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Jessie Rose
Jessie Kate Rose (18 November 1875 – 27 May 1928) Gänzl, Kurt"Cartesians: Jessie Rose invades the 'C's!" Kurt of Gerolstein, 31 May 2020 was an English opera singer and actress primarily known for her performances as principal mezzo-soprano in the Gilbert and Sullivan comic operas with the D'Oyly Carte Opera Company. From 1896 to 1899 she originated several mostly smaller roles in Savoy operas and then continued to play a variety of smaller and larger roles in repertory with the company. She was its principal mezzo-soprano from 1904 to 1909. Life and career Early life and career Rose was born in Uxbridge, Middlesex, to Henry Rose, a tinsmith, and his wife Ellen (''née'' Masters). She was educated at Ealing and was given music lessons. In 1893 she enrolled at the Royal Academy of Music, earning a bronze medal in singing. She joined the D'Oyly Carte Opera Company in 1896 in the chorus of a revival of ''The Mikado'' at the Savoy Theatre. In March of that year she originated th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lucky Star
''The Lucky Star'' is an English comic opera, in three acts, composed by Ivan Caryll, with dialogue by Charles H. Brookfield (revised by Helen Lenoir) and lyrics by Adrian Ross and Aubrey Hopwood. It was produced by the D'Oyly Carte Opera Company and opened at the Savoy Theatre on 7 January 1899 for a run of 143 performances. The opera starred the usual Savoy Theatre cast from that period, including Walter Passmore, Henry Lytton, Robert Evett, Ruth Vincent, Emmie Owen and Isabel Jay. Direction was by Richard Barker, choreography was by Willie Warde, and costumes were designed by Percy Anderson. Background The opera is based on '' L'étoile'', written in 1877 by Eugène Leterrier and Albert Vanloo, with additional material by Paul Verlaine and music by Emmanuel Chabrier. It is also based on ''The Merry Monarch'', an American translation of ''L'étoile'' by J. Cheever Goodwin with music by Woolson Morse, produced in 1890. Caryll used a small amount of Chabrier's music in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princess Ida
''Princess Ida; or, Castle Adamant'' is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It was their eighth operatic collaboration of fourteen. ''Princess Ida'' opened at the Savoy Theatre on 5 January 1884, for a run of 246 performances. The piece concerns a princess who founds a women's university and teaches that women are superior to men and should rule in their stead. The prince to whom she had been married in infancy sneaks into the university, together with two friends, with the aim of collecting his bride. They disguise themselves as women students, but are discovered, and all soon face a literal war between the sexes. The opera satirizes feminism, women's college, women's education and Charles Darwin, Darwinian evolution, which were controversial topics in conservative Victorian era, Victorian England. ''Princess Ida'' is based on a narrative poem by Alfred, Lord Tennyson called ''The Princess (Tennyson poem), The Princess'' (1847), and Gilb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iolanthe
''Iolanthe; or, The Peer and the Peri'' () is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert, first performed in 1882. It is one of the Savoy operas and is the seventh of fourteen operatic collaborations by Gilbert and Sullivan. In the opera, the fairy Iolanthe has been banished from fairyland because she married a mortal; this is forbidden by fairy law. Her son, Strephon, is an Arcadia (utopia), Arcadian shepherd who wants to marry Phyllis, a Ward (law), Ward of Court of Chancery, Chancery. All the members of the House of Lords, House of Peers also want to marry Phyllis. When Phyllis sees Strephon hugging a young woman (not knowing that it is his mother – immortal fairies all appear young), she assumes the worst and sets off a climactic confrontation between the peers and the fairies. The opera satire, satirises many aspects of British government, law and society. The confrontation between the fairies and the peers is a version of one of Gilbert's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patience (opera)
''Patience; or, Bunthorne's Bride'', is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera is a satire on the aesthetic movement of the 1870s and '80s in England and, more broadly, on fads, superficiality, vanity, hypocrisy and pretentiousness; it also satirises romantic love, rural simplicity and military bluster. First performed at the Opera Comique, London, on 23 April 1881, ''Patience'' moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the world to be lit entirely by electric light. Henceforth, the Gilbert and Sullivan comic operas would be known as the Savoy Operas, and both fans and performers of Gilbert and Sullivan would come to be known as "Savoyards." ''Patience'' was the sixth operatic collaboration of fourteen between Gilbert and Sullivan. It ran for a total of 578 performances, which was seven more than the authors' earlier work, ''H.M.S. Pinafore'', and the seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pirates Of Penzance
''The Pirates of Penzance; or, The Slave of Duty'' is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where it was well received by both audiences and critics. Its London debut was on 3 April 1880, at the Opera Comique, where it ran for 363 performances. The story concerns Frederic, who, having completed his 21st year, is released from his apprenticeship to a band of tender-hearted pirates. He meets the daughters of Major-General Stanley, including Mabel, and the two young people fall instantly in love. Frederic soon learns, however, that he was born on the 29th of February, and so, technically, he has a birthday only once each leap year. His indenture specifies that he remain apprenticed to the pirates until his "twenty-first birthday", meaning that he must serve for another 63 years. Bound by his own sense of duty, Freder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Emerald Isle
''The Emerald Isle''; ''or, The Caves of Carrig-Cleena'', is a two-act comic opera, with music by Arthur Sullivan and Edward German, and a libretto by Basil Hood. The plot concerns the efforts of an Irish patriot to resist the oppressive "re-education" programme of the English, which has robbed the Irish of their cultural heritage. A quirky "Professor of Elocution" who is hired by the English to continue this "re-education" of the Irish switches sides to help the Irish defend their culture. Romantic complications cause a confrontation between the Irish patriots and the superstitious English at the supposedly haunted caves of Carric-Cleena, and disguises are employed to hold the English off; but the professor ultimately comes up with a solution that works out happily for all. The opera premiered at the Savoy Theatre on 27 April 1901, closing on 9 November 1901 after a run of 205 performances. The opening night cast included such Savoy regulars as Robert Evett, Walter Passmore, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miss Jessie Rose
Miss (pronounced ) is an English language honorific typically used for a girl, for an unmarried woman (when not using another title such as " Doctor" or "Dame"), or for a married woman retaining her maiden name. Originating in the 17th century, it is a contraction of ''mistress''. Its counterparts are Mrs., used for a married women who has taken her husband's name, and Ms., which can be used for married or unmarried women. The plural ''Misses'' may be used, such as in ''The Misses Doe''. The traditional French "Mademoiselle" (abbreviation "Mlle") may also be used as the plural in English language conversation or correspondence. In Australian, British, and Irish schools the term 'miss' is often used by pupils in addressing any female teacher. Use alone as a form of address ''Miss'' is an honorific for addressing a woman who is not married, and is known by her maiden name. It is a shortened form of ''mistress'', and departed from ''misses/missus'' which became used to signify ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
