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Jean-Louis Anselin
Jean-Louis Anselin (26 May 1754 – 15 March 1823) was a French engraver. Amongst his best work is an engraved portrait of Madame Pompadour as "''La Belle Jardinière''" (pictured).Portalis, Roger & Béraldi, Henri. Les graveurs du dix-huitième siècle' (Paris D. Morgand et C. Fatout, 1880) pp. 29-34. Life and work Anselin was born in Paris. His name was originally "''Enslyn''", and his grandfather, who came to France after the reign of James II of England, was of Scottish origin. Jean-Louis studied engraving under Augustin de Saint-Aubin and became one of his best pupils. He started off by engraving subjects then in fashion, finding a ready market both in France and abroad at the end of the reign of Louis XV and his successor. "Le Satyre impatient" (after Jacques-Philippe Caresme) was engraved under the direction of his teacher, Saint-Aubin. Amongst his early, independent, works were two erotic compositions after Antoine Borel - "Vous avez la clef, mais il a trouvé la ser ...
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Jean-Michel Moreau
Jean-Michel Moreau (26 March 1741 – 30 November 1814), also called Moreau le Jeune ("the younger"), was a French draughtsman, illustrator and engraver. Biography Moreau le Jeune, as he is usually called, was born in Paris. He was the pupil of the painter Louis-Joseph Le Lorrain who accompanied his master to St Petersburg in 1758 when Le Lorrain went to be the first director of the Saint Petersburg Academy of Fine Arts established the previous year, where Moreau briefly taught drawing before returning to Paris in 1759, after Le Lorrain's unexpected death. He worked for the engraver Jacques-Philippe Lebas, producing reproductive drawings of contemporary paintings and those of Old Masters for engravers to work from and learning etching During the 1760s he also provided drawings to be engraved for the ''Recueil d’antiquités'' of the comte de Caylus, who kept a benevolent watch over him. For Diderot and Alembert’s ''Encyclopédie'' he provided pen and wash drawings for the ...
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Évariste De Parny
Évariste Desiré de Forges, vicomte de Parny (6 February 17535 December 1814) was a French poet. Biography De Parny was born in Saint-Paul, Réunion, Saint-Paul on the Isle of Bourbon (now Réunion); he came from an aristocratic family from the region of Berry, which had settled on the island in 1698. He left the island at the age of ten years to return to France with his two brothers, Jean-Baptiste and Chériseuil. He studied with the Oratoriens at their college in Rennes, and decided to enter their religious order. He studied theology for six months at the collège Saint-Firmin in Paris, but decided finally instead on a military career, explaining that he was not religious enough to become a monk, and that he was attracted to Christianity mainly by the poetic imagery of the Bible. His brother Jean-Baptiste, an equerry of the Count of Artois, introduced him at the French Court at Palace of Versailles, Versailles, where he met two other soldiers, who, like him, were from the ...
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Louis-Simon Boizot
Louis-Simon Boizot (1743–1809) was a French sculptor whose models for biscuit figures for Sèvres porcelain are better-known than his large-scale sculptures. Biography Boizot was the son of Antoine Boizot, a designer at the Gobelins manufacture of tapestry. At sixteen, he became a student at the Académie royale de peinture et de sculpture and worked in the atelier of the sculptor René-Michel Slodtz (1705–1764), with whom Houdon also trained. Boizot took the Prix de Rome for sculpture in 1762, for a sojourn at the French Academy in Rome (1765–70). On his return to Paris he married Marguerite Virginie Guibert, daughter of the sculptor Honoré Guibert. He was admitted to the Académie royale de peinture et de sculpture in 1778 and exhibited at the annual salons until 1800. His portrait busts of Louis XVI and Joseph II, executed during the Emperor's visit to his sister Marie Antoinette, were executed in 1777 and reproduced in biscuit porcelain at Sèvres. A subtly nuan ...
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Antoine Bertin
Antoine is a French given name (from the Latin ''Antonius'' meaning 'highly praise-worthy') that is a variant of Danton, Titouan, D'Anton and Antonin. The name is used in France, Switzerland, Belgium, Canada, West Greenland, Haiti, French Guiana, Madagascar, Benin, Niger, Burkina Faso, Ivory Coast, Guinea, Senegal, Mauritania, Western Sahara, Morocco, Algeria, Tunisia, Chad, Central African Republic, Cameroon, Equatorial Guinea, Gabon, Republic of the Congo, Democratic Republic of the Congo, Burundi, and Rwanda. It is a cognate of the masculine given name Anthony. Similar names include Antaine, Anthoine, Antoan, Antoin, Antton, Antuan, Antwain, Antwan, Antwaun, Antwoine, Antwone, Antwon and Antwuan. Feminine forms include Antonia, Antoinette, and (more rarely) Antionette. As a first name *Antoine Alexandre Barbier (1765–1825), a French librarian and bibliographer *Antoine Arbogast (1759–1803), a French mathematician *Antoine Arnauld (1612–1694), a French theologian, philo ...
