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Jimmy Reed At Carnegie Hall
''Jimmy Reed at Carnegie Hall'' is a double album by Jimmy Reed, released in 1961. Though the title suggests that the record was recorded live, it consists of studio recreations of a Carnegie Hall performance along with additional studio recordings. " Bright Lights, Big City", which opens the album, was released as a single around the same time. It became one of Reed's most successful and last songs on the ''Billboard'' Hot R&B charts. The album includes several other Reed songs that appeared on the charts between 1956 and 1961. Critical reception Writing for AllMusic, critic Richie Unterberger gave the album five out of five stars. He noted "In some ways, it almost does make for a greatest-hits compilation, as it contains most of Reed's most popular tunes". Track listing All songs by Jimmy Reed; except where noted. Record 1, side 1: #" Bright Lights, Big City" – 2:50 #"I'm Mr. Luck" – 3:34 #"Baby What's Wrong" – 3:24 #"Found Joy" – 3:41 #"Kind o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby What You Want Me To Do
"Baby What You Want Me to Do" (sometimes called "You Got Me Running" or "You Got Me Runnin'") is a blues song that was written and recorded by Jimmy Reed in 1959. It was a record chart hit for Reed and, as with several of his songs, it has appeal across popular music genres, with numerous recordings by a variety of musical artists. Composition and recording "Baby What You Want Me to Do" is a mid-tempo blues shuffle in the key of E that features "Reed's unique, lazy loping style of vocals, guitar and harmonica." In a 1959 review by ''Billboard'' magazine, it was called "uninhibited and swampy ... deliver dfreely in classic, gutbucket fashion." Music critic Cub Koda describes it as "deceptively simple" and as "one of the true irreducibles of the blues, a song so basic and simple it seems like it's existed forever." However, unlike a typical twelve-bar blues, it includes chord substitutions in bars nine and ten: Backing Reed are his wife Mary "Mama" Reed on harmony vocal, E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vee-Jay Records Albums
Vee-Jay Records is an American record label founded in the 1950s, located in Chicago and specializing in blues, jazz, rhythm and blues and rock and roll. The label was founded in Gary, Indiana in 1953 by Vivian Carter and James C. Bracken, a husband-and-wife team who used their initials for the label's name.Thompson, Dave (2002). ''A Music Lover's Guide to Record Collecting'', pp. 286-89. San Francisco: Backbeat Books. . Vivian's brother, Calvin Carter, was the label's A&R man. Ewart Abner, formerly of Chance Records, joined the label in 1955, first as manager, then as vice president, and ultimately as president. One of the earliest African American-owned record companies, Vee-Jay quickly became a major R&B label, with the first song recorded, the Spaniels' "Baby It's You," making it to the top ten on the national R&B charts. Notable artists Major acts on the label in the 1950s included blues singers Jimmy Reed, Memphis Slim, and John Lee Hooker, and rhythm and blues vocal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Reed Albums
Jimmy may refer to: Arts and entertainment Film and television * ''Jimmy'' (2008 film), a 2008 Hindi thriller directed by Raj N. Sippy * ''Jimmy'' (1979 film), a 1979 Indian Malayalam film directed by Melattoor Ravi Varma * ''Jimmy'' (2013 film), a 2013 drama directed by Mark Freiburger * "The Jimmy", a 1995 episode of the sitcom ''Seinfeld'' * "Jimmy", a 2002 episode of ''Static Shock'' Music * ''Jimmy'' (musical), a 1969 musical Songs * "Jimmy" (song), a song by M.I.A. from the 2007 album ''Kala'' * "Jimmy", a song by Irving Berlin, see also List of songs written by Irving Berlin * "Jimmy", a song by Tones and I from her EP '' The Kids Are Coming'' * "Jimmy", a song by Tool from their 1996 album ''Ænima'' * "Jimmy", a song by dutch artist Boudewijn de Groot * "Jimmy", a song by Jay Thompson for the 1967 film ''Thoroughly Modern Millie'' Theater * Jimmy Awards, annual awards given by the Broadway League to high school musical theater performers in the United States ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lefty Bates
Lefty Bates (March 9, 1920 – April 7, 2007)Doc Rock (2007) TheDeadRockStarsClub.com. Accessed October 13, 2011. was an American Chicago blues guitarist. He led the Lefty Bates Combo and worked with the El Dorados, the Flamingos, Jimmy Reed, John Lee Hooker, Buddy Guy, Etta James, the Aristo-Kats, the Hi-De-Ho Boys, the Moroccos, and the Impressions. A regular on the Chicago blues scene, his major work was as a session musician on numerous recordings in the 1950s and 1960s. Bates was married to the locally well-known club dancer Mary Cole Bates, who died in 2001. Biography He was born William H. Bates in Leighton, Alabama. He acquired his nickname from his left-handed guitar playing. He was raised in St. Louis, Missouri, and attended Vashon High School, where was a founder of the Hi-De-Ho Boys. In 1936, they relocated to Chicago, recorded for Decca Records and played in clubs. After serving in the military in World War II, Bates joined the Aristo-Kats, who recorded for RCA Vict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lonnie Brooks
