Jesse Saunders
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Jesse Saunders
Jesse Saunders (born March 10, 1962) is an American house music artist, DJ, record producer, film producer, and entrepreneur. His 1984 single, "On & On", co-written with Vince Lawrence, was the first record with a house DJ as the artist that was pressed and sold to the public. Since his emergence as a DJ, Saunders has run several of his own independent labels, and worked extensively in music and film production, as well as artist promotion and management. He is also a long-time member of the National Academy of Recording Arts and Sciences. Early years Saunders was born and grew up on the south side of Chicago, Illinois in the 1960s and 70s. He attended St. Columbanus for Kindergarten and Reavis Elementary School (until 5th grade) where his mother, Lois M. Saunders, was a teacher. A Roosevelt University graduate in Early Childhood Education, she was his primary caregiver and a supporter of his sporting and music pursuits. Jesse Saunders then enrolled in Shoesmith Elementary S ...
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Fleetwood Mac
Fleetwood Mac are a British-American rock band, formed in London in 1967. Fleetwood Mac were founded by guitarist Peter Green, drummer Mick Fleetwood and guitarist Jeremy Spencer, before bassist John McVie joined the line-up for their eponymous debut album. Danny Kirwan joined as a third guitarist in 1968. Keyboardist and vocalist Christine Perfect, who contributed as a session musician from the second album, married McVie and joined in 1970, becoming known as Christine McVie. Primarily a British blues band at first, Fleetwood Mac achieved a UK number one with " Albatross", and had other hits such as the singles " Oh Well", " Man of the World", and "The Green Manalishi". All three guitarists left in succession during the early 1970s, replaced by guitarists Bob Welch and Bob Weston and vocalist Dave Walker. By 1974, Welch, Weston and Walker had all either departed or been dismissed, leaving the band without a male lead vocalist or a guitarist. In late 1974, while Fleetwood w ...
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Roland TR-808
The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by the Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. Unlike its nearest competitor at the time, the more expensive Linn LM-1, the 808 generates sounds using analog synthesis rather than by playing samples (prerecorded sounds). Launched when electronic music had yet to become mainstream, the 808 received mixed reviews for its unrealistic drum sounds and was a commercial failure. After building approximately 12,000 units, Roland discontinued the 808 after its semiconductors became impossible to restock. It was succeeded by the TR-909 in 1983. Over the course of the 1980s, the 808 attracted a cult following among underground musicians for its affordability on the used market, ease of use and idiosyncratic sounds, particularly its deep, booming bass drum. It became a cornerstone of the e ...
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Funkytown
"Funkytown" is a song by the American disco/funk band Lipps Inc., released in 1980 as the second single from their 1979 debut album, '' Mouth to Mouth''. It was successful globally, reaching top spots in places such as the United States, West Germany, Canada, Austria, Switzerland, Norway, the Netherlands, and Australia. Composition It was written by musician, composer, and record producer Steven Greenberg and sung by Cynthia Johnson. The lyrics pine for a metaphorical place that will "keep me movin', keep me groovin' with some energy", while the band members were dreaming of relocating from Minneapolis to New York City. It is in the key of C major. Music videos "Funkytown" has at least two music videos. In one, a black singer mimes the vocals and some women dance in a pub. In another video, Debbie Jenner, who fronted the band in the Netherlands and West Germany, dances while miming the vocals. Johnson claims on her website that she "was never asked to perform a video of 'Fun ...
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Space Invaders (Player One Song)
"Space Invaders" is a song by Australian songwriters Russell Dunlop and Bruce Brown, recording under the band name Player One (commonly stylised as Player '') in 1979. The song is based on the hugely successful 1978 video game ''Space Invaders''. It was a novelty hit in Australia,A drummer for all times: Russell Dunlop, 1945-2009
(''Sydney Morning Herald'', 19 June 2009)
peaking at No.3 on the charts, and ending up as the seventh best selling single in Australia for 1980. It spent 28 weeks on the Australian charts. The song approached

Megamix
A megamix is a remix containing multiple songs in rapid succession. It often features various artists. There may be only one verse or even just a brief chorus of each song used, sometimes in addition to samples of the same or other songs. It is common to use different samples to maintain and sometimes even ridicule the original. To unify the songs together smoothly, a single backing beat may be added as background throughout the megamix, although this is not a must. This backing beat is kept basic so as to simplify mixing and to not compete with the music. These mixes are usually several minutes long at minimum, going up to a half-hour or an hour, or even more sometimes. Ultimix is known for "flashback medleys" producing at least one or two every year based on popular songs of the year. Each is about 15 minutes long, usually with at least that many songs if not more. "Album megamixes" feature all tracks from a particular album edited and compiled into one continuous medley. ...
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Chicago House
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the first ever house music productions, which were by Chicago-based artists in the 1980s. History and origins Disco edits Following Chicago's Disco Demolition Night in mid-1979, disco music's mainstream popularity fell into decline. In the early 1980s, fewer and fewer disco records were being released, but the genre remained popular in some Chicago nightclubs and on at least one radio station, WBMX-FM. In this era, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records, newer Italo disco, electro, EBM tracks, B-boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker and John Robie as well as electronic pop music by Kraftwerk, Telex and Yellow Magic Orchestra. Some of these DJs also made and played their own edits of their favorite songs on r ...
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Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contr ...
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Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ...
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Frankie Knuckles
Francis Warren Nicholls, Jr. (January 18, 1955 – March 31, 2014), better known as Frankie Knuckles, was an American DJ, record producer and remixer. He played an important role in developing and popularizing house music in Chicago during the 1980s, when the genre was in its infancy. In 1997, Knuckles won the Grammy Award for Remixer of the Year, Non-Classical. Due to his importance in the development of the genre, Knuckles was often called "The Godfather of House Music". Musical career 1970s–1980s Born in The Bronx, Knuckles and his friend Larry Levan began frequenting discos as teenagers during the 1970s. While studying textile design at the FIT, Knuckles and Levan began working as DJs, playing soul, disco, and R&B at two of the most important early discos, The Continental Baths and The Gallery. In the late 1970s, Knuckles moved from New York City to Chicago, where his old friend, Robert Williams, was opening what became the nightclub called Warehouse. When the club open ...
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