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Joan Baez In Concert, Part 2
''Joan Baez in Concert, Part 2'' was a second installment of live material, recorded during Joan Baez' concert tours of early 1963. It peaked at number 7 on the Billboard Pop Albums chart. History ''In Concert, Part 2'' is the first Baez album to feature Bob Dylan covers: "Don't Think Twice It's Alright" and "With God on Our Side" (according to Baez, the first Dylan song she ever learned). Her recording of "We Shall Overcome" was made at Miles College in Birmingham, Alabama, on the same day of the mass arrest of Civil Rights demonstrators in May 1963. The jacket notes contain an untitled poem by Bob Dylan with the recurring theme "An' I walked my road an' sung my song", which makes reference to Baez and the relationship between the two. On the original vinyl Vanguard releases, the stereo and mono releases had different track lists; the track "With God on Our Side" from the stereo release is dropped; in its place on the mono release are the tracks "Railroad Bill" and "Rambler Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Monroe (song)
"Jack Monroe" (Roud 268 and Laws N7), also known as "Jack Munro", "Jack-A-Roe", "Jackaro", "Jacky Robinson", "Jackie Frazier" and "Jack the Sailor", is a traditional ballad which describes the journey of a woman who disguises herself as the eponymous character to board a sailing ship and save her lover, a soldier. The song was one popular in North America and the British Isles (particularly Scotland); it was popular as a British broadside ballad in the early 1800s and American broadsides date back to around 1830, although it could be significantly older. The song survived in the oral tradition on both sides of the Atlantic, and became a popular song during the folk revival when Joan Baez covered a version sung by the Ritchie family of Kentucky. Popular version The famous version of the song comes from the Ritchie family of Kentucky. Jean Ritchie released "Jackero" on her 1956 album "Songs from Kentucky" and performed it on Pete Seeger's Rainbow Quest in 1966. Her sister Edna Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
With God On Our Side (song)
"With God on Our Side" is a song by Bob Dylan, released as the third track on his 1964 album '' The Times They Are A-Changin'''. Dylan first performed the song during his debut at The Town Hall in New York City on April 12, 1963. Lyrics The lyrics address the tendency of Americans to believe that God will invariably side with them and oppose those with whom they disagree, thus leaving unquestioned the morality of wars fought and atrocities committed by their country. Dylan mentions several historical events, including the slaughter of Native Americans in the nineteenth century, the Spanish–American War, the American Civil War, World Wars I and II, The Holocaust, the Cold War and the betrayal of Jesus Christ by Judas Iscariot. Dylan added an additional verse about the Vietnam War for live versions in the 1980s (one which was recorded by The Neville Brothers) that ran thus: The words from the song "whether Judas Iscariot had God on his side" inspired Tim Rice to write the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bonnie Lass O' Fyvie
The Bonnie Lass o' Fyvie (Roud # 545) is a Scottish folk song about a thwarted romance between a soldier and a girl. Like many folk songs, the authorship is unattributed, there is no strict version of the lyrics, and it is often referred to by its opening line "There once was a troop o' Irish dragoons". The song is also known by a variety of other names, the most common of them being "Peggy-O", "Fennario", and "The Maid of Fife". Lyrics Of the many versions, one of the most intricate is: Meaning The song is about the unrequited love of a captain of Irish dragoons for a beautiful Scottish girl in Fyvie. The narration is in the third person, through the voice of one of the captain's soldiers. The captain promises the girl material comfort and happiness, but the girl refuses the captain's advances saying she would not marry a foreigner or a soldier. The captain subsequently leaves Fyvie. In two different variations of the song, he threatens to burn the town(s) if his offer is rejecte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danny Dill
Horace Eldred "Danny" Dill (September 19, 1924 – October 23, 2008) was an American country music singer and songwriter. He was inducted into the Nashville Songwriters Hall of Fame in 1975. Biography Dill, born in Clarksburg, Tennessee, got his start as a professional musician while working with Annie Lou Stockard as Annie Lou and Danny, a duet act who performed on the Grand Ole Opry during the 1940s and 50s. Annie Lou And Danny Dill were made members of The Opry in the 1940s. Although Dill recorded as a solo artist, he found his greatest success as a songwriter. His 1959 tune, " Long Black Veil", written with Marijohn Wilkin, was Top 10 country hit for Lefty Frizzell and has become a standard recorded by many country, folk and pop music musicians. Another notable Dill composition was " Detroit City (I Wanna Go Home)", that was a hit for Bobby Bare, Tom Jones and Dean Martin. Selected compositions * "I'm Hungry for your lovin" *" Long Black Veil" *" Detroit City" (with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marijohn Wilkin
Marijohn Wilkin ( Melson; July 14, 1920 – October 28, 2006) was an American songwriter, famous in country music for writing a number of hits. Wilkin won numerous awards over the years and was referred to as "The Den Mother of Music Row," as chronicled in her 1978 biography ''Lord, Let Me Leave a Song'' (authored with Darryl E. Hicks). It was honored as “One of the 100 Most Important Books about Nashville’s Music Industry.” Biography Wilkin was born in Kemp, Texas and raised in Sanger, Texas, north of Dallas. She became a teacher, and was widowed when her husband Bedford Russell was killed in World War II. She remarried in 1946, with one son; her 1950 marriage to Art Wilkin, Jr. was her third. Her father, a baker, had been a fiddle player. From 1955 she toured with Red Foley, and in 1956 her songs were recorded by Mitchell Torok and Wanda Jackson. In 1958, she moved to Nashville, Tennessee, and had major hits, written with John D. Loudermilk, for Stonewall Jackson (th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Black Veil