Lonnie Brooks (born Lee Baker Jr., December 18, 1933 – April 1, 2017) was an American blues singer and guitarist. The musicologist Robert Palmer, writing in ''Rolling Stone'', stated, "His music is witty, soulful and ferociously energetic, brimming with novel harmonic turnarounds, committed vocals and simply astonishing guitar work."Palmer, Robert. ''Rolling Stone'', May 31, 1979. Jon Pareles, a music critic for the ''New York Times'', wrote, "He sings in a rowdy baritone, sliding and rasping in songs that celebrate lust, fulfilled and unfulfilled; his guitar solos are pointed and unhurried, with a tone that slices cleanly across the beat. Wearing a cowboy hat, he looks like the embodiment of a good-time bluesman."Pareles, Jon. ''New York Times'', March 16, 1992. Howard Reich, a music critic for the ''Chicago Tribune'', wrote, "...the music that thundered from Brooks' instrument and voice...shook the room. His sound was so huge and delivery so ferocious as to make everything a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Upchurch
Philip Upchurch (born July 19, 1941) is an American jazz and blues guitarist and bassist. Career Upchurch started his career working with the Kool Gents, the Dells, and the Spaniels, before going on to work with Curtis Mayfield, Otis Rush, and Jimmy Reed. (His association with Kool Gents member Dee Clark would continue, including playing guitar on Clark's 1961 solo hit " Raindrops".) He then returned to Chicago to play and record with Woody Herman, Stan Getz, Groove Holmes, B.B. King, and Dizzy Gillespie. In 1961, his record "You Can't Sit Down" by the Philip Upchurch Combo, sold over one million copies and was awarded a gold disc. "You Can't Sit Down, Part 2" peaked at No. 29 on the ''Billboard'' charts in the US. And he released his first album. In the 1960s he toured with Oscar Brown, appearing on the 1965 live album, '' Mr. Oscar Brown, Jr. Goes to Washington''. In the mid-1960s he was house guitarist of Chess Records and he played with The Dells, Howlin' Wolf, Muddy Water ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Taylor
Eddie Taylor (January 29, 1923 – December 25, 1985) was an American electric blues guitarist and singer. Biography Born Edward Taylor in Benoit, Mississippi, as a boy Taylor taught himself to play the guitar. He spent his early years playing at venues around Leland, Mississippi, where he taught his friend Jimmy Reed to play the guitar. With a guitar style deeply rooted in the Mississippi Delta tradition, Taylor moved to Chicago, Illinois, in 1948. Taylor never achieved the stardom of some of his contemporaries in the Chicago blues scene, he was nevertheless an integral part of that era. He is especially noted as a main accompanist for Jimmy Reed; he also worked for John Lee Hooker, Big Walter Horton, Sam Lay, and others. Earwig Music Company recorded him with Kansas City Red and Big John Wrencher for the album ''Original Chicago Blues''. He later teamed up with Earring George Mayweather, and they jointly recorded several tracks, including "You'll Always Have a Home" and "Don't ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesse Stone
Jesse Albert Stone (November 16, 1901 – April 1, 1999) was an American rhythm and blues musician and songwriter whose influence spanned a wide range of genres. He also used the pseudonyms Charles Calhoun and Chuck Calhoun. His best-known composition as Calhoun was "Shake, Rattle and Roll". Ahmet Ertegun once stated that "Jesse Stone did more to develop the basic rock 'n' roll sound than anybody else." Early life Stone was born in Atchison, Kansas, United States, and raised in Kansas. His grandparents were formerly enslaved in Tennessee. Stone was influenced by a wide array of styles. He came from a musical family who put on minstrel shows, and performed with them by age of five. He was part of a trained dog act at the age of four. Career By 1926, Stone had formed a group, the Blue Serenaders, and cut his first record, "Starvation Blues", for Okeh Records in 1927. For the next few years he worked as a pianist and arranger in Kansas City, recording with Julia Lee amon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luther Dixon
Luther Dixon (August 7, 1931 – October 22, 2009) was an American songwriter, record producer, and singer. Dixon's songs achieved their greatest success in the 1950s and 1960s, and were recorded by Elvis Presley, the Beatles, the Jackson 5, B.B. King, Jerry Lee Lewis, Dusty Springfield, Jimmy Reed and others. As a producer, Dixon helped create the signature sound of the girl group the Shirelles. Early life Dixon was born in Jacksonville, Florida, but his family moved to Brooklyn, New York, when he was young. He learned to sing in church. Career Dixon began his professional career in 1954 with the Four Buddies, a doo-wop group led by Larry Harrison, in which Dixon sang baritone and occasionally played guitar. The Four Buddies recorded for Savoy Records, but also as the Barons for Decca Records and as The Buddies for Glory Records. The group disbanded in 1955, but Dixon and Harrison continued writing songs together. Their biggest hit was "Why Baby Why", recorded by Pat Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Boss Man (song)
"Big Boss Man" is a blues song first recorded by Jimmy Reed in 1960. It became one of his most popular songs, although the songwriting is credited to Luther Dixon and Al Smith. It one of Reed's last appearances on the record charts and other artists have also had chart successes with the song. Original song "Big Boss Man" is an uptempo twelve-bar blues shuffle that features "one of the most influential Reed grooves of all time". It is credited to Jimmy Reed's manager, Al Smith, and Vee-Jay Records staff writer Luther Dixon. The song is one of the few Reed hits that was written by someone other than Reed and his wife. Reed recorded the song in Chicago on March 29, 1960; backing Reed, who sang and played harmonica and guitar, are Mamma Reed on vocal, Lee Baker and Lefty Bates on guitars, Willie Dixon on bass, and Earl Phillips on drums. "Big Boss Man" was originally released on Jimmy Reed's 1960 album ''Found Love''. In 1961, Vee-Jay Records released it as a single, which reac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
