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Jitterbugging
Jitterbug is a generalized term used to describe swing dancing. It is often synonymous with the lindy hop dance but might include elements of the jive, east coast swing, collegiate shag, charleston, balboa and other swing dances. Swing dancing originated in the African-American communities of New York City in the early 20th century. Many nightclubs had a whites-only or blacks-only policy due to racial segregation, however the Savoy Ballroom in Harlem had a no-discrimination policy which allowed whites and blacks to dance together and it was there that the lindy hop dance flourished, started by dancers such as George Snowden and Frank Manning. The term jitterbug was originally a ridicule used by black patrons to describe whites who started to dance the lindy hop, as they were dancing faster and jumpier than was intended, like "jittering bugs", although it quickly lost its negative connotation as the more erratic version caught on. Both the lindy hop and the "jitterbug" became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jitterbug Dancers NYWTS
Jitterbug is a generalized term used to describe swing dancing. It is often synonymous with the lindy hop dance but might include elements of the jive, east coast swing, collegiate shag, charleston, balboa and other swing dances. Swing dancing originated in the African-American communities of New York City in the early 20th century. Many nightclubs had a whites-only or blacks-only policy due to racial segregation, however the Savoy Ballroom in Harlem had a no-discrimination policy which allowed whites and blacks to dance together and it was there that the lindy hop dance flourished, started by dancers such as George Snowden and Frank Manning. The term jitterbug was originally a ridicule used by black patrons to describe whites who started to dance the lindy hop, as they were dancing faster and jumpier than was intended, like "jittering bugs", although it quickly lost its negative connotation as the more erratic version caught on. Both the lindy hop and the "jitterbug" became p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juke Joint
Juke joint (also jukejoint, jook house, jook, or juke) is the vernacular term for an informal establishment featuring music, dancing, gambling, and drinking, primarily operated by African Americans in the southeastern United States. A juke joint may also be called a "barrelhouse". The Jook was the first secular cultural arena to emerge among African American Freedmen. Classic Jooks, found for example at rural crossroads, catered to the rural work force that began to emerge after the emancipation. Plantation workers and sharecroppers needed a place to relax and socialize following a hard week, particularly since they were barred from most white establishments by Jim Crow laws. Set up on the outskirts of town, often in ramshackle, abandoned buildings or private houses — never in newly-constructed buildings — juke joints offered food, drink, dancing and gambling for weary workers. Owners made extra money selling groceries or moonshine to patrons, or providing cheap room and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whitey's Lindy Hoppers
Whitey's Lindy Hoppers was a professional performing group of exceptional swing dancers that was first organized in the late 1920s by Herbert "Whitey" White in the Savoy Ballroom and disbanded in 1942 after its male members were drafted into World War II. The group took on many different forms and had several different names and sub-groups, including Whitey's Hopping Maniacs, Harlem Congeroo Dancers, and The Hot Chocolates. In addition to touring nationally and internationally, the group appeared in several films and Broadway theatre productions. Dorothy Dandridge and Sammy Davis Jr. were among the group's celebrity regulars. History Beginning in the late 1920s, White, a bouncer at the Savoy Ballroom and former dancing waiter, began organizing exceptional dancers, first under the aegis of George Snowden and then under White himself. Although many members felt mistreated by White, many admired his promotion of the dance. In 1934, at the age of 14, Norma Miller became the youngest me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hill District (Pittsburgh)
The Hill District is a grouping of historically African American neighborhoods in the City of Pittsburgh, Pennsylvania. Beginning in the years leading up to World War I, "the Hill" was the cultural center of black life in the city and a major center of jazz. Despite its cultural and economic vibrancy, in the mid-1950s a substantial area was slated for redevelopment, displacing about 8,000 individuals. Geographic area The Hill District of Pittsburgh, Pennsylvania as of 2010 the area comprises Census Tracts 305 (Crawford Roberts, "Lower Hill"), 501 (Crawford-Roberts, "Middle Hill"), 506 (Upper Hill), 509 (Bedford Dwellings), 510 and 511 (Terrace Village). It is bordered by the Downtown on the west, the Strip District next to the Allegheny River and Polish Hill to the north, the Bluff (Uptown) on the southwest, and Oakland on the east and southeast. The census tract/neighborhoods noted in the Hill District are represented on the Pittsburgh City Council by the council member for Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lindy Hop
The Lindy Hop is an American dance which was born in the Black communities of Harlem, New York City, in 1928 and has evolved since then. It was very popular during the swing era of the late 1930s and early 1940s. Lindy is a fusion of many dances that preceded it or were popular during its development but is mainly based on jazz dance, jazz, tap dance, tap, breakaway (dance), breakaway, and Charleston (dance), Charleston. It is frequently described as a jazz dance and is a member of the swing (dance), swing dance family. In its development, the Lindy Hop combined elements of both partnered and solo dancing by using the movements and improvisation of African-American dances along with the formal eight-count structure of European partner dances – most clearly illustrated in the Lindy's basic step, the swingout. In this step's open position, each dancer is generally connected hand-to-hand; in its closed position, leads and follows are connected as though in an embrace on one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carolina Shag
