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Jilloo
Jilloo was an Indian Hindi language film actress born in 1905 in Bombay, India as Zuleka Ebrahain. She acted in ''Mother India'' and ''Mughal-e-Azam'', the two biggest commercial and critical successes of the 1950s. She also acted in many movies also, but in very small roles. She portrayed the role of the mother-in-law of Radha, the protagonist of ''Mother India'', and the mother of Anarkali, the lead female character of ''Mughal-e-Azam''. She acted in several other films, including '' Madhosh'', where she played Meena Kumari's mother. She also worked in India's first talkie film ''Alam Ara''. When she was a young women, she was credited as Jilloobai, Jillo, Jilloo, Zillu, Zilloo or Zilloobai. As she started doing more mother roles, she was given the name Jilloo Maa as Maa means mother. Filmography *1960: ''Mughal-E-Azam'' – Anarkali's mother *1957: ''Mother India'' – Sundar Chachi *1951: '' Madhosh'' – Soni's mother *1951: ''Sanam'' – Jogin's mother *1950: '' Magroor'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadbir
''Tadbir '' () is a 1945 Indian Hindi language film. It was the fifth-highest-grossing Indian film of 1945. The film was directed by Jayant Desai under his Jayan Desai Productions banner and had music composed by Lal Mohammed, with lyrics written by Swami Ramanand Saraswati. The film starred K. L. Saigal, Suraiya, Mubarak, Jillobai, Rehana and Shashi Kapoor. Cast * K. L. Saigal as Kanhaiyalal * Suraiya as Saguna * Mubarak as Jwalaprasad * Jilloo Jilloo was an Indian Hindi language film actress born in 1905 in Bombay, India as Zuleka Ebrahain. She acted in ''Mother India'' and ''Mughal-e-Azam'', the two biggest commercial and critical successes of the 1950s. She also acted in many movies ... * Rehana * Rewashankar Marwadi * Raja Rani * Shashiraj * Ameena * Shalini * Gharpure * Raja Joshi References External links * 1945 films 1940s Hindi-language films Indian drama films 1945 drama films Indian black-and-white films Films directed by Jayant Desai Hindi-langua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magroor (1950 Film)
''Magroor'' () is a 1950 Indian Hindi-language romance film produced by J.B.H. Wadia and directed by cinematographer R.D. Mathur. Sajjad Hussain, Bulo C. Rani and Ram Punjwani were the film's music directors. Prominent songs from the film include "Toot Gaya", sung by Mohammed Rafi, Shamshad Begum and Rajkumari Dubey, and "Sitamgar Kiya Vaar", sung by Geeta Dutt. Plot The film opens with Chandni ( Nigar Sultana), an independent, rich and carefree girl taking her cat Mini for drives in the country. On one such drive the cat jumps out and while in chasing her cat down Chandni meets and quarrels with a young farmer (Rehman). Chandni lives with her intimidating Chachi (Durga Khote), who wants her to settle down with her childhood friend Moti (Paidi Jairaj). Chandni, who isn't ready to marry Moti, confesses the same to him. happy to go along with Chachi’s wishes, but Chandni wants more out of marriage—she wants love, and not just the friendship kind. Moti agrees to help her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanam (1951 Film)
''Sanam'' is a 1951 Bollywood romantic film directed by Nandlal Jaswantlal, who also directed the classic Anarkali. It starred Dev Anand, and his co-star was Suraiya, who also recorded the playback singing for the film. Meena Kumari acted in the film in a supporting role, where she played the role of Suraiya's best friend. The film was unsuccessful at the box office, which attributed to Suraiya's fading stardom in the early 1950s, and Madhubala's and Nargis' simultaneous rise as the top female stars. Story ''Sanam'' is a romantic comedy, where Yogen (Dev Anand), a poor educated young man, who is unemployed, comes across Sadhana (Suraiya) and Rani (Meena Kumari) in a chance encounter in a book shop. He was there to request the shopkeeper for a job, which the latter turns down and shows him the door. While exiting, Yogen finds the handbag of Sadhna, absentmindedly left behind by her and returns to her. Sadhna is impressed by his honesty, when he declines to accept her offer of a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sipahiya
''Sipahiya'' is a 1949 Indian thriller film directed and produced by Aspi Irani. It stars Madhubala and Yakub. The music of the film was composed by C. Ramachandra. Cast * Madhubala as Rani * Yakub as Banke * Agha as Bansi * Kanhaiyalal as Rasia * Jilloo Jilloo was an Indian Hindi language film actress born in 1905 in Bombay, India as Zuleka Ebrahain. She acted in ''Mother India'' and ''Mughal-e-Azam'', the two biggest commercial and critical successes of the 1950s. She also acted in many movies ... as Rani's mother References External links * 1940s Hindi-language films 1949 films Hindi-language thriller films {{1940s-Hindi-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alam Ara
