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Jean Vaillant
Jehan Vaillant (; also spelled Johannes Vayllant) was a French composer and music theorist. He is named immediately after Guillaume de Machaut by the '' Règles de la seconde rhétorique'', which describes him as a "master … who had a school of music in Paris".Quoted in : ''maistre … lequel tenoit à Paris escolle de musique''. Besides five (possibly six) pieces of music surviving to his name, he was also the author of a treatise on tuning. With Grimace and F. Andrieu and P. des Molins, Vaillant was part of the post-Machaut generation whose music shows few distinctly ''ars subtilior'' features, leading scholars to recognize Vaillant's work as closer to the '' ars nova'' style of Machaut. Life and career Vaillant's works are conserved in the Chantilly Manuscript, which is also the main source for the works of the Papal singers Matheus de Sancto Johanne, Johannes Symonis Hasprois and Johannes Haucourt. This connexion with the Papal group suggests to certain modern scho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theorist
Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built." Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. Because of the ever-expanding conception of what constitutes music, a more inclusive definition could be the consideration of any sonic phenomena, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondeau (music)
A ''rondeau'' (; plural: ''rondeaux'') is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of the three ''formes fixes'', and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of material involving a refrain. The rondeau is believed to have originated in dance songs involving alternating singing of the refrain elements by a group and of the other lines by a soloist. The term "Rondeau" is today used both in a wider sense, covering several older variants of the form – which are sometimes distinguished as the triolet and rondel – and in a narrower sense referring to a 15-line variant which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated with the much later instrumental dance form that shares the same name in French baroqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éditions De L'Oiseau-Lyre
Éditions de l'Oiseau-Lyre (commonly referred to as L'Oiseau-Lyre) is a French music publishing company and a classical music record label that specialises in Early and Baroque music. It was founded in 1932 as a publisher of scholarly editions of Early music that had never been previously published. Its specialist recording arm, developed from the 1960s onwards, grew into a specialist label that is now a part of Decca. History The company was financed and established in Paris in 1932 by Louise Dyer (later Hanson-Dyer), an Australian pianist and philanthropist. Dyer had settled in France two years earlier and energetically amassed a collection of manuscripts and printed music, lyrics and dissertations of the Early, Baroque and Classical music periods. "L'Oiseau-Lyre", the French name for the Australian lyrebird, was chosen by her; the company logo was a representation of the (displaying male) bird's tail. Dyer's aim was to produce historical editions of European composers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Institute Of Musicology
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. Among the series it produces are the ''Corpus mensurabilis musicae'' (CMM), ''Corpus Scriptorum de Musica'' (CSM) and ''Corpus of Early Keyboard Music'' (CEKM). In CMM specifically, the AIM has published the entire surviving ''oeuvres'' of a considerable amount of composers, most notably the complete works of Guillaume de Machaut and Guillaume Du Fay, among many others. The CSM, which focuses on music theory, has published the treatises of important theorists such as Guido of Arezzo and Jean Philippe Rameau. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study, practice and performance of early music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corpus Mensurabilis Musicae
The ''Corpus mensurabilis musicae'' (CMM) is a collected print edition of most of the sacred and secular vocal music of the late medieval and Renaissance period in western music history, with an emphasis on the central Franco-Flemish and Italian repertories. CMM is a publication of the American Institute of Musicology, and consists of 109 series (individual volumes or sets of volumes) as of 2007. Renowned composers whose works have appeared in other collected editions, such as Josquin des Prez, Giovanni Pierluigi da Palestrina, and Orlande de Lassus, are generally excluded from the set. Many of the series are devoted to works of a single composer, and in some cases they are organized into sub-volumes because of their size (for example, "Volume 1" contains the works of Guillaume Dufay; it actually consists of 6 separate bound volumes, separately containing motets, masses, mass fragments, other liturgical music, and secular songs). Other series contain anthologies and contents o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virelai
A ''virelai'' is a form of medieval French verse used often in poetry and music. It is one of the three ''formes fixes'' (the others were the ballade and the rondeau) and was one of the most common verse forms set to music in Europe from the late thirteenth to the fifteenth centuries. One of the most famous composers of virelai is Guillaume de Machaut (c. 1300–1377), who also wrote his own verse; 33 separate compositions in the form survive by him. Other composers of virelai include Jehannot de l'Escurel, one of the earliest (d. 1304), and Guillaume Dufay (c. 1400–1474), one of the latest. By the mid-15th century, the form had become largely divorced from music, and numerous examples of this form (including the ballade and the rondeau) were written, which were either not intended to be set to music, or for which the music has not survived. A virelai with only a single stanza is also known as a bergerette. Musical virelai The virelai as a song form of the 14t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballade (forme Fixe)
