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Jean-Louis Viale
Jean-Louis Viale (January 22, 1933, Neuilly-sur-Seine - May 10, 1984, Paris) was a French jazz drummer. Viale played early in his career with Sacha Distel and Rene Urtreger, then took a gig at the club Le Tabou in Paris, playing with Jimmy Gourley, Bobby Jaspar, and Henri Renaud. He also played at the Club Saint-Germain in the early 1950s. He worked with Distel regularly through the 1950s and played with Clifford Brown, Frank Foster, Stan Getz, Stephane Grappelli, Gigi Gryce, Thelonious Monk, Jimmy Raney, Django Reinhardt, Zoot Sims, Martial Solal, René Thomas, George Wallington, Barney Wilen, and Lester Young. In the early and mid-1960s he worked often as a sideman and session musician, with Raymond Fol, Johnny Griffin, Roger Guerin, Ivan Jullien, and Eddy Louiss, but was involved in a car crash in 1968 which temporarily sidelined his career. He returned in 1969 to work again with Rene Thomas and Stephane Grappelli, as well as with Jim Hall and Barney Kessel. In the 1970s he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neuilly-sur-Seine
Neuilly-sur-Seine (; literally 'Neuilly on Seine'), also known simply as Neuilly, is a commune in the department of Hauts-de-Seine in France, just west of Paris. Immediately adjacent to the city, the area is composed of mostly select residential neighbourhoods, as well as many corporate headquarters and a handful of foreign embassies. It is the wealthiest and most expensive suburb of Paris. Together with the 16th and 7th arrondissement of Paris, the town of Neuilly-sur-Seine forms the most affluent and prestigious residential area in the whole of France. It has the 2nd highest average household income in France, at €112,504 per year (in 2020). History Originally Pont de Neuilly was a small hamlet under the jurisdiction of Villiers, a larger settlement mentioned in medieval sources as early as 832 and now absorbed by the commune of Levallois-Perret. It was not until 1222 that the little settlement of Neuilly, established on the banks of the Seine, was mentioned for the first t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoot Sims
John Haley "Zoot" Sims (October 29, 1925 – March 23, 1985) was an American jazz saxophonist, playing mainly tenor but also alto (and, later, soprano) saxophone. He first gained attention in the "Four Brothers" sax section of Woody Herman's big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn. Biography Sims was born in 1925 in Inglewood, California, United States, to vaudeville performers Kate Haley and John Sims. His father was a vaudeville hoofer, and Sims prided himself on remembering many of the steps his father taught him. Growing up in a performing family, he learned to play drums and clarinet at an early age. His brother was the trombonist Ray Sims. Sims began on tenor saxophone at age 13. He initially modelled his playing on the work of Lester Young, Ben Webster, and Don Byas. By his late teens, having dropped out of high school, he was playing in big bands, starting with those of Kenny Baker and Bobby Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Kessel
Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist born in Muskogee, Oklahoma. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians informally known as the Wrecking Crew. Biography Kessel was born in Muskogee, Oklahoma in 1923. Kessel's father was an immigrant from Hungary who owned a shoe shop. His only formal musical study was three months of guitar lessons at the age of 12. He began his career as a teenager touring with local dance bands. When he was 16, he started playing with the Oklahoma A&M band, Hal Price & the Varsitonians. The band members nicknamed him "Fruitcake" because he practiced up to 16 hours a day. Kessel gained attention because of his youth and being the only white musician playing in all African American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Hall (musician)
James Stanley Hall (December 4, 1930 – December 10, 2013) was an American jazz guitarist, composer and arranger. Biography Early life and education Born in Buffalo, New York, Hall moved with his family to Cleveland, Ohio, during his childhood. Hall's mother played the piano, his grandfather violin, and his uncle guitar.Hall, Devra "Sketches from PROS Folios: Jim Hall". Copyright 1988-2004. He began playing the guitar at the age of 10, when his mother gave him an instrument as a Christmas present. At 13 he heard Charlie Christian play on a Benny Goodman record, which he calls his "spiritual awakening". As a teenager in Cleveland, he performed professionally, and also took up the double bass. Hall's major influences since childhood were tenor saxophonists Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson. While he copied out solos by Charlie Christian, and later Barney Kessel, it was horn players from whom he took the lead. In 1955, Hall attended the Cleveland I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddy Louiss
Eddy Louiss (2 May 1941 – 30 June 2015) was a French jazz musician. Eddy started playing in his father Pierre's orchestra in the 1950s. Pierre changed the family name from Louise to Louiss. As a vocalist, he was a member of Les Double Six of Paris from 1961 through 1963. During this time his primary instrument became the Hammond organ. In 1964, he was awarded the Prix Django Reinhardt. For 13 years, between 1964 and 1977, he played with leading French musician Claude Nougaro. After that, he made the decision, one that his son Pierre described as "not that easy", to split from Nougaro to head out on a solo career. He worked with Kenny Clarke, René Thomas, and Jean-Luc Ponty. In 1971 he was a member of the Stan Getz quartet (with René Thomas and Bernard Lubat) that recorded the Getz album ''Dynasty'' (1971). Eddy Louiss had his left leg amputated in the early 1990s after suffering artery problems, following which he made few public appearances. In duet, he recorded wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Jullien
