John Ingram (engraver)
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John Ingram (engraver)
John Ingram (1721 – 1767 or later) was an English engraver. In his later career he lived in Paris. Life Ingram was born in London in 1721, and first practised engraving there. In 1755 he went to Paris, and settled there for the rest of his life. He both etched and engraved. He engraved a number of plates after François Boucher (such as '' The Game of Chinese Chess''), some after Charles-Nicolas Cochin, and a set of emblematical figures of the sciences in conjunction with Cochin and Jacques-Nicolas Tardieu. He was employed in engraving small plates for book illustration, and more especially on plates for the ''Transactions'' of the French Academy of Sciences The French Academy of Sciences (French: ''Académie des sciences'') is a learned society, founded in 1666 by Louis XIV of France, Louis XIV at the suggestion of Jean-Baptiste Colbert, to encourage and protect the spirit of French Scientific me .... He is thought to have been still active in 1767; his year of death is ...
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The Young Housekeeper MET DP826292
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archai ...
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Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of aci ...
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Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning th ...
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François Boucher
François Boucher ( , ; ; 29 September 1703 – 30 May 1770) was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century. Life A native of Paris, Boucher was the son of a lesser known painter Nicolas Boucher, who gave him his first artistic training. At the age of seventeen, a painting by Boucher was admired by the painter François Lemoyne. Lemoyne later appointed Boucher as his apprentice, but after only three months, he went to work for the engraver Jean-François Cars.Alastair Laing. "Boucher, François." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 16 June 2016 In 1720, he won the elite Grand Prix de Rome for painting, but did not take up the consequential opportunity to study in Italy until five years later, due to financi ...
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The Game Of Chinese Chess
''The Game of Chinese Chess'' or ''The Game of Chinese Checkers'' (French: ''Le jeu d'échets chinois'') is a drawing by the French artist François Boucher, showing an orientalism, orientalised image of two people playing Xiangqi. Although actual Xiangqi pieces are all round, the shapes of the pieces in the drawing are more varied. The drawing is best known through the 39.4 by 27.7 cm engraving made after it by the Englishman John Ingram (engraver), John Ingram (1721 – c.1771; fl. 1763). It was part of a series of etchings he made of Boucher's chinoiserie subjects between 1741 and 1763 – he had moved from London to Paris and probably made 'Le Berger Content' or 'The Happy Shepherd' there in 1741 as the first work in the series. He then remained in Paris until his death and produced book illustrations as well as other works after Boucher. There is no evidence about his life after 1763 and so this is taken to be the latest possible date for the production of his engraving of ' ...
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