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Joannes Van Houbraken
Joannes, Jan or Giovanni van Houbraken, van Houbracken or Houbraken (c. 1600 – ) was a Flemish painter and art dealer. He painted religious compositions and allegorical genre scenes. He lived and worked for a while in Italy, first in Rome, later in Naples and finally in Messina. He became familiar with the work of the Caravaggisti, whose style influenced him. After his return to Antwerp he engaged in trade with Italy and sent his works and other items produced by Antwerp craftsmen to patrons in Italy.Jacob Philipp Hackert">Gaetano Grano, Jacob Philipp Hackert, ''Memorie de' pittori messinesi e degli esteri che in Messina fiorirono dal secolo XII sino al secolo XIX', published in 1821 in Messina Nicola became a successful still life painter, who worked for local patrons and also sent works to all parts of the country.Silvia Groppa, ''Ritratto di un inganno: come giocare con la tela. Nicola van Houbraken e il dipinto degli Uffizi'' in: I peruranio, Periodico di critica culturale, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joannes Van Houbraken - Crucifixion With May, John And Mary Magdalene
Joannes or John ( la, Iohannes; died 425) was western Roman emperor from 423 to 425. On the death of the Emperor Honorius (15 August 423), Theodosius II, the remaining ruler of the House of Theodosius, hesitated in announcing his uncle's death. In the ''interregnum'', Honorius's patrician at the time of his death, Castinus, elevated Joannes as emperor. History Joannes was a '' primicerius notariorum'' or senior civil servant at the time of his elevation. Procopius praised him as "both gentle and well-endowed with sagacity and thoroughly capable of valorous deeds." Unlike the Theodosian emperors, he tolerated all Christian sects and even the pagans. From the beginning, his control over the empire was insecure. In Gaul, his praetorian prefect was slain at Arles in an uprising of the soldiery there. And Bonifacius, '' comes'' of the Diocese of Africa, held back the grain fleet destined to Rome. "The events of Johannes' reign are as shadowy as its origins," writes John M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Philipp Hackert
Jacob Philipp Hackert (15 September 1737 – 28 April 1807) was a landscape painter from Brandenburg, who did most of his work in Italy. Biography Hackert was born in 1737 in Prenzlau in the Margraviate of Brandenburg (now in Germany). He trained with his father Philipp (a portraitist and painter of animals) and his uncle, before going to the Prussian Academy of Arts in Berlin in 1758. Later he traveled to Swedish Pomerania and Stockholm, at the invitation of Adolf Friedrich von Olthof, a Swedish government official and businessman. For a time, he lived with Von Olthof and painted decorative murals at his estate. He spent from 1765 to 1768 in Paris with the Swiss artist Balthasar Anton Dunker, where he focused on painting in gouache. He met and was inspired by Claude Joseph Vernet, who was already famous as a painter of landscapes and seascapes, and the German engraver Johann Georg Wille. In 1768 Hackert left Paris with his brother Georg, and went to Italy, basing himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flemish History Painters
Flemish (''Vlaams'') is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch (), Belgian Dutch ( ), or Southern Dutch (). Flemish is native to Flanders, a historical region in northern Belgium; it is spoken by Flemings, the dominant ethnic group of the region. Outside of Flanders, it is also spoken to some extent in French Flanders and the Dutch Zeelandic Flanders. Terminology The term ''Flemish'' itself has become ambiguous. Nowadays, it is used in at least five ways, depending on the context. These include: # An indication of Dutch written and spoken in Flanders including the Dutch standard language as well as the non-standardized dialects, including intermediate forms between vernacular dialects and the standard. Some linguists avoid the term ''Flemish'' in this context and prefer the designation ''Belgian-Dutch'' or ''South-Dutch'' # A synonym for the so-called intermediate language in Flanders region, the # An indicatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flemish Baroque Painters
Flemish (''Vlaams'') is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch (), Belgian Dutch ( ), or Southern Dutch (). Flemish is native to Flanders, a historical region in northern Belgium; it is spoken by Flemings, the dominant ethnic group of the region. Outside of Flanders, it is also spoken to some extent in French Flanders and the Dutch Zeelandic Flanders. Terminology The term ''Flemish'' itself has become ambiguous. Nowadays, it is used in at least five ways, depending on the context. These include: # An indication of Dutch written and spoken in Flanders including the Dutch standard language as well as the non-standardized dialects, including intermediate forms between vernacular dialects and the standard. Some linguists avoid the term ''Flemish'' in this context and prefer the designation ''Belgian-Dutch'' or ''South-Dutch'' # A synonym for the so-called intermediate language in Flanders region, the # An indica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Messina
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1723 Deaths
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1660 Births
Year 166 ( CLXVI) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Pudens and Pollio (or, less frequently, year 919 ''Ab urbe condita''). The denomination 166 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Dacia is invaded by barbarians. * Conflict erupts on the Danube frontier between Rome and the Germanic tribe of the Marcomanni. * Emperor Marcus Aurelius appoints his sons Commodus and Marcus Annius Verus as co-rulers (Caesar), while he and Lucius Verus travel to Germany. * End of the war with Parthia: The Parthians leave Armenia and eastern Mesopotamia, which both become Roman protectorates. * A plague (possibly small pox) comes from the East and spreads throughout the Roman Empire, lasting for roughly twenty years. * The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bellomo Palace Regional Gallery
Bellomo Palace Regional Gallery ( it, Museo di palazzo Bellomo) is an art museum in Syracuse, Sicily. Bellomo Palace The museum is situated in the premises of Bellomo Palace. The origins of the palace have been traced to the 12th century, the time of Hohenstaufen rule of Sicily. The palace still features a number of unusually well-preserved elements from this time. The main facade, as well as the basement and ground floor, still essentially retain the 12th-century appearance of the building. Alterations were made in the 14th century and on a larger scale during the 15th century, when it belonged to the Bellomo family from which it derives its name. From this period, a number of details such as portals, mullioned windows and the staircase display influences from Catalan Gothic, a style which was popular on Sicily at the time (as Sicily was at the time part of the Crown of Aragon). In the 18th century the palace and the neighbouring Parisio Palace were taken over by a Benedictine mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interdisciplinary Regional Museum Of Messina
The Interdisciplinary Regional Museum of Messina (Italian - ''Museo regionale interdisciplinare di Messina'') is a museum of painting, sculpture and archaeology in the city of Messina. Until 2017 it was housed in the former ''Barbera-Mellinghoff'' silk-mill, a late 19th century building chosen for it after the 1908 Messina earthquake. Since 2017 it has been housed in a nearby complex designed in the 1970s. History Origins The first nucleus for the museum's collection came with various private collections of conservative taste. First opened in 1806 as the Museo civico peloritano by the Reale Accademia Peloritana "to end the despoliation of art", its formation was the idea of its first director Carmelo La Farina. It housed the Alojsio, Arenaprimo, Ciancialo, Grosso-Cacopardo and Carmisino family collections as well as a collection of 14th to 18th century paintings owned by the city's senate, which also part-funded its running costs. It was initially based on via Rovere, near the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jusepe De Ribera
Jusepe de Ribera (1591 – 1652) was a painter and printmaker, who along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was not longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century."Pérez-Sánchez, Alfonso E., and Nicola Spinosa. 1992. Jusepe de Ribera 1519–1652'. The Metropolitan Museum of Art/Harry N. Abrams, Inc. New York. 290 pp, Jusepe de Ribera () has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto ("the Little Spaniard") by his contemporaries, early historians, and biographers. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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