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Jheronimus Vinders
Jheronimus Vinders (also Vender or Venders) (fl. 1525–1526) was a Franco-Flemish composer of the Renaissance, active at Ghent. He was a minor member of the generation after Josquin des Prez, and he also composed a notable lament on the more famous composer's death. Next to nothing is known about his life, except that he was the singing-master at Onze-Lieve-Vrouwe-op-de-rade, the guild at St. Baaf cathedral (formerly known as the Janskerk), in Ghent, in 1525 and 1526.Jas, Grove online That city was a prominent center of music-making throughout the Renaissance, and produced many famous composers and singers. Vinders' music has both progressive features, such as the pervasive imitation which was to characterize the compositions of the generation of Gombert and Clemens non Papa, and unusually conservative elements, such as use of the cantus-firmus technique, which had been old-fashioned since around 1500 or even before. Sometimes he combined both the conservative and progressive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine De Févin
Antoine de Févin (ca. 1470 – late 1511 or early 1512) was a Franco-Flemish composer of the Renaissance. He was active at the same time as Josquin des Prez, and shares many traits with his more famous contemporary. Life Févin was most likely born in Arras, the son of an alderman. His brother Robert de Févin was also a composer. Most likely Antoine left Arras in the late 1480s, though there is no evidence that he went to Italy, the commonest destination for Franco-Flemish composers of the time. In the 1490s it is likely he became a priest (although there is no known documentation of that today), and he also may have obtained a master's degree at a university, since he is commonly known as ''maistre'' later in his life. By 1507, he was working as a singer and composer in the chapelle royale for Louis XII of France, who praised him highly. He died at Blois. The Swiss music theorist and biographer Heinrich Glarean, writing in 1547, noted that Févin was a follower of Josquin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Deaths
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Composers
The Renaissance ( , ) , from , with the same meanings. is a Periodization, period in History of Europe, European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the Early modern period, early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Italian Renaissance painting#Proto-Renaissance painting, Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Skinner (musicologist)
David Skinner is a British musicologist and choir director. He works at the University of Cambridge, where he is the director of music at Sidney Sussex College and is an affiliated lecturer, teaching historical and practical topics from the medieval and Renaissance periods. He is the founder of the vocal consort Alamire, and the cofounder of the vocal ensembles Magdala and The Cardinall's Musick. He has produced more than 25 recordings. He has been associated with a number of award-winning projects (including two Gramophone Awards and three runners up; Diapason d'Or; Deutsche Schallplatten; and a Grammy nomination). Early life and education Skinner grew up in the United States. Skinner was educated at the University of Edinburgh. From 1989 to 1994, Skinner was a choral scholar at Christ Church of the University of Oxford. He would receive his DPhil at Christ Church in 1995 for a biography of Nicholas Ludford and a critical edition of Ludford's antiphons. From 1997 to 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Lawrence-King
Andrew Lawrence-King (born 3 September 1959) is a harpist and conductor from Guernsey known for his work in early music. Career Lawrence-King received an organ scholarship to Selwyn College, Cambridge, following on his work as head chorister at the Cathedral and Parish Church of St Peter Port Guernsey. Lawrence-King taught himself the techniques of early harp performance after acquiring an early harp, emphasizing a heavily improvisational style. After Selwyn, he attended the London Early Music Centre, subsequently becoming an ensemble Basso continuo, continuo player with various groups in Europe and a harp soloist with Hespèrion XXI, Hespèrion XX. In addition to his work with other ensembles, Lawrence-King founded continuo group Tragicomedia which he co-directed from 1988 to 1994, the year he founded The Harp Consort, which performs internationally and releases recordings on Harmonia Mundi. Lawrence-King has worked as a conductor with a number of ensembles, including conducting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir Of Sidney Sussex College, Cambridge
The Choir of Sidney Sussex College, Cambridge is a Cambridge collegiate choir, under the direction of the musicologist and conductor David Skinner, with Senior Organ Scholar Emily Evans and Junior Organ Scholar Luca Myers. The composer Eric Whitacre spent three months in the College in 2010, later being appointed Composer in Residence for five years. The current composer in residence is Nico Muhly. Choir The choir usually consists of between six and eight sopranos, between four and six altos, six tenors, three baritones, and three basses. It sings three services per week during term-time, on Wednesdays, Fridays and Sundays. On Wednesdays, uniquely among the collegiate choirs of Oxford and Cambridge, it sings an entirely Latin Vespers. In accordance with the Director's research interests, the choir has a particular focus on 16th century English and Continental music. A new chamber organ was commissioned for the chapel in 2014, built by Taylor and Boody. Construction of another ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson
A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the '' ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word "chanson" literally means "song" in French and can thus less commonly refers to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ''bergerette'', ''brunette'', ''chanson pour boire'', ''pastourelle'', and vaudeville; art song of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutch Language
Dutch ( ) is a West Germanic language spoken by about 25 million people as a first language and 5 million as a second language. It is the third most widely spoken Germanic language, after its close relatives German and English. ''Afrikaans'' is a separate but somewhat mutually intelligible daughter languageAfrikaans is a daughter language of Dutch; see , , , , , . Afrikaans was historically called Cape Dutch; see , , , , , . Afrikaans is rooted in 17th-century dialects of Dutch; see , , , . Afrikaans is variously described as a creole, a partially creolised language, or a deviant variety of Dutch; see . spoken, to some degree, by at least 16 million people, mainly in South Africa and Namibia, evolving from the Cape Dutch dialects of Southern Africa. The dialects used in Belgium (including Flemish) and in Suriname, meanwhile, are all guided by the Dutch Language Union. In Europe, most of the population of the Netherlands (where it is the only official language spoken country ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music In Civilization IV
The music in the ''Civilization'' video game series has been composed by various composers. Civilization The soundtrack of the original ''Civilization'' game was available in either digital MIDI format for DOS version, or in tracker format for Amiga version. Most of original tunes were composed by Jeff Briggs, while others were taken from traditional or classic compositions, referring to each national culture (civilization) represented in the game. The same music used for the Aztecs was also applied to the Barbarians whenever they invaded a city. *Romans – "''Rise of Rome''" (original) *Babylonians – "''Hammurabi's Code''" (original) *Germans – DOS version: "''Variatio 4: Lo stesso movimento''" from ''Goldberg Variations'' (Johann Sebastian Bach); Amiga version: "'' Rondo alla Turca''" (Wolfgang Amadeus Mozart) *Egyptians – "''Harvest Of the Nile''" (original) *Americans – "''Battle Hymn of the Republic''" *Greek – "''Aristotle's Pupil''" (original) *Mongols – "''Mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedictus Appenzeller
Benedictus Appenzeller (between 1480 and 1488 – after 1558) was a Franco-Flemish singer and composer of the Renaissance, active in Bruges and Brussels. He served Dowager Queen Mary of Hungary for much of his career, and was a prolific composer of vocal music, both sacred and secular, throughout his long career. Life He was probably born somewhere in the southern portion of the Netherlands, and his approximate birthdate is inferred from a document late in his life, dated July 1558, in which he gave his age as "over 70". Appenzeller is first mentioned in cathedral records in 1518, when he is a singer, and in 1519, when he became choirmaster at the cathedral of St. Jacob in Bruges. His several publications during the following years show that he was active then as a composer, but nothing is known of his actual whereabouts or employment until 1536, when Dowager Queen Mary of Hungary (daughter of Philip I and Joanna the Mad of Castile) brought him into her Brussels chapel as a sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
