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Jerusalem, Du Hochgebaute Stadt
"Jerusalem, du hochgebaute Stadt" is a German Christian hymn with lyrics written by the Lutheran Johann Matthäus Meyfart in 1626, and a melody possibly by Melchior Franck. Its theme is the New Jerusalem as the ultimate destination of the Soul, as the subtitle says "Ein Lied vom Himmlischen Jerusalem" (A song of the Heavenly Jerusalem). Originally in eight stanzas, it appears in seven stanzas in the Protestant hymnal '' Evangelisches Gesangbuch'' as EG 150), and in five stanzas in the Catholic '' Gotteslob'' as GL 553. It was of only regional importance during the Baroque period, but was rediscovered, often printed and set to music from the 19th century. History Johann Matthäus Meyfart was a Lutheran minister and professor of theology. He served as Rektor of the Casimirianum in Coburg when he wrote the text. The town was threatened by the Thirty Years' War, and Meyfart wanted to intensify spiritual life and morals of his students. He held regular academic sermons on Wednesda ...
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Lutheran Hymn
Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ''ars perfecta'' (Catholic Sacred Music of the late Renaissance) and towards singing as a ''Gemeinschaft'' (community). Lutheran hymns are sometimes known as chorales. Lutheran hymnody is well known for its doctrinal, didactic, and musical richness. Most Lutheran churches are active musically with choirs, handbell choirs, children's choirs, and occasionally change ringing groups that ring bells in a bell tower. Johann Sebastian Bach, a devout Lutheran, composed music for the Lutheran church: more than half of his over 1000 compositions are or contain Lutheran hymns. History Lutheran hymnals include: * ''Achtliederbuch'', a.k.a. the first Lutheran hymnal (1524). Contains, among others, "Nun freut euch, lieben Christen g'mein", "Es ist das ...
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66 Chorale Improvisations For Organ
The 66 Chorale improvisations for organ, Op. 65, were composed by Sigfrid Karg-Elert between 1906 and 1908, and first published in six volumes in 1909. The composition was dedicated to "the great organist Alexandre Guilmant". Volume 1. Advent, Christmas # Oh remain with your grace – Christ that is my life ("Ach bleib mit deiner Gnade" – "Christus der ist mein Leben") # From the depth of my heart ("Aus meines Herzens Grunde") # All depends on our possessing ("Alles ist an Gottes Segen") # It is our salvation come here to us ("Es ist das Heil uns kommen her") # Be joyful, my soul ("Freu dich sehr, o meine Seele") # Praise be to You, Jesus Christ ("Gelobet seist du, Jesu Christ") # Praise God the Lord, Ye Sons of Men (" Lobt Gott, ihr Christen allzugleich") # Open Wide the Gates ("Macht hoch die Tür") # With strength, o people – From God shall naught divide me ("Mit Ernst, o Menschenkinder" – Von Gott will ich nicht lassen") # From heaven above (" Vom Himmel hoch" – ...
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Sigfrid Karg-Elert
Sigfrid Karg-Elert (November 21, 1877April 9, 1933) was a German composer in the early twentieth century, best known for his compositions for pipe organ and reed organ. Biography Karg-Elert was born Siegfried Theodor Karg in Oberndorf am Neckar, Germany, the youngest of the twelve children of Johann Jacob Karg, a book dealer, and his wife Marie Auguste Karg, born Ehlert (''sic''). According to another account, however, his father was a newspaper editor and publisher . The family finally settled in Leipzig in 1882, where Siegfried received his first musical training and private piano instruction. At a gathering of composers in Leipzig, he presented his first attempts at composition to the composer Emil von Reznicek, who arranged a three-year tuition-free scholarship at the Leipzig Conservatory. This enabled the young man to study with Salomon Jadassohn, Carl Reinecke, Alfred Reisenauer and Robert Teichmüller. From August 1901 to September 1902 he worked as a piano teacher in Magd ...
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52 Chorale Preludes, Op
5 (five) is a number, numeral and digit. It is the natural number, and cardinal number, following 4 and preceding 6, and is a prime number. It has attained significance throughout history in part because typical humans have five digits on each hand. In mathematics 5 is the third smallest prime number, and the second super-prime. It is the first safe prime, the first good prime, the first balanced prime, and the first of three known Wilson primes. Five is the second Fermat prime and the third Mersenne prime exponent, as well as the third Catalan number, and the third Sophie Germain prime. Notably, 5 is equal to the sum of the ''only'' consecutive primes, 2 + 3, and is the only number that is part of more than one pair of twin primes, ( 3, 5) and (5, 7). It is also a sexy prime with the fifth prime number and first prime repunit, 11. Five is the third factorial prime, an alternating factorial, and an Eisenstein prime with no imaginary part and real part of the form 3p ...
