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Jockey Of Artemision
The Jockey of Artemision is a large Hellenistic bronze statue of a young boy riding a horse, dated to around 150–140 BC. It is a rare surviving original bronze statue from Ancient Greece and a rare example in Greek sculpture of a racehorse. Most ancient bronzes were melted down for their raw materials some time after creation, but this one was saved from destruction when it was lost in a shipwreck in antiquity, before being discovered in the twentieth century. It may have been dedicated to the gods by a wealthy person to honour victories in horse races, probably in the single-horse race (Greek: κέλης - kēles). The artist is unknown. Discovery and display The statue was found in a shipwreck off Cape Artemision, in north Euboea, which was discovered in 1926. Also found in the wreck were parts of the Artemision Bronze."Archaelogical Work In Near East" in The Times, 5 April 1929, p.13. The first parts of the equestrian statue were recovered in 1928, with more pieces found in ...
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Ancient Greece Bronze Artemision Jockey, C
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ...
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Hellenistic And Roman Bronzes
In Classical antiquity, the Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire, as signified by the Battle of Actium in 31 BC and the conquest of Ptolemaic Egypt the following year. The Ancient Greek word ''Hellas'' (, ''Hellás'') was gradually recognized as the name for Greece, from which the word ''Hellenistic'' was derived. "Hellenistic" is distinguished from "Hellenic" in that the latter refers to Greece itself, while the former encompasses all ancient territories under Greek influence, in particular the East after the conquests of Alexander the Great. After the Macedonian invasion of the Achaemenid Empire in 330 BC and its disintegration shortly after, the Hellenistic kingdoms were established throughout south-west Asia (Seleucid Empire, Kingdom of Pergamon), north-east Africa ( Ptolemaic Kingdom) and South Asia (Greco-Bactrian Kingdom, Indo-Greek Kin ...
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University Of California Press
The University of California Press, otherwise known as UC Press, is a publishing house associated with the University of California that engages in academic publishing. It was founded in 1893 to publish scholarly and scientific works by faculty of the University of California, established 25 years earlier in 1868, and has been officially headquartered at the university's flagship campus in Berkeley, California, since its inception. As the non-profit publishing arm of the University of California system, the UC Press is fully subsidized by the university and the State of California. A third of its authors are faculty members of the university. The press publishes over 250 new books and almost four dozen multi-issue journals annually, in the humanities, social sciences, and natural sciences, and maintains approximately 4,000 book titles in print. It is also the digital publisher of Collabra and Luminos open access (OA) initiatives. The University of California Press publishes in ...
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Charioteer Of Delphi
The ''Charioteer of Delphi'', also known as ''Heniokhos'' ( el, Ἡνίοχος, the rein-holder), is a statue surviving from Ancient Greece, and an example of ancient bronze sculpture. The life-size (1.8m) Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 142. statue of a chariot driver was found in 1896 at the Sanctuary of Apollo in Delphi. It is now in the Delphi Archaeological Museum. Background The statue was set up at Delphi, Greece Honour, H. and J. Fleming, (2009) ''A World History of Art''. 7th edn. London: Laurence King Publishing, pp. 132-135. ; Dafas, K. A., 2019. ''Greek Large-Scale Bronze Statuary: The Late Archaic and Classical Periods'', Institute of Classical Studies, School of Advanced Study, University of London, Bulletin of the Institute of Classical Studies, Monograph, BICS Supplement 138 (London), pp. 24-35, pls 16-30. to commemorate one of two victories of the tyrant Polyzalus of Ge ...
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Chiton (costume)
A chiton (Greek: χιτών, ''khitōn'') is a form of tunic that fastens at the shoulder, worn by men and women of ancient Greece and Rome. There are two forms of chiton. One is the Doric chiton and the later Ionic chiton. According to Herodotus, popular legend was that Athenian women began to wear the chiton as opposed to the peplos after several women stabbed a messenger to death with the bronze pins characteristic of the peplos. Etymology The word ''chiton'' is derived from a Central Semitic language *''kittan'' (e.g. Hebrew כֻּתֹּנֶת ''kuttṓnĕṯ''), ultimately from a word for flax. Different forms and wearing styles A shorter version of the chiton was called the chitoniskos. Doric chiton The Doric chiton is a single rectangle of woolen or linen fabric. It can be worn plain or with an overfold called an ''apoptygma'', which is more common to women. It can be draped and fastened at the shoulder by pins (Greek: peronai; Latin: fibulae) or sewing, or by button ...
