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Jean-Michel Moreau Le Jeune
Jean-Michel Moreau (26 March 1741 – 30 November 1814), also called Moreau le Jeune ("the younger"), was a French draughtsman, illustrator and engraver. Biography Moreau le Jeune, as he is usually called, was born in Paris. He was the pupil of the painter Louis-Joseph Le Lorrain who accompanied his master to St Petersburg in 1758 when Le Lorrain went to be the first director of the Saint Petersburg Academy of Fine Arts established the previous year, where Moreau briefly taught drawing before returning to Paris in 1759, after Le Lorrain's unexpected death. He worked for the engraver Jacques-Philippe Lebas, producing reproductive drawings of contemporary paintings and those of Old Masters for engravers to work from and learning etching During the 1760s he also provided drawings to be engraved for the ''Recueil d’antiquités'' of the comte de Caylus, who kept a benevolent watch over him. For Diderot and Alembert’s ''Encyclopédie'' he provided pen and wash drawings for the eng ...
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Jean-Michel Moreau Le Jeune, Peinture De François Gounod
Jean-Michel is a French masculine given name. It may refer to : * Jean-Michel Arnold, General Secretary of the Cinémathèque Française * Jean-Michel Atlan (1913–1960), French artist * Jean-Michel Aulas (born 1949), French businessman * Jean-Michel Badiane (born 1983), French football defender of Senegalese descent * Jean-Michel Basquiat (1960–1988), American artist * Jean-Michel Bayle (born 1969), semi-retired French professional motorcycle racer * Jean-Michel Baylet (born 1946), French politician, Senator, and leader of the Radical Party * Jean-Michel Bazire (born 1971), French harness racing driver * Jean-Michel Bellot (born 1953), retired French male pole vaulter * Jean-Michel Berthelot (1945–2006), French sociologist, philosopher, epistemologist and social theorist * Jean-Michel Bertrand (1943–2008) * Jean-Michel Beysser (1753–1794), French general * Jean-Michel Bismut (born 1948), French mathematician * Jean-Michel Bokamba-Yangouma, Congolese politician * Jean-Michel ...
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Jean-Jacques Rousseau
Jean-Jacques Rousseau (, ; 28 June 1712 – 2 July 1778) was a Genevan philosopher, writer, and composer. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational thought. His ''Discourse on Inequality'' and ''The Social Contract'' are cornerstones in modern political and social thought. Rousseau's sentimental novel ''Julie, or the New Heloise'' (1761) was important to the development of preromanticism and romanticism in fiction. His ''Emile, or On Education'' (1762) is an educational treatise on the place of the individual in society. Rousseau's autobiographical writings—the posthumously published '' Confessions'' (composed in 1769), which initiated the modern autobiography, and the unfinished '' Reveries of the Solitary Walker'' (composed 1776–1778)—exemplified the late 18th-century " Age of Sensibility", and featured an ...
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Ancien Régime
''Ancien'' may refer to * the French word for "ancient, old" ** Société des anciens textes français * the French for "former, senior" ** Virelai ancien ** Ancien Régime ** Ancien Régime in France {{disambig ...
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Louis XVIII Of France
Louis XVIII (Louis Stanislas Xavier; 17 November 1755 – 16 September 1824), known as the Desired (), was King of France from 1814 to 1824, except for a brief interruption during the Hundred Days in 1815. He spent twenty-three years in exile: during the French Revolution and the First French Empire (1804–1814), and during the Hundred Days. Until his accession to the throne of France, he held the title of Count of Provence as brother of King Louis XVI. On 21 September 1792, the National Convention abolished the monarchy and deposed Louis XVI, who was later executed by guillotine. When his young nephew Louis XVII died in prison in June 1795, the Count of Provence proclaimed himself (titular) king under the name Louis XVIII. Following the French Revolution and during the Napoleonic era, Louis XVIII lived in exile in Prussia, England, and Russia. When the Sixth Coalition finally defeated Napoleon in 1814, Louis XVIII was placed in what he, and the French royalists, con ...
