runs from here to Hampton on the Middlesex bank, from where it is a short walk to the central area of Hampton. Molesey is divided into three wards: Molesey South, East and North. The majority of Molesey's detached properties are in the east, which also contains the highest proportion of apartments of the three wards. Molesey forms part of the Greater London Built-up Area. History The earliest docu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St James's Palace
St James's Palace is the most senior royal palace in London, the capital of the United Kingdom. The palace gives its name to the Court of St James's, which is the monarch's royal court, and is located in the City of Westminster in London. Although no longer the principal residence of the monarch, it is the ceremonial meeting place of the Accession Council, the office of the Marshal of the Diplomatic Corps, as well as the London residence of several members of the royal family. Built by order of Henry VIII in the 1530s on the site of a leper hospital dedicated to Saint James the Less, the palace was secondary in importance to the Palace of Whitehall for most Tudor and Stuart monarchs. Initially surrounded by gardens, it was generally used as a retreat from the formal court and occasionally a royal guest house. After the destruction by fire of Whitehall, the palace increased in importance during the reigns of the early Hanoverian monarchs, but was displaced by Buckingham Palac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camillo Sivori
Ernesto Camillo Sivori, (June 6, 1817February 18, 1894) was an Italian virtuoso violinist and composer. Born in Genoa, he was the only known pupil of Niccolò Paganini. He also studied with Antonio Restano (1790-1885), (1760s or 70s-~1865?) and Agostino Dellepiane. From 1827 Sivori began the career of a travelling virtuoso, which lasted almost without interruption until 1864. On November 18, 1846 he performed at the Howard Athenaeum in Boston, where he played Il Campanello and Carnival of Venice. He played Mendelssohn's concerto for the first time in England in 1846, and was in England again in the seasons of 1851 and 1864. In 1864, he formed a permanent trio with cellist Alfredo Piatti and pianist Charlotte Tardieu. Camilo Sivori also collaborated with Giuseppe Verdi. In 1893 Verdi heard Sivori performed at his private music soiree and noted Sivori's impeccable technique, agility and musicianship. Sivori's performances ideas were directly influenced by Opera characters. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Richard Smith
Albert Richard Smith (24 May 181623 May 1860) was an English author, entertainer, and mountaineer. Biography Literary career Smith was born at Chertsey, Surrey. The son of a surgeon, he studied medicine in London and in Paris, and his first literary effort was an account of his life in Paris, which appeared in the ''Mirror''. He gradually abandoned his medical work in favour of writing. Though a journalist rather than a literary figure, he was one of the most popular writers of his time, and a favourite humorist. He was one of the early contributors to ''Punch'' 1842, and was also a regular contributor to Richard Bentley's ''Miscellany'', in whose pages his first and best book, the novel ''The Adventures of Mr Ledbury'', appeared in 1842. His other novels were ''The Fortunes of the Scattergood Family'' (1845), ''The Marchioness of Brinvilliers: The Poisoner of the Seventeenth Century'' (1846), ''The Struggles and Adventures of Christopher Tadpole'' (1848), and ''The Pottleto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Staudigl
Josef Staudigl (the elder) (b. Wöllersdorf, 14 April 1807; d. Vienna, 28 March 1861) was an Austrian bass singer. Life Staudigl attended the school in Wiener Neustadt and, from 1825, was a novice in the Benedictine monastery of Stift Melk. In 1827 he went to Vienna to study surgery there. On account of poverty he began to do some singing as a subsidiary enterprise, for he had possessed a very beautiful voice since childhood. When he won a professional appointment with the Wiener Hofoper, and had gained a great success there, he brought his studies as a medic to an end. He made his mark by taking the place of a singer who was due to appear as Pietro in ''Masaniello'', who fell sick. In 1831 he became ''Hofkapellsänger'' (a court singer) and took part in the oratorio concerts of the Composers' Society. He did some teaching, and one student worthy of mention is Karl Beck, the tenor who in 1850 created the title role in Richard Wagner's opera ''Lohengrin''. Beck had made his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Thillon