''Alam Ara'' () is a 1931 Indian Hindustani-language historical fantasy film directed and produced by Ardeshir Irani. It revolves on a king and his two wives, Navbahaar and Dilbahaar, who are childless; soon, a '' fakir'' (Muhammad Wazir Khan) tells the king that the former wife will give birth to a boy, later named Qamar (Master Vithal), but the child will die following his 18th birthday if Navbahaar cannot find the necklace he asks for. Meanwhile, the king finds out that Dilbahaar falls for the ''senapati'' Adil (Prithviraj Kapoor), leading the king to arrest him and evicts his pregnant wife, who later gives birth to Alam Ara (Zubeida). Irani was inspired to make ''Alam Ara'', after watching the 1929 American part-talkie ''Show Boat''. The story was adapted from the Bombay-based dramatist Joseph David's play of the same name. Made on a budget of , principal photography was handled by Adi M. Irani within four months in Bombay (present-day Mumbai). Because the studio was locate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mother India
''Mother India'' is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film '' Aurat'' (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles. The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book ''Mother India'', which vilified Indian culture. ''Mother India'' metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some auth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mughal-e-Azam
''Mughal-e-Azam'' () is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son. The development of ''Mughal-e-Azam'' began in 1944, when Asif read a 1922 play called ''Anarkali,'' by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. ''Mughal-e-Azam'' cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, insp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhosh (1951 Film)
''Madhosh'' is a 1951 Bollywood film. The story was loosely based on Romeo and Juliet. Cast * Manhar Desai : Raya * Meena Kumari : Soni * Usha Kiran : Raina * Rajan : Anand * Kuldeep Akhtar : Rambhaji, Raya's father * Mubarak : Bhujba or Bhujwa, Soni's father * Jilloo Maa (as Jiloo) : Soni's mother and Bhujba's wife * S. Nazir : Shakriya * Habib Sandow : Pahadji * Shivdutt : Vamia * Bismillah (as Bismilla) : Narayan * Ramakrishna : Panditji (as Ram Krishan) * Goldstein : Police Superintendent Music All songs were written by lyricist Raja Mehdi Ali Khan and music composed by Madan Mohan Madan Mohan is a form of the Hindu god, Krishna. Krishna is celebrated as ''Madan Mohan'', who mesmerizes everyone. His consort, Radha is glorified as Madan Mohan's ''Mohini'', who can even mesmerise Madan Mohan (her Kahn). Radha is known as th .... References External links * Story synopsis 1951 films Films scored by Madan Mohan 1950s Hindi-lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaali
''Gaali'' is a Bollywood film. It was released in Bollywood films of 1944, 1944. A social film, its theme dealt with injustice to women. The music was by Sajjad Hussain with lyrics by Pandit Indra. It starred Karan Dewan, Nirmala Devi, Nirmala, Manjula, and Yakub (actor), Yakub. Cast The cast of the film: * Karan Dewan * Nirmala Devi, Nirmala * Yakub (actor), Yakub * Kanhaiyalal (actor), Kanhaiyalal * Sunalini Devi * Jilloo References External links * 1944 films 1940s Hindi-language films Indian black-and-white films {{1940s-Hindi-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mughal-E-Azam
''Mughal-e-Azam'' () is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son. The development of ''Mughal-e-Azam'' began in 1944, when Asif read a 1922 play called ''Anarkali,'' by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. ''Mughal-e-Azam'' cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, insp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actresses From Mumbai
An actor or actress is a person who portrays a Character (arts), character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for Hypocrisy, hypocrite) also means, less often, "to answer" the Tragedy, tragic Greek chorus, chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actresses In Hindi Cinema
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of Willi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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