"Long Black Veil" is a 1959 country ballad, written by Danny Dill and Marijohn Wilkin and originally recorded by Lefty Frizzell. It is told from the point of view of a man falsely accused of murder and executed. He refuses to provide an alibi, since on the night of the murder he was having an extramarital affair with his best friend's wife, and would rather die and take their secret to his grave than admit the truth. The chorus describes the woman's mourning visits to his gravesite, wearing a long black veil and enduring a wailing wind. In 2019, Frizzell's version of "Long Black Veil" was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". Background The writers later stated that they drew on three sources for their inspiration: Red Foley's recording of "God Walks these Hills with Me", a contemporary newspaper report about the unsolved murder of a priest, and the legend of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antônio Maria
Antônio Maria de Araújo Morais, known as Antônio Maria (17 March 1921—15 October 1964), was a Brazilian writer of pop music lyrics as well as radio sports commentator, poet, composer, and chronicler.Luiz Artur Ferraretto, ''E o rádio? : novos horizontes midiáticos'' Luciano Klöckner (Org.) - Page 75 "MORAIS, Antônio Maria Araújo de. Crônicas de Antônio Maria. São Paulo: Editora Paz e Terra, 1996. SANTOS, Joaquim Ferreira dos. Feliz 1958: o ano que não devia terminar. Rio de Janeiro: Editora Record, 1997." Career At 17 he got his first job presenting a musical program at Pernambuco's Radio club. In 1940, he arrived in Rio de Janeiro, "with four changes of clothing and five quid in the pocket", to work as a sports commentator for Radio Ipanema. The job didn't last long and he went back to Recife, where he married Maria Gonçalves Ferreira in May 1944. By 1948, he was back in Rio. His family now increased by a son and daughter, Rita and Antônio Maria Filho, he took a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luiz Bonfá
Luiz Floriano Bonfá (17 October 1922 – 12 January 2001) was a Brazilian guitarist and composer. He was best known for the music he composed for the film ''Black Orpheus''. Biography Luiz Floriano Bonfá was born on October 17, 1922, in Rio de Janeiro. He began studying with Uruguayan classical guitarist Isaías Sávio at the age of 11. These weekly lessons entailed a long, harsh commute (on foot, plus two and half hours on train) from his family home in Santa Cruz, in the western rural outskirts of Rio de Janeiro, to the teacher's home in the hills of Santa Teresa. Given Bonfá's extraordinary dedication and talent for the guitar, Sávio excused the youngster's inability to pay for his lessons. Bonfá first gained widespread exposure in Brazil in 1947 when he was featured on Rio's Rádio Nacional, then an important showcase for up-and-coming talent. He was a member of the vocal group Quitandinha Serenaders in the late 1940s. Some of his first compositions such as "Ranchi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhã De Carnaval
"Manhã de Carnaval" ("Carnival Morning") is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. "Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film ''Orfeu Negro'' by French director Marcel Camus. The film's soundtrack also included songs by Antônio Carlos Jobim and Vinícius de Moraes, as well as the composition by Bonfá "Samba de Orfeu". "Manhã de Carnaval" appears in the film, including versions sung or hummed by both the principal characters (Orfeu and Euridice), as well as an instrumental version, so that the song has been described as the main musical theme of the film. In the portion of the film in which the song is sung by the character Orfeu, portrayed by Breno Mello, the song was dubbed by Agostinho dos Santos. The song was initially rejected for inclusion in the film by Camus, but Bonfá was able to convince the director that the music for ''Manhã de Carnaval'' was superior to the song Bonfá composed as a replace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Derroll Adams
Derroll Adams (November 27, 1925 – February 6, 2000) was an American folk musician. Biography He was born Derroll Lewis Thompson in Portland, Oregon, United States. At 16, he served in the Army, but was discharged when his true age of 16 was discovered, and later in the Coast Guard. He was a tall, lanky banjo player with a deep voice. He was busking around the West Coast music scene in the 1950s when he met Ramblin' Jack Elliott in the Topanga Canyon area of Los Angeles. The two traveled around and recorded albums, among them ''Cowboys'' and ''The Rambling Boys''. His recording career was somewhat uneven, and like Elliott he was better known for whom he influenced—Donovan, among others—than for his own art. With Elliott, he had gone to England to play live and record. Elliott went back, but Adams stayed. He took Donovan, who had been playing around the UK with Gypsy Dave, under his wing as a sort of protégé; as a result, the influence of American traditional music can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Seeger
Peter Seeger (May 3, 1919 – January 27, 2014) was an American folk singer and social activist. A fixture on nationwide radio in the 1940s, Seeger also had a string of hit records during the early 1950s as a member of the Weavers, notably their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture, workers' rights, and environmental causes. A prolific songwriter, his best-known songs include "Where Have All the Flowers Gone?" (with additional lyrics by Joe Hickerson), " If I Had a Hammer (The Hammer Song)" (with Lee Hays of the Weavers), " Kisses Sweeter Than Wine" (also with Hays), and "Turn! Turn! Turn!", which have been recorded by many artists both in and outside the folk revival movement. "Flowers" was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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