Sophie Anne Hunt, known by the name of Anna Thillon (Calcutta or London, 1812 or 1813 or 22 June 1817 or circa 1819; Torquay, 5 May 1903), was an operatic singing sensation in the United States, based in San Francisco, California and then New York, New York. She performed in the former city's first professional season. Her parents were Elisa(beth) and Joseph Hunt. Mrs. Hunt came from a noble family, thanks to which, for her daughter, all the doors of aristocratic houses were opened. Mr. Hunt was a rich merchant, possibly also from a noble family, as The Musical World of 1840 states that Sophie Ann Hunt belonged to one of the aristocratic families of England. But by the 14th birthday of the future singer, mr. Hunt went bankrupt. This was the reason for mrs. Hunt, taking her daughters with her, to leave for France. Sophie Ann Hunt had much of her training in France where she studied with Marco Bordogni, Giovanni Tadolini and Claude Thomas Thillon, conductor of the Havre Philharm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympic Theatre
The Olympic Theatre, sometimes known as the Royal Olympic Theatre, was a 19th-century London theatre, opened in 1806 and located at the junction of Drury Lane, Wych Street and Newcastle Street. The theatre specialised in comedies throughout much of its existence. Along with three other Victorian era, Victorian theatres (Opera Comique, Globe Theatre (Newcastle Street), Globe and Gaiety Theatre, London, Gaiety), the Olympic was eventually demolished in 1904 to make way for the development of the Aldwych. Newcastle and Wych streets also vanished. 1806-1849: Early days and Madame Vestris The first Olympic theatre was built in 1806 on the site of Drury House (later Craven House), for the impresario Philip Astley, a retired cavalry officer. The original name of the house was the Olympic Pavilion. It was said to be built from the timbers of the French warship ''French ship Ville de Paris (1764), Ville de Paris''. It opened on 1 December 1806 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Hullah
John Pyke Hullah (27 June 1812 – 21 February 1884) was an English composer and teacher of music, whose promotion of vocal training is associated with the singing-class movement. Life and career Hullah was born at Worcester. He was a pupil of William Horsley from 1829, and entered the Royal Academy of Music in 1833. He wrote an opera to words by Dickens, ''The Village Coquettes'', produced in 1836; ''The Barbers of Bassora'' in 1837; and ''The Outpost'' in 1838, the last two at Covent Garden. From 1839, when he went to Paris to investigate various systems of teaching music to large masses of people, he identified himself with Wilhem's system of the fixed "do," in contrast to the moveable "do" of the Tonic sol-fa. His adaptation of Wilhem's system was taught with enormous success from 1840 to 1860. His first-ever lesson was given at the Battersea College for training teachers (now University St Mark and St John Plymouth), in 1840, at the instigation of educationalist and coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Dickens
Charles John Huffam Dickens (; 7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era.. His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius. His novels and short stories are widely read today. Born in Portsmouth, Dickens left school at the age of 12 to work in a boot-blacking factory when his father was incarcerated in a debtors' prison. After three years he returned to school, before he began his literary career as a journalist. Dickens edited a weekly journal for 20 years, wrote 15 novels, five novellas, hundreds of short stories and non-fiction articles, lectured and performed readings extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, for education, and for other social ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adelaide Kemble
Adelaide Kemble (13 February 18154 August 1879) was an English opera singer of the Victorian era, and a member of the Kemble family of actors. She was the younger sister of Fanny Kemble, the famous actress and anti-slavery activist. Her father was actor Charles Kemble, her mother Maria Theresa Kemble. Life Adelaide studied in London with John Braham and in Italy under the great soprano Giuditta Pasta. On 2 November 1841, she made her first operatic performance on the London stage in ''Norma''. In 1843 she married Edward John Sartoris and retired after a brief but brilliant career. They were hosts at the Belgravia home to Chopin where, in 1849, he made his London debut. This is now marked by a plaque. She wrote ''A Week in a French Country House'' (1867), a bright, humorous story, followed by other, more mediocre tales. She recorded one interesting incident at a late London concert by Pasta, whose powers had diminished badly, and she asked of fellow singer Pauline Viardot what sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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