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Joe Harriott
Joseph Arthurlin Harriott (15 July 1928 – 2 January 1973) was a Jamaican jazz musician and composer, whose principal instrument was the alto saxophone. Initially a bebopper, he became a pioneer of free-form jazz. Born in Kingston, Harriott moved to the United Kingdom as a working musician in 1951 and lived in the country for the rest of his life. He was part of a wave of Caribbean jazz musicians who arrived in Britain during the 1950s, including Dizzy Reece, Harold McNair, Harry Beckett and Wilton Gaynair. Early life and career Born in Kingston, Jamaica, Harriott was educated at Alpha Boys School, an orphanage in the city. At Alpha he learned to play the clarinet, the instrument that was assigned to him shortly before his tenth birthday. He took up the baritone and tenor saxophone while performing with local dance bands, before settling on the alto saxophone. Harriott arrived in London in the summer of 1951, aged 23, as a member of Ossie Da Costa's band. British subject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingston, Jamaica
Kingston is the capital and largest city of Jamaica, located on the southeastern coast of the island. It faces a natural harbour protected by the Palisadoes, a long sand spit which connects the town of Port Royal and the Norman Manley International Airport to the rest of the island. In the Americas, Kingston is the largest predominantly English-speaking city in the Caribbean. The local government bodies of the parishes of Kingston and Saint Andrew were amalgamated by the Kingston and St. Andrew Corporation Act of 1923, to form the Kingston and St. Andrew Corporation (KSAC). Greater Kingston, or the "Corporate Area" refers to those areas under the KSAC; however, it does not solely refer to Kingston Parish, which only consists of the old downtown and Port Royal. Kingston Parish had a population of 89,057, and St. Andrew Parish had a population of 573,369 in 2011 Kingston is only bordered by Saint Andrew to the east, west and north. The geographical border for the parish of K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
100 Club
The 100 Club is a music venue located at 100 Oxford Street, London, England, where it has been hosting live music since 24 October 1942. It was originally called the Feldman Swing Club, but changed its name when the father of the current owner took over in 1964. Feldman Swing Club In 1942, the venue was a restaurant called Macks, which was hired out beginning 24 October every Sunday evening by Robert Feldman at £4 per night to host a jazz club featuring swing music. The initial line-up of the Feldman Swing Club advertised in '' Melody Maker'' included Frank Weir, Kenny Baker and Jimmy Skidmore, with guest artists the Feldman Trio, composed of Feldman's children, including then eight-year-old jazz drummer Victor Feldman. The club's clientele included American GIs, who introduced jitterbug to the club, banned at most other music venues. Patrons included Glenn Miller, who auditioned young Victor Feldman, and the club hosted many top American jazz acts, including Mel Powell, R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Chisholm (musician)
George Chisholm OBE (29 March 1915 – 6 December 1997) was a Scottish jazz trombonist and vocalist. In the late 1930s he moved to London, where he played in dance bands led by Bert Ambrose and Teddy Joyce.Coln Larkin, ''Virgin Encyclopedia of Sixties Music'' (Muze UK Ltd, 1997), p. 112 He later recorded with jazz musicians such as Coleman Hawkins, Fats Waller and Benny Carter during their visits to the UK. In 1940, during the Second World War, Chisholm signed on with the Royal Air Force and joined the RAF Dance Orchestra (known popularly as the Squadronaires), remaining in the band long after he was demobbed. He followed this with freelance work and a five-year stint with the BBC Showband (a forerunner of the BBC Radio Orchestra) and as a core member of Wally Stott's orchestra on BBC Radio's ''The Goon Show'', for which he made several minor acting appearances, for example as 'Chisholm MacChisholm the Steaming Celt' in the 1956 episode 'The Macreekie Rising of '74'. Chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lita Roza
Lilian Patricia Lita Roza (14 March 1926 – 14 August 2008) was an English singer best known for her 1953 recording "(How Much Is) That Doggie in the Window?", which reached No. 1 on the UK Singles Chart. She was the first British woman to have a No. 1 hit in the UK chart. Early life and career Lilian Patricia Lita Roza was born in Liverpool on 14 March 1926, the eldest of seven children. She began work at an early age to support the family. She owed her sultry looks and passion to her father, an amateur accordionist and pianist of Filipino descent who played in Liverpool nightclubs. At the age of 12, she saw an advert in the local newspaper for juvenile dancers and passed the audition. She took to the stage at that age in a pantomime, and by the time she was 15, was working with the comedian and fellow Merseysider Ted Ray. When she was 16, she answered an advertisement and got a job as a singer in the "New Yorker" club in Southport for £5 per week. Soon afterwards she signed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodisc Records
Melodisc Records was a record label founded by Emil E. Shalit in the late 1940s. It was one of the first independent record labels in the UK and the parent company of the Blue Beat label. History Melodisc records was founded by Austrian-born American citizen Emil Edward Shalit (24 December 1909 – 23 April 1983) and his business partner Jack Chilkes. Melodisc began trading in London, England, in August 1949 and soon became established as one of the first—and, at the time, the largest—independent record labels in the UK. Its offices were in Earlham Street, Covent Garden. The company was founded in 1949 when Shalit was still living in New York City, with the initial purpose of licensing American jazz for release in the UK. In London, Melodisc was managed by Jack Chilkes until a disagreement with Shalit led to his departure and a subsequent lawsuit in late 1952; According to Chilkes, Shalit had tricked him into believing that he owned the rights to material actually o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pye Records
