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John Eckert (musician)
John W. Eckert (born March 13, 1939) is an American jazz trumpeter, known primarily as a big band sideman. Early life and education Eckert was born in Leonia, New Jersey. He studied with Kenny Dorham in the late-1950s and graduated from the University of Rochester Eastman School of Music in 1961. He was a member of the Delta Upsilon fraternity. Following this, he entered a master's program at the University of North Texas.Gary W. Kennedy, "John Eckert". '' The New Grove Dictionary of Jazz''. 2nd edition, ed. Barry Kernfeld. Career In 1964, he began playing regularly in big band ensembles, working with Stan Kenton and Si Zentner; he played with Maynard Ferguson from 1966 to 1968. In the 1970s he worked with Loren Schoenberg and Lee Konitz, and in the 1980s with Gerry Mulligan, Grover Mitchell, Benny Carter, and the American Jazz Orchestra. He continued working with Mitchell and Carter into the 1990s, as well as with the legacy orchestras of Buck Clayton and Benny Goodman. Dis ...
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Gerry Mulligan
Gerald Joseph Mulligan (April 6, 1927 – January 20, 1996), also known as Jeru, was an American jazz saxophonist, clarinetist, composer and arranger. Though primarily known as one of the leading jazz baritone saxophonists—playing the instrument with a light and airy tone in the era of cool jazz—Mulligan was also a significant arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. His pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments. Several of his compositions, such as "Walkin' Shoes" and "Five Brothers", have become standards. Biography Early life and career Gerry Mulligan was born in Queens Village, Queens, New York, United States, the son of George and Louise Mulligan. His father was a Wilmington, Delaware native of Irish descent; his mother a Philadelphia native of half-Irish and half-German desce ...
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Blues And The Soulful Truth
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure ...
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Leon Thomas
Amos Leon Thomas Jr. (October 4, 1937 – May 8, 1999), known professionally as Leon Thomas, was an American jazz and blues vocalist, born in East St. Louis, Illinois, and known for his bellowing glottal-stop style of free jazz singing in the late 1960s and 1970s. Life and career Leon Thomas was born Amos Thomas, Jr. on October 4, 1937, in East St. Louis, Illinois. He studied music at Tennessee State University. At the time of his studies, he had begun a singing career as a guest vocalist for the jazz bands of percussionist Armando Peraza, saxophonist Jimmy Forrest, and guitarist Grant Green. His musical development at this time was shaped in part by seeing saxophonist John Coltrane perform in trumpeter Miles Davis's sextet during the late 1950s. Thomas moved to New York City in 1959, singing at the Apollo Theater as a vocalist for acts such as jazz ensemble The Jazz Messengers and singer Dakota Staton. In 1961, he joined the Count Basie Orchestra but soon left after being cons ...
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Something New (Sam Jones Album)
''Something New'', is an album by jazz bassist Sam Jones' 12 Piece Band recorded in 1979 and released on the Interplay label.Interplay Records discography
accessed May 16, 2017
Sam Jones catalog
accessed May 16, 2017


Reception

The review called it "An excellent jazz orchestra that has been long forgotten since Sam Jones' death in 1981" and states "Many all-stars were in the band".