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Bareback
Bareback riding is a form of horseback riding without a saddle. It requires skill, balance, and coordination, as the rider does not have any equipment to compensate for errors of balance or skill. Proponents of bareback riding argue that riding in this fashion is natural, allows considerable communication with the horse, and improves a rider's balance. The drawbacks include a higher risk of injury due to an increased risk of falling off the horse, the potential to develop poor riding form, and the possibility of considerable discomfort to both horse and rider due to the absence of a supporting tree and any padding between the rider's seat bones and the horse's spine. Over time, it is more fatiguing to both horse and rider to ride bareback. In certain situations, bareback riding is particularly suitable. Many riders ride bareback for a short distance to save time. It is also common for a rider who takes a horse in one direction and walks back on foot, such as when moving the hor ...
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Nike (mythology)
In Greek mythology, Nike (; grc, Νίκη, lit=victory, ancient: , modern: ) was a goddess who personified victory in any field including art, music, war, and athletics. She is often portrayed in Greek art as Winged Victory in the motion of flight; however, she can also appear without wings as "Wingless Victory" when she is being portrayed as an attribute of another deity such as Athena.Suidas. ''The Suda on Line: Byzantine Lexicography''. Translated by Whitehead, David, et al. (2014). Accessed 9 December 2022. https://www.cs.uky.edu/~raphael/sol/sol-html/ In Greek literature Nike is described as both an attribute and attendant to the gods Zeus and Athena. Nike gained this honored role beside Zeus during the Titanomachy where she was one of the first gods to offer her allegiance to Zeus. At Athens, Nike became a servant to Athena as well as an attribute of her due to the prominent status Athena held in her patron city. The fusion of the two goddesses at Athens has contributed to ...
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Flow Welding
Flow may refer to: Science and technology * Fluid flow, the motion of a gas or liquid * Flow (geomorphology), a type of mass wasting or slope movement in geomorphology * Flow (mathematics), a group action of the real numbers on a set * Flow (psychology), a mental state of being fully immersed and focused * Flow, a spacecraft of NASA's GRAIL program Computing * Flow network, graph-theoretic version of a mathematical flow * Flow analysis * Calligra Flow, free diagramming software * Dataflow, a broad concept in computer systems with many different meanings * Microsoft Flow (renamed to Power Automate in 2019), a workflow toolkit in Microsoft Dynamics * Neos Flow, a free and open source web application framework written in PHP * webMethods Flow, a graphical programming language * FLOW (programming language), an educational programming language from the 1970s * Flow (web browser), a web browser with a proprietary rendering engine Arts, entertainment and media * ''Flow'' (journal ...
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Lost Wax
Lost-wax casting (also called "investment casting", "precision casting", or ''cire perdue'' which has been adopted into English from the French, ) is the process by which a duplicate metal sculpture (often silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method. The oldest known examples of this technique are approximately 6,500-year-old (4550–4450 BC) and attributed to gold artefacts found at Bulgaria's Varna Necropolis. A copper amulet from Mehrgarh, Indus Valley civilization, in Pakistan, is dated to circa 4,000 BC. Cast copper objects, found in the Nahal Mishmar hoard in southern Israel, which belong to the Chalcolithic period (4500–3500 BC), are estimated, from carbon-14 dating, to date to circa 3500 BC. In Other examples from somewhat later periods are from Mesopotamia in the third millennium BC. Lost-wax casting was widespread in Europe until the 18th century, when a piece-moulding process came to predomin ...
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Equestrian Statue
An equestrian statue is a statue of a rider mounted on a horse, from the Latin ''eques'', meaning 'knight', deriving from ''equus'', meaning 'horse'. A statue of a riderless horse is strictly an equine statue. A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of rulers or, in the Renaissance and more recently, military commanders. History Ancient Greece Equestrian statuary in the West dates back at least as far as Archaic Greece. Found on the Athenian acropolis, the sixth century BC statue known as the Rampin Rider depicts a ''kouros'' mounted on horseback. Ancient Middle and Far East A number of ancient Egyptian, Assyrian and Persian reliefs show mounted figures, usually rulers, though no free standing statues are known. The Chinese Terracotta Army has no mounted riders, though cavalrymen stand beside their mounts, but smaller Tang Dynasty pottery tomb Qua figures often include them, at a rel ...
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