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Joan Pau Pujol
Joan Pau Pujol (; baptized 18 June 1570 – 17 May 1626) was a Catalan and Spanish composer and organist of the late Renaissance and early Baroque. While best known for his sacred music, he also wrote popular secular music. Life Pujol was born in Mataró. In 1593 he became the assistant ''maestro de capilla'' at the cathedral in Barcelona, but he only held this post for a few months, taking the post of ''maestro de capilla'' (master of the chapel) at the cathedral in Tarragona, and then in 1595 at ''Nuestra Señora del Pilar'' in Zaragoza, a post which he kept for 17 years. While in Zaragoza, in 1600, he became a priest. In 1612 he returned to Barcelona, becoming ''maestro de capilla'' at the cathedral, a distinguished post which he held until his death. Most of his music dates from the time he was in Barcelona. Evidently a condition of his employment was to produce a fixed quantity of new liturgical music each year. Unusually for many composers of the time, most of it has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalan People
Catalans (Catalan, French and Occitan: ''catalans''; es, catalanes, Italian: ''catalani'', sc, cadelanos) are a Romance ethnic group native to Catalonia, who speak Catalan. The current official category of "Catalans" is that of the citizens of Catalonia, an autonomous community in Spain and the inhabitants of the Roussillon historical region in southern France, today the Pyrénées Orientales department, also called Northern Catalonia and ''Pays Catalan'' in French. Some authors also extend the word "Catalans" to include all people from areas in which Catalan is spoken, namely those from Andorra, Valencia, the Balearic islands, eastern Aragon, Roussillon, and the city of Alghero in Sardinia. The Catalan government regularly surveys its population regarding its "sentiment of belonging". As of July 2019, the results point out that 46.7% of the Catalans and other people living in Catalonia would like independence from Spain, 1.3% less than the year before. Historical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantus Firmus
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the ''Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomás Luis De Victoria
Tomás Luis de Victoria (sometimes Italianised as ''da Vittoria''; ) was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy Week". His surviving ''oeuvre'', unlike that of his colleagues, is almost exclusively sacred and polyphonic vocal music, set to Latin texts. As a Catholic priest, as well as an accomplished organist and singer, his career spanned both Spain and Italy. However, he preferred the life of a composer to that of a performer. Life and career Victoria was born in Sanchidrián in the province of Ávila, Castile, around 1548 and died in 1611. Victoria's family can be traced back for generations. Not only are the names of the members in his immediate family known, but even the occupation of his grandfather. Victoria was the sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem
A Requiem or Requiem Mass, also known as Mass for the dead ( la, Missa pro defunctis) or Mass of the dead ( la, Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal. It is usually celebrated in the context of a funeral (where in some countries it is often called a Funeral Mass). Musical settings of the propers of the Requiem Mass are also called Requiems, and the term has subsequently been applied to other musical compositions associated with death, dying, and mourning, even when they lack religious or liturgical relevance. The term is also used for similar ceremonies outside the Roman Catholic Church, especially in Western Rite Orthodox Christianity, the Anglo-Catholic tradition of Anglicanism, and in certain Lutheran churches. A comparable service, with a wholly different ritual form and texts, exists in the Eastern Orthodox and Eastern Catholic church ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal (music)
A madrigal is a form of secular vocal music most typical of the Renaissance music, Renaissance (15th–16th c.) and early Baroque music, Baroque (1600–1750) periods, although revisited by some later European composers. The Polyphony, polyphonic madrigal is Accompaniment, unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the Metre (music), metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s in music, 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folia