Track listing

# "Unit Seven" (Sam Jones) – 8:12 # "
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Sam Jones (musician)
Samuel Jones (November 12, 1924 – December 15, 1981) was an American jazz double bassist, cellist, and composer. Background Sam Jones was born in Jacksonville, Florida, United States, to a musical family. His father played piano and drums and his aunt played organ in church. In 1955, he moved to New York City and began his recording career with Tiny Bradshaw, before working with Bill Evans, Bobby Timmons, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59), and Thelonious Monk. He is probably best known for his work with Cannonball Adderley, performing in his quintet from 1955 to 1956 and then again from 1959 to 1964, and recording extensively for Riverside Records as both a leader and sideman. He later spent several years working with Oscar Peterson (1966-1970) and Cedar Walton (1972-1977). In the 1970s, Jones recorded several albums as a bandleader for the Xanadu and SteepleChase labels. Jones wrote the jazz standards "Del Sas ...
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Little Man Big Band
''Little Man Big Band'' (also written ''Little Man, Big Band'') is a Grammy-nominated album by saxophonist Jimmy Heath featuring performances recorded in 1992 and released on the Verve label.Fitzgerald, MJimmy Heath discography accessed April 22, 2014 Reception David Dupont at Allmusic noted "Jimmy Heath brings to life his compositions, including his greatest hits "CTA" and "Gingerbread Boy," with blaring, upper register trumpets, punchy trombone countermelodies and swirling saxophone ensembles".Dupont, D.Allmusic Reviewaccessed April 22, 2014 Track listing ''All compositions by Jimmy Heath except as indicated'' # "Trane Connections" - 5:04 # "Two Friends" (Bill Cosby, Stu Gardner) - 4:24 # "The Voice of the Saxophone" - 7:46 # "Forever Sonny" - 6:56 # "C.T.A." - 7:01 # "Ellington's Stray Horn" - 7:18 # "Gingerbread Boy" - 5:06 # "Without You, No Me" - 8:21 Personnel *Jimmy Heath - tenor saxophone, soprano saxophone, conductor * Ted Nash, Jerome Richardson - alto saxophone *Bi ...
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Jimmy Heath
James Edward Heath (October 25, 1926 – January 19, 2020), nicknamed Little Bird, was an American jazz saxophonist, composer, arranger, and big band A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s an ... leader. He was the brother of bassist Percy Heath and drummer Albert Heath. Biography Heath was born in Philadelphia on October 25, 1926.[ Allmusic biography] His father, an auto mechanic, played the clarinet, performing on the weekends. His mother sang in a church choir. The family frequently played recordings of big band jazz groups around the house. Heath's sister was a pianist, while his brothers were bassist Percy Heath (older) and drummer Albert Heath (his youngest sibling). During World War II, Heath was rejected for the draft for being below the minimum weight. Heath origin ...
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Harlem Renaissance (album)
''Harlem Renaissance'' is a live album celebrating saxophonist/composer Benny Carter's 85th birthday recorded in 1992 and released by the MusicMasters label. Reception "Harlem Renaissance Suite" won the Grammy Award for Best Instrumental Composition in 1992.Grammy Awards: Benny Carter
accessed June 10, 2019 reviewer Scott Yanow stated "Benny Carter is a true marvel. At the time of this recording (a double CD), the classic altoist was already age 84, yet showed no signs of slowing down either his playing or his writing schedule. For his specially assembled big band and The Rutgers University Orchestra (which includes a full string section), Carter wrote entirely new arrangements that demonstrate that his tal ...
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Central City Sketches
''Central City Sketches'' is an album by saxophonist/composer Benny Carter recorded in 1987 and released by the MusicMasters label as a double LP.Benny Carter: Selected Discography - Bibliography
, accessed June 10, 2019.


Reception

reviewer Scott Yanow stated "One of the many Benny Carter recordings cut after he returned to jazz on a full-time basis in the mid-'70s, this double-LP set is the jewel among the seemingly countless number of gems ... as is often the case, Benny Carter frequently steals solo honors and his brief trumpet spot on "Central City Blues" is memorable".


Track listing

All compositions by Benny Carter excep ...
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Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing". From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his quartet and quintet. He performed nearly to the end of his life while exploring an interest in classical music. Early years Goodman was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. His father, David Goodman (1873–1926), came to the United States in 1892 from Warsaw in partitioned Poland and became a tailor. His mother, ...
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Buck Clayton
Wilbur Dorsey "Buck" Clayton (November 12, 1911 – December 8, 1991) was an American jazz trumpeter who was a member of Count Basie's orchestra. His principal influence was Louis Armstrong, first hearing the record "Confessin' That I Love You" as he passed by a shop window. Early years Clayton learned to play the piano from the age of six. His father was an amateur musician associated with the family's local church, who was responsible for teaching his son the scales on a trumpet, which he did not take up until his teens. From the age of 17, Clayton was taught the trumpet by Bob Russell, a member of George E. Lee's band. In his early twenties he was based in California, and was briefly a member of Duke Ellington's Orchestra and worked with other leaders. Clayton was also taught at this time by trumpeter Mutt Carey, who later emerged as a prominent west-coast revivalist in the 1940s. He also met Louis Armstrong while Armstrong was performing at Sebastian's Cotton Club, who taugh ...
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