Pye Records was a British record label. Its best known artists were Lonnie Donegan (1956–1969), Petula Clark (1957–1971), the Searchers (1963–1967), the Kinks (1964–1971), Sandie Shaw (1964–1971), Status Quo (1968–1971) and Brotherhood of Man (1975–1979). The label changed its name to PRT Records (distributing as Precision Records & Tapes) in 1980, before being briefly reactivated as Pye Records in 2006. History The Pye Company originally manufactured televisions and radios. Its main plant was situated off what used to be Haig Road, in Cambridge, and it entered the record business when it bought Nixa Records in 1953. In 1955, the company acquired Polygon Records, a label that had been established by Leslie Clark and Alan A. Freeman to control distribution of the recordings of the former's daughter, Petula Clark. Pye merged it with Nixa Records to form Pye Nixa Records. Pye International In 1958, Pye International Records was established. The company licensed record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia Graphophone Company
Columbia Graphophone Co. Ltd. was one of the earliest phonograph, gramophone companies in the United Kingdom. Founded in 1917 as an offshoot of the American Columbia Records, Columbia Phonograph Company, it became an independent British-owned company in 1922 in a management buy-out after the parent company went into receivership. In 1925 it acquired a controlling interest in its American parent company to take advantage of a new electrical recording process. The British firm also controlled the US operations from 1925 until 1931. That year Columbia Graphophone in the UK merged with the Gramophone Company (which sold records under the HMV label) to form EMI. At the same time, Columbia divested itself of its American branch, which was eventually absorbed by Columbia Broadcasting System (CBS) in 1938. As Columbia Records, it became a successful British label in the 1950s and 1960s, and was eventually replaced by the newly created EMI Records, as part of a label consolidation. Thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allan Ganley
Allan Anthony Ganley (11 March 1931 – 29 March 2008) was an English jazz drummer and arranger. Career Ganley was born in Tolworth, Surrey, England. A self-taught drummer, in the early 1950s Ganley played in the dance band led by Bert Ambrose. In 1953, he came to prominence as a member of Johnny Dankworth's band. Also in the 1950s, he worked with Derek Smith (musician), Derek Smith, Dizzy Reece, Vic Ash, and Ronnie Scott. Towards the end of the decade he was co-leader with Ronnie Ross of a small group known as the Jazzmakers. In the early 1960s, Ganley often worked with Tubby Hayes, playing with his small groups and the occasionally assembled big band. As house drummer at Ronnie Scott's Jazz Club he played with Dizzy Gillespie, Stan Getz, Jim Hall (musician), Jim Hall, Freddie Hubbard, and Rahsaan Roland Kirk. In the early 1970s he took time out to study at Berklee College of Music in Boston, Massachusetts, then returned to the UK to form and lead a big band which he maintaine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Seamen
Philip William Seamen (28 August 1926 – 13 October 1972) was an English jazz drummer. With a background in big band music, Seamen played and recorded in a wide range of musical contexts with virtually every key figure of 1950s and 1960s British jazz. Notable examples included Joe Harriott, Tubby Hayes, Stan Tracey, Ronnie Scott, Denny Termer, Dick Morrissey, Harold McNair, Don Rendell, Victor Feldman, Dizzy Reece, Tony Coe, Tony Lee, and George Chisholm, among others. Later in his career he worked with Alexis Korner and Georgie Fame, and had a spell with Ginger Baker's Air Force, the leader of the band being Seamen's foremost disciple. Addiction to alcohol and other drugs hampered his career.Phil Seamen Biography '' |
Ronnie Scott
Ronnie may refer to: *Ronnie (name), a unisex pet name and given name * "Ronnie" (Four Seasons song), a song by Bob Gaudio and Bob Crewe *"Ronnie," a song from the Metallica album '' Load'' *Ronnie Brunswijkstadion, an association football stadium located in Moengo, Suriname See also * Ronny (given name) * Veronica (other) * Ronald (other) Ronald is a masculine given name. Ronald may also refer to: * Ronald, Minnesota, an unincorporated community in the United States * Ronald, Washington, an unincorporated community in the United States See also * Ronald Township, Michigan, ... * Ron (other) * {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Kinsey
Cyril Anthony Kinsey (born 11 October 1927) is an English jazz drummer and composer. Early life Kinsey was born in Sutton Coldfield, Birmingham, England. He held jobs on trans-Atlantic ships while young, studying while at port with Bill West in New York City and with local musician Tommy Webster in Birmingham. He had a close association with Ronnie Ball early in his life; the two even had a double wedding together. Career Kinsey led his own ensemble at the Flamingo Club in London through the 1950s, and recorded on more than 80 sessions between 1950 and 1977, including with Tubby Hayes, Bill Le Sage, Ronnie Scott, Johnny Dankworth, Tommy Whittle, Joe Harriott, Lena Horne, Frank Holder, Ella Fitzgerald, Ben Webster, Clark Terry, Harry Edison, Buddy DeFranco, Billie Holiday, Oscar Peterson, and Sarah Vaughan. He performed at European jazz festivals both as a drummer and as a poet. He did some work as a session musician in the 1950s and 1960s, playing on records by Eddie Calvert, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calypso Music
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to the mid-19th century and spread to the rest of the Caribbean Antilles and Venezuela by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century. It is characterized by highly rhythmic and harmonic vocals, and was historically most often sung in a French creole and led by a griot. As calypso developed, the role of the griot became known as a ''chantuelle'' and eventually, ''calypsonian''. As English replaced "patois" (Antillean creole) as the dominant language, calypso migrated into English, and in so doing it attracted more attention from the government. It allowed the masses to challenge the doings of the unelected Governor and Legislative Council, and the elected town councils of Port of Spain and San Fernando. Calypso continued to play an important role in politic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