The ''ballade'' (; ; not to be confused with the ballad) is a form of medieval and Renaissance French poetry as well as the corresponding musical chanson form. It was one of the three ''formes fixes'' (the other two were the rondeau and the virelai) and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. The formes fixes were standard forms in French-texted song of the fourteenth and fifteenth centuries. The ballade is usually in three stanzas, each ending with a refrain (a repeated segment of text and music). The ballade as a verse form typically consists of three eight-line stanzas, each with a consistent metre and a particular rhyme scheme. The last line in the stanza is a refrain. The stanzas are often followed by a four-line concluding stanza (an ''envoi'') usually addressed to a prince. The rhyme scheme is therefore usually , where the capital "C" is a refrain. The many different rhyming words that are needed (the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondeau (forme Fixe)
A ''rondeau'' (; plural: ''rondeaux'') is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of the three ''formes fixes'', and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of material involving a refrain. The rondeau is believed to have originated in dance songs involving alternating singing of the refrain elements by a group and of the other lines by a soloist. The term "Rondeau" is today used both in a wider sense, covering several older variants of the form – which are sometimes distinguished as the triolet and rondel – and in a narrower sense referring to a 15-line variant which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated with the much later instrumental dance form that shares the same name in French baroqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oswald Von Wolkenstein
Oswald von Wolkenstein (1376 or 1377 in Pfalzen – August 2, 1445, in Meran) was a poet, composer and diplomat. In his diplomatic capacity, he traveled through much of Europe to as far as Georgia (as recounted in "Durch Barbarei, Arabia"). He was dubbed a Knight of the Holy Sepulchre and was also inducted into the Order of the Jar and the Order of the Dragon. He lived for a time in Seis am Schlern. Life Oswald's father was Friedrich von Wolkenstein and his mother was Katharina von Villanders. When he was ten years old, Oswald left his family and became a squire of a knight errant. Oswald described the journeys undertaken by him in the following 14 years in his autobiographical song "Es fügt sich...". He mentioned his travels to Crete, Prussia, Lithuania, Crimea, Turkey, the Holy Land, France, Lombardy (i.e. what is known today as Northern Italy) and Spain, as well as being shipwrecked in the Black Sea. After the death of his father in 1399, Oswald returned to the County of Tyr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrafactum
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". The earliest known examples of this procedure (sometimes referred to as ''adaptation''), date back to the 9th century used in connection with Gregorian Chant. Categories Translations meant for singing are not usually intentional "substitution". Types of contrafacta that are wholesale substitution of a different text include the following: Poems set to music An existing tune already possessing secular or sacred words is given a new poem, which often happens in hymns, and sometimes, more than one new set of words is created over time. Examples include: * The words of ''What Child Is This?'' were fitted to the tune of the folksong "Greensleeves". * The Charles Wesley hymn text Hark! The Herald Angels Sing was fitted by William Hayman Cummings to a tune from Mendelssohn's Gutenberg cantata Festgesang. * The hymn tune "Dix" has been giv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantus
A cantus (Latin for "singing", derived from ''cantare''), is an activity organised by Belgian, Dutch, French, and Baltic fraternities. A cantus mainly involves singing traditional songs and drinking beer. It is governed by strict traditional rules. The use of this dates back a few centuries and was inspired by German student organisations; however some of the songs that are sung date back to the Middle Ages. Cantus probably shares same roots with commercium, sitsit and tableround. Currently, the world record for biggest traditional cantus is in the hands of the Eurekaweek, based in Rotterdam, who welcomed 4594 officially registered guests during their 2019 cantus. Codex The songs are compiled in what the students refer to as the codex, which contains the club anthems of most student organisations and hundreds of songs in various languages, such as Dutch, French, English, German, Latin and Afrikaans. They usually have easy and familiar melodies. Nearly all of the songs preda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virelai
A ''virelai'' is a form of medieval French verse used often in poetry and music. It is one of the three ''formes fixes'' (the others were the ballade and the rondeau) and was one of the most common verse forms set to music in Europe from the late thirteenth to the fifteenth centuries. One of the most famous composers of virelai is Guillaume de Machaut (c. 1300–1377), who also wrote his own verse; 33 separate compositions in the form survive by him. Other composers of virelai include Jehannot de l'Escurel, one of the earliest (d. 1304), and Guillaume Dufay (c. 1400–1474), one of the latest. By the mid-15th century, the form had become largely divorced from music, and numerous examples of this form (including the ballade and the rondeau) were written, which were either not intended to be set to music, or for which the music has not survived. A virelai with only a single stanza is also known as a bergerette. Musical virelai The virelai as a song form of the 14t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