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Aeneid
The ''Aeneid'' ( ; la, Aenē̆is or ) is a Latin Epic poetry, epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Troy, Trojan who fled the Trojan_War#Sack_of_Troy, fall of Troy and travelled to Italy, where he became the ancestor of the Ancient Rome, Romans. It comprises 9,896 lines in dactylic hexameter. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins (Italic tribe), Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the ''Iliad''. Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Ancient Rome, Rome and his description as a personage of no fixed characteristics other than a scrupulous ''pietas'', and fashioned th ...
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French Revolution
The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considered fundamental principles of liberal democracy, while phrases like ''liberté, égalité, fraternité'' reappeared in other revolts, such as the 1917 Russian Revolution, and inspired campaigns for the abolition of slavery and universal suffrage. The values and institutions it created dominate French politics to this day. Its causes are generally agreed to be a combination of social, political and economic factors, which the ''Ancien Régime'' proved unable to manage. In May 1789, widespread social distress led to the convocation of the Estates General, which was converted into a National Assembly in June. Continuing unrest culminated in the Storming of the Bastille on 14 July, which led to a series of radical measures by the Assembly, i ...
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Académie Royale De Peinture Et De Sculpture
The Académie Royale de Peinture et de Sculpture (; en, "Royal Academy of Painting and Sculpture") was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions. Founding In the 1640s, France's artistic life was still based on the medieval system of guilds like the Académie de Saint-Luc which had a tight grip on the professional lives of artists and artisans alike. Some artists had managed to get exemptions but these were based on favoritism rather than merit. A few "superior men" who were "real artists", suffered and felt humiliated under this system. In view of increasing pressure by the Parisian guilds for painters and sculptors to submit to their control, the young but alre ...
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Jérôme Lalande
Joseph Jérôme Lefrançois de Lalande (; 11 July 1732 – 4 April 1807) was a French astronomer, freemason and writer. Biography Lalande was born at Bourg-en-Bresse (now in the département of Ain) to Pierre Lefrançois and Marie‐Anne‐Gabrielle Monchinet. His parents sent him to Paris to study law, but as a result of lodging in the Hôtel Cluny, where Delisle had his observatory, he was drawn to astronomy, and became the zealous and favoured pupil of both Delisle and Pierre Charles Le Monnier. Having completed his legal studies, he was about to return to Bourg to practise as an advocate, when Lemonnier obtained permission to send him to Berlin, to make observations on the lunar parallax in concert with those of Lacaille at the Cape of Good Hope. The successful execution of this task obtained for him, before he was twenty-one, admission to the Academy of Berlin, as well as his election as an adjunct astronomer to the French Academy of Sciences. He now devoted himself to ...
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Muses
In ancient Greek religion and mythology, the Muses ( grc, Μοῦσαι, Moûsai, el, Μούσες, Múses) are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. Melete, Aoede, and Mneme are the original Boeotian Muses, and Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia, and Urania are the nine Olympian Muses. In modern figurative usage, a Muse may be a source of artistic inspiration. Etymology The word ''Muses'' ( grc, Μοῦσαι, Moûsai) perhaps came from the o-grade of the Proto-Indo-European root (the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function), or from root ('to tower, mountain') since all the most important cult-centres of the Muses were on mountains or hills. R ...
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Allegory Of The 1st Partition Of Poland
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" a ...
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Joseph Vernet
Claude-Joseph Vernet (14 August 17143 December 1789) was a French painter. His son, Antoine Charles Horace Vernet, was also a painter. Life and work Vernet was born in Avignon. When only fourteen years of age he aided his father, Antoine Vernet (1689–1753), a skilled decorative painter, in the most important parts of his work. The panels of sedan chairs, however, could not satisfy his ambition, and Vernet started for Rome. The sight of the whales at Marseilles and his voyage thence to Civitavecchia (Papal States' main port on the Tyrrhenian Sea) made a deep impression on him, and immediately after his arrival he entered the studios of whale painter Bernardino Fergioni and marine landscapist Adrien Manglard. Manglard and Fergioni initiated Vernet into seascape painting. In 1734, Vernet left for Rome to study landscape designers and maritime painters, like Claude Gellee, where we find the styles and subjects of Vernet's paintings. Slowly Vernet attracted notice in the artistic ...
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