Ivan Jullien (October 27, 1934 – January 3, 2015) was a French jazz trumpeter. Jullien played with Claude Bolling and Jacques Denjean early in his career, and was the bandleader for the Paris Jazz All Stars in 1966-1967. He recorded as a leader and also worked as a sideman for Lester Bowie, Elton John, Maynard Ferguson, and Ben Webster. In the 1980s, he became an arranger for Studio Brussels' CIM Big Band. References *Michel Laplace, "Ivan Jullien". '' The New Grove Dictionary of Jazz''. 2nd edition, ed. Barry Kernfeld Barry Dean Kernfeld (born August 11, 1950) is an American musicologist and jazz saxophonist who has researched and published extensively about the history of jazz and the biographies of its musicians. Education In 1968, Kernfeld enrolled at U .... 1934 births 2015 deaths French jazz trumpeters Male trumpeters French jazz bandleaders French session musicians French jazz musicians French male jazz musicians {{France-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Guerin
Roger is a given name, usually masculine, and a surname. The given name is derived from the Old French personal names ' and '. These names are of Germanic origin, derived from the elements ', ''χrōþi'' ("fame", "renown", "honour") and ', ' ("spear", "lance") (Hrōþigēraz). The name was introduced into England by the Normans. In Normandy, the Frankish name had been reinforced by the Old Norse cognate '. The name introduced into England replaced the Old English cognate '. ''Roger'' became a very common given name during the Middle Ages. A variant form of the given name ''Roger'' that is closer to the name's origin is ''Rodger''. Slang and other uses Roger is also a short version of the term "Jolly Roger", which refers to a black flag with a white skull and crossbones, formerly used by sea pirates since as early as 1723. From up to , Roger was slang for the word "penis". In ''Under Milk Wood'', Dylan Thomas writes "jolly, rodgered" suggesting both the sexual double entend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Griffin
John Arnold Griffin III (April 24, 1928 – July 25, 2008) was an American jazz tenor saxophonist. Nicknamed "the Little Giant" for his short stature and forceful playing, Griffin's career began in the mid-1940s and continued until the month of his death. A pioneering figure in hard bop, Griffin recorded prolifically as a bandleader in addition to stints with pianist Thelonious Monk, drummer Art Blakey, in partnership with fellow tenor Eddie "Lockjaw" Davis and as a member of the Kenny Clarke/Francy Boland Big Band after he moved to Europe in the 1960s. In 1995, Griffin was awarded an Honorary Doctorate of Music from Berklee College of Music. Early life and career Griffin studied music at DuSable High School in Chicago under Walter Dyett, starting out on clarinet before moving on to oboe and then alto saxophone. While still at high school at the age of 15, Griffin was playing with T-Bone Walker in a band led by Walker's brother. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Fol
Raymond Fol (April 28, 1928 in Paris – May 1, 1979 in Paris) was a French jazz pianist. Fol's older brother was Hubert Fol, and both were raised in a musical household; Raymond began playing piano at five years of age. Fol and his brother played in Claude Abadie's ensemble after the end of World War II, a group which included Boris Vian. The Fol brothers then formed their own group, the Be Bop Minstrels. Raymond worked around with this time with musicians such as Pierre Braslavsky, Jean-Claude Fohrenbach, Django Reinhardt, Roy Eldridge, and Johnny Hodges. In 1952, he did a European tour in Dizzy Gillespie's band, and for several years in the middle of the decade was a regular at Paris's Club Saint-Germain. He also worked in the 1950s with Sidney Bechet, Claude Luter, Guy Lafitte, and Stephane Grappelli. He worked briefly in Rome in 1958, then returned to Paris, playing both piano and celesta at the Club Saint-Germain. In the 1960s and 1970s, he worked with Kenny Clarke, Duke El ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lester Young
Lester Willis Young (August 27, 1909 – March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music. Early life and career Lester Young was born in Woodville, Mississippi, on August 27, 1909. to Lizetta Young (née Johnson), and Willis Handy Young, originally from Louisiana. Lester had two siblings – a brother, Leonidas Raymond, known as Lee Young, who became a drummer, and a sister, Irma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Wilen
Bernard "Barney" Jean Wilen (4 March 1937 – 25 May 1996) was a French tenor and soprano saxophonist and jazz composer. Life Wilen was born in Nice, France; his father was an American dentist turned inventor, and his mother was French. He began performing in clubs in Nice after being encouraged by Blaise Cendrars who was a friend of his mother. His career was boosted in 1957, when he worked with Miles Davis on the soundtrack for the Louis Malle film '' Ascenseur pour l'Échafaud'' (''Elevator to the Gallows''). In 1959, Wilen wrote his soundtrack '' Un Témoin Dans la Ville'' and studio album '' Jazz sur scène'' with Kenny Clarke. He wrote a soundtrack for Roger Vadim's film ''Les Liaisons Dangereuses'' two years later, working with Thelonious Monk. Wilen returned to composing for French films in the 1980s and 1990s. In the mid-to-late 1960s, he became interested in rock, and recorded an album dedicated to Timothy Leary. Wilen toured in Japan for the first time in 1990.Harrell, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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