''La Folía'' (Spanish), or ''Follies'' (English), also known as ''folies d'Espagne'' (French), ''La Follia'' (Italian), and ''Folia'' (Portuguese), is one of the oldest remembered European musical themes, or primary material, generally melodic, of a composition, on record. The theme exists in two versions, referred to as early and late ''folias'', the earlier being faster. History Due to its musical form, style and etymology of the name, it has been suggested that the melody arose as a dance in the mid or late fifteenth century throughout the Iberian Peninsula, either in Portugal or in the area of the old Kingdom of León, or maybe in the Kingdom of Valencia. The epithet "Folia" has several meanings in music. Western classical music features both "early Folia", which can take different shapes, and the better-known "later Folia" (also known as "Follia" with double l in Italy, "Folies d'Espagne" in France, and "'s Ground" in England). Recent research suggests that the origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tono Humano
The tono humano (secular song) was one of the main genres of 17th Century Spanish and Portuguese music. :The term ''tonadas'' is also used for ''tonos humanos'' in 17th Century musical literature but the 17th Century ''tonada'' is to be distinguished from the modern folk tonada song in Chile or for guitar band in Argentina. In the early 17th Century the main vernacular forms for Spanish and Portuguese composers were the villancico, usually a Christmas song, and the solo tono; tono humano if secular, tono divino if sacred. The cantata form had not yet been introduced from Italy. At this point tonos were generally strophic songs (coplas) with a refrain (estribillo). However by the end of the 17th century some tonos had begun to include recitative and aria sections, as the cantada, Spanish form of the cantata became known around 1700. The tono humano and tono divino could also have 2, 3 or 4 voices. Nearly all tonos humanos and semi-sacred villancicos were preserved only in manuscrip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novena (music)
A novena (from Latin: ''novem'', "nine") is an ancient tradition of devotional praying in Christianity, consisting of private or public prayers repeated for nine successive days or weeks. The nine days between the Feast of the Ascension and Pentecost, when the disciples gathered in the upper room and devoted themselves to prayer, is often considered to be the first novena. In some Christian communities, such as in Africa, Latin America and the Philippines, novena traditions are popular and include devotional rituals such as congregational prayers, the decoration of statues, hymn singing with music, as well as community fiesta events over beverages, refreshments or processions. Novenas are most often prayed by members of the Roman Catholic Church, but also by Lutherans, Anglicans, and Eastern Orthodox Christians; they have been used in ecumenical Christian settings as well. The prayers are often derived from devotional prayer books, or consist of the recitation of the rosary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lira (musical Genre)
Lira is the name of several currency units. It is the current currency of Turkey and also the local name of the currencies of Lebanon and of Syria. It is also the name of several former currencies, including those of Italy, Malta and Israel. The term originates from the value of a Roman pound ( la, libra, about 329g, 10.58 troy ounces) of high purity silver. The libra was the basis of the monetary system of the Roman Empire. When Europe resumed a monetary system, during the Carolingian Empire, the Roman system was adopted. The Roman denominations ''librae'', ''solidi'', ''denarii'' were used (becoming known in England as £sd). Particularly this system was kept during the Middle Ages and Modern Age in England, France, and Italy. In each of these countries the ''libra'' was translated into local language: pound in England, livre in France, ''lira'' in Italy. The Venetian lira was one of the currencies in use in Italy and due to the economic power of the Venetian Republic a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iberian Peninsula
The Iberian Peninsula (), ** * Aragonese and Occitan: ''Peninsula Iberica'' ** ** * french: Péninsule Ibérique * mwl, Península Eibérica * eu, Iberiar penintsula also known as Iberia, is a peninsula in southwestern Europe, defining the westernmost edge of Eurasia. It is principally divided between Spain and Portugal, comprising most of their territory, as well as a small area of Southern France, Andorra, and Gibraltar. With an area of approximately , and a population of roughly 53 million, it is the second largest European peninsula by area, after the Scandinavian Peninsula. Name Greek name The word ''Iberia'' is a noun adapted from the Latin word "Hiberia" originating in the Ancient Greek word Ἰβηρία ('), used by Greek geographers under the rule of the Roman Empire to refer to what is known today in English as the Iberian Peninsula. At that time, the name did not describe a single geographical entity or a distinct population; the same name was us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