The Carolina shag is a partner dance done primarily to beach music (100-130+ beats per minute in 4/4 time signature). Today, the shag is a recognized dance in national and international dance competitions. Technique The basic step in Carolina Shag is a six-count, eight-step pattern danced in a slot. The rhythm is similar to six-count Swing in that it is triple step, triple step, rock step or counted as "one-and-two, three-and-four, five-six". Eight shag dance steps are in the basic pattern. The "one-and-two" and "three-and-four" steps should take about as much time to complete as the "five-six." Carolina shag often bears only the faintest resemblance to other dances that share the "shag" designation. History The term "Carolina shag" is thought to have originated along the Atlantic Ocean in Cherry Grove Beach, South Carolina during the 1940s. According to Bo Bryan, a Carolina shag historian and resident of Beaufort County, the term was coined at Carolina Beach, North Caroli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Hall
Dance hall in its general meaning is a hall for Dance, dancing. From the earliest years of the twentieth century until the early 1960s, the dance hall was the popular forerunner of the discothèque or nightclub. The majority of towns and cities in the Western World, West had at least one dance hall, and almost always featured live musicians playing a range of music from strict tempo ballroom dance music to big band, swing (genre), swing and jazz. One of the most famous dance hall musicians was Glenn Miller. Other structural forms of dance halls include the dance pavilion which has a roof but no walls, and the open-air platform which has no roof or walls. The open air nature of the dance pavilion was both a feature and a drawback. The taxi dance hall is a dance hall with a specific arrangement, wherein the patrons hire hall employees to dance with them. The early days of rock n' roll were briefly played out in dance halls until they were superseded by nightclubs. United State ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juke Joint
Juke joint (also jukejoint, jook house, jook, or juke) is the vernacular term for an informal establishment featuring music, dancing, gambling, and drinking, primarily operated by African Americans in the southeastern United States. A juke joint may also be called a "barrelhouse". The Jook was the first secular cultural arena to emerge among African American Freedmen. Classic Jooks, found for example at rural crossroads, catered to the rural work force that began to emerge after the emancipation. Plantation workers and sharecroppers needed a place to relax and socialize following a hard week, particularly since they were barred from most white establishments by Jim Crow laws. Set up on the outskirts of town, often in ramshackle, abandoned buildings or private houses — never in newly-constructed buildings — juke joints offered food, drink, dancing and gambling for weary workers. Owners made extra money selling groceries or moonshine to patrons, or providing cheap room and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spoonerism
A spoonerism is an occurrence in speech in which corresponding consonants, vowels, or morphemes are switched (see metathesis) between two words in a phrase. These are named after the Oxford don and ordained minister William Archibald Spooner, who reputedly did this. They were already renowned by the author François Rabelais in the 16th century, and called . In his novel ''Pantagruel'', he wrote ("insane woman at mass, woman with flabby buttocks"). An example is saying "The Lord is a shoving leopard" instead of "The Lord is a loving shepherd" or "runny babbit" instead of "bunny rabbit." While spoonerisms are commonly heard as slips of the tongue, they can also be used intentionally as a play on words. Etymology Spoonerisms are named after the Reverend William Archibald Spooner (1844–1930), Warden from 1903 to 1924 of New College, Oxford, who was notoriously prone to this mistake. The Oxford English Dictionary records the word as early as 1900. The term ''spoonerism'' w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Twadell Shipley
Joseph Twadell Shipley (August 19, 1893 – May 11, 1988) was an American drama critic, author, editor and associate professor of English at Yeshiva College in New York City. Early life Shipley graduated from City College in 1912. He received a Ph.D. in comparative literature from Columbia in 1931 with the thesis ''The quest for literature; a survey of literary criticism and the theories of the literary forms''. Academia Shipley taught English at Stuyvesant High School from 1914 to 1957, and also taught at City College and Brooklyn College. He was secretary to the president of Yeshiva college, assistant professor and then associate professor at Yeshiva college in the period 1928 to 1944 - "a member of the first faculty of Yeshiva College." Literature Shipley became drama critic of '' The Call'' in 1918. ''The Call'' later became ''The New Leader'' and Shipley was drama critic in this paper until 1962. His theater reviews were broadcast on the radio station WEVD in New York o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cab Calloway
Cabell Calloway III (December 25, 1907 – November 18, 1994) was an American singer, songwriter, bandleader, conductor and dancer. He was associated with the Cotton Club in Harlem, where he was a regular performer and became a popular vocalist of the swing era. His niche of mixing jazz and vaudeville won him acclaim during a career that spanned over 65 years. Calloway was a master of energetic scat singing and led one of the most popular dance bands in the United States from the early 1930s to the late 1940s. His band included trumpeters Dizzy Gillespie, Jonah Jones, and Adolphus "Doc" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, guitarist Danny Barker, bassist Milt Hinton, and drummer Cozy Cole. Calloway had several hit records in the 1930s and 1940s, becoming known as the "Hi-de-ho" man of jazz for his most famous song, "Minnie the Moocher", originally recorded in 1931. He reached the '' Billboard'' charts in five consecutive decades (1930s–1970s). Calloway ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preston Sturges
Preston Sturges (; born Edmund Preston Biden; August 29, 1898 – August 6, 1959) was an American playwright, screenwriter, and film director. In 1941, he won the Academy Awards, Oscar for Academy Award for Best Original Screenplay, Best Original Screenplay for the film ''The Great McGinty'' (1940), his first of three nominations in the category. Sturges took the screwball comedy format of the 1930s to another level, writing dialogue that, heard today, is often surprisingly naturalistic, mature, and ahead of its time, despite the farcical situations. It is not uncommon for a Sturges character to deliver an exquisitely turned phrase and take an elaborate pratfall within the same scene. Prior to Sturges, other figures in Hollywood (such as Charlie Chaplin, D. W. Griffith, and Frank Capra) had directed films from their own scripts; however, Sturges is often regarded as the first Hollywood figure to establish success as a screenwriter and then move into directing his own scripts, at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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