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Charles Monnet
Charles Monnet, also known as Charles Monet (10 January 1732 – after 1808), was a French painter and illustrator, best known for his illustrations used in books, including illustrations of the French Revolution. Life Born in Paris, he studied under Jean II Restout. Although he never became a full academian, on July 27, 1765 he was made a provisional member of the Académie royale de peinture et de sculpture, Académie Royale, where he won first prize for the painting, ''Nabucliodonosor faisant crever les yeux à Sédicias et faisant massacrer ses enfants''. His works in the mid 1760s and 1770s included portraits and religious and mythical scenes. He became "one of the best vignettists of his time" and well-known for his work as an illustrator, notably for an edition of ''Fables de La Fontaine'' published by Fessard. He completed two large compositions above the doors of the dining room in the Petit Trianon at the Palace of Versailles, ''Boreas and Orithyia'' and ''Zéphir and ...
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Book Frontispiece
A frontispiece in books is a decorative or informative illustration facing a book's title page—on the left-hand, or verso, page opposite the right-hand, or recto, page. In some ancient editions or in modern luxury editions the frontispiece features thematic or allegory, allegorical elements, in others is the author's portrait that appears as the frontispiece. In medieval illuminated manuscripts, a presentation miniature showing the book or text being presented (by whom and to whom varies) was often used as a frontispiece. Origin The word comes from the French language, French ''frontispice'', which derives from the late Latin ''frontispicium'', composed of the Latin ''frons'' ('forehead') and ''specere'' ('to look at'). It was synonymous with 'metoposcopy'. In English, it was originally used as an frontispiece (architecture), architectural term, referring to the decorative facade of a building. In the 17th century, in other languages as in Italian language, Italian, the term cam ...
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Tartuffe
''Tartuffe, or The Impostor, or The Hypocrite'' (; french: Tartuffe, ou l'Imposteur, ), first performed in 1664, is a theatrical comedy by Molière. The characters of Tartuffe, Elmire, and Orgon are considered among the greatest classical theatre roles. History Molière performed his first version of ''Tartuffe'' in 1664. Almost immediately following its performance that same year at Versailles' grand fêtes (The Party of the Delights of the Enchanted Island/''Les fêtes des plaisirs de l'ile enchantée''), King Louis XIV suppressed it, probably due to the influence of the archbishop of Paris, Paul Philippe Hardouin de Beaumont de Péréfixe, who was the King's confessor and had been his tutor. While the king had little personal interest in suppressing the play, he did so because, as stated in the official account of the fête: although it was found to be extremely diverting, the king recognized so much conformity between those that a true devotion leads on the path to heave ...
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Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) Р17 February 1673), known by his stage name Moli̬re (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, com̩die-ballets, and more. His plays have been translated into every major living language and are performed at the Com̩die-Fran̤aise more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Moli̬re". Born into a prosperous family and having studied at the Coll̬ge de Clermont (now Lyc̩e Louis-le-Grand), Moli̬re was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ...
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Nicolas-André Monsiau
Nicolas-André Monsiau (1754 – 31 May 1837) was a French history painter and a refined draughtsman who turned to book illustration to supplement his income when the French Revolution disrupted patronage. His '' Poussiniste'' drawing style and coloring marked his conservative art in the age of Neoclassicism. Background His training at the school of the Académie royale de peinture et de sculpture, Paris, was under the direction of Jean-François Pierre Peyron. An early patron, the marquis de Corberon, paid for a sojourn at Rome, where he studied at the French Academy in Rome from 1776. On his return to Paris, he was unable to exhibit in the annual Paris salons, which were closed to all but those who had been received (''"agréé"'') by the Académie or were members, under the Ancien Régime. Instead he found an outlet in the smaller ''Salon de la corréspondance'', where in 1782 he showed a tenebrist ''Piquant effect of the light of a lamp.'' Two years later he was received at ...
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Calais
Calais ( , , traditionally , ) is a port city in the Pas-de-Calais department, of which it is a subprefecture. Although Calais is by far the largest city in Pas-de-Calais, the department's prefecture is its third-largest city of Arras. The population of the city proper is 72,929; that of the urban area is 149,673 (2018).Comparateur de territoire: Aire d'attraction des villes 2020 de Calais (073), Commune de Calais (62193)
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Calais overlooks the Strait of Dover, the narrowest point in the