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Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Paulinerkirche, Leipzig, Leipzig University Church, as a professor at the Leipzig Conservatory, Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular ''Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as ''Gesang der Verklärten'' (1903), ' (1909), ''Der Einsiedler'' and the ''Requiem (Reger), Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Brand, Kingdom of Bavaria, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic fa ...
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Chorale Motet
The chorale motet was a type of musical composition in mostly Protestant parts of Europe, principally Germany, and mainly during the 16th century. It involved setting a chorale melody and text as a motet. Stylistically chorale motets were similar at first to motets composed in Catholic countries, and made use of the full range of techniques of Franco-Flemish polyphony. In the earlier period, the chorale was typically used as a cantus firmus, fairly easy to hear, with other lines either weaving in and out contrapuntally around it, or following along in the same rhythm in an entirely homophonic style. Later in the century, especially around 1600, the successive verses of the chorale were used to begin imitative sections in a fugal style. Shortly after 1600 the form began to disappear, overtaken by newer forms based on Italian (especially Venetian) models: the chorale concerto, and later the chorale cantata. The chorale cantata was to become the most substantial of the descen ...
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Georg Schumann (composer)
Georg Alfred Schumann (; 25 October 1866 – 23 May 1952) was a German composer and director of the Sing-Akademie zu Berlin. Life Schumann was born at Königstein, Saxony, Königstein. He was the son of Clemens Schumann (1839–1918) and the older brother of Camillo Schumann. He first studied the violin and organ with his father and grandfather, and was taught by Friedrich Baumfelder, a well-known German composer, pianist, and conductor of his day. He later was a student at the Leipzig Conservatory for seven years, conducted an orchestra at Danzig from 1891–1896 and from 1896-1899 the orchestra at Bremen. In 1900 he became professor and director at the Sing-Akademie zu Berlin. In 1907 he became a member of the Prussian Academy of Arts, in 1918 vice-president and finally in 1934 President. Works (selection) * Symphonies: ** Symphony No. 1, "Preis-Symphonie" in B minor (1887) ** Symphony No. 2 in F minor, Op. 42 (1905) * Other orchestral works: ** ''Amor und Psyche'', Op. 3 (18 ...
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Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic and literary movement that became prominent in Western culture from approximately 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in ...
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1724
Events January–March * January 15 – King Philip V of Spain abdicates the throne in favour of his 16-year-old son Louis I. * January 18 – The Dutch East India Company cargo ship ''Fortuyn'', on its maiden voyage, departs from the Cape of Good Hope in South Africa after a layover of 16 days following its arrival from the Netherlands. With a crew of 225 commanded by Pieter Westrik, the ship departs for Batavia in the Dutch East Indies and is never seen again. * January 22 – Bruno Mauricio de Zabala, Spanish Captain general of the Río de la Plata, forces the Portuguese to abandon their fortified settlement at what will become the city of Montevideo in Uruguay. * January 28 – Saint Petersburg State University is established in Russia. * February 8 – Catherine I of Russia is officially named tsaritsa by her husband, Peter the Great. * February 20 – The premiere of ''Giulio Cesare'', an Italian opera by George Frideric Hande ...
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Johann Ludwig Bach
Johann Ludwig Bach ( – 1 May 1731) was a German composer and violinist. He was born in Thal near Eisenach. At the age of 22 he moved to Meiningen eventually being appointed cantor there, and later Kapellmeister. He wrote a large amount of music and regularly oversaw performances, both at Meiningen and neighbouring courts. He was a third cousin of Johann Sebastian Bach, who made copies of several of his cantatas and performed them at Leipzig. The cantata '' Denn du wirst meine Seele nicht in der Hölle lassen'', BWV 15, once thought to be by Johann Sebastian, and listed as BWV 15 in Wolfgang Schmieder's catalogue of his works, is now thought to be by Johann Ludwig. Bach died in Meiningen. Works, editions and recordings The earliest lists of compositions by Johann Ludwig Bach appeared in the 19th century: Johann Theodor Mosewius listed 16 of his cantatas in 1852, and Alfred Dörffel listed 17 cantatas and the Mass in E minor, with their incipits, in Vol. 41 of the Bach-Gesell ...
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Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ...
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