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Jean-Frédéric Schall
Jean-Frédéric Schall, also Frédéric-Jean, Challe or Chall (14 March 1752 – 24 March 1825) was a French painter who specialized in genre scenes and portraits. Biography IHe was born in Strasbourg. In 1772, after receiving his initial training at the "École publique de dessin de Strasbourg", he went to Paris. There, he was able to enroll at the École royale des élèves protégés under the sponsorship of Nicolas Guy Brenet, and entered the studios of Francesco Casanova; completing his studies in 1777. He had several patrons, including , Jean-Georges Wille and Jean-Baptiste Lemoyne. In addition to Casanova, he studied with Nicolas-René Jollain (1775) and Nicolas-Bernard Lépicié (1776 and 1779).Emmanuel Bénézit, ''Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs de tous les temps et de tous les pays'', R. Roger et F. Chernoviz, 1919, Vol.3 In 1776, he produced his first major works, in the galant style of Fragonard and D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Frédéric Schall (1752-1825)
Jean-Frédéric Schall, also Frédéric-Jean, Challe or Chall (14 March 1752 – 24 March 1825) was a French painter who specialized in genre scenes and portraits. Biography He was born in Strasbourg. In 1772, after receiving his initial training at the "École publique de dessin de Strasbourg", he went to Paris. There, he was able to enroll at the École royale des élèves protégés under the sponsorship of Nicolas Guy Brenet, and entered the studios of Francesco Casanova; completing his studies in 1777. He had several patrons, including , Jean-Georges Wille and Jean-Baptiste Lemoyne. In addition to Casanova, he studied with Nicolas-René Jollain (1775) and Nicolas-Bernard Lépicié (1776 and 1779).Emmanuel Bénézit, ''Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs de tous les temps et de tous les pays'', R. Roger et F. Chernoviz, 1919, Vol.3 In 1776, he produced his first major works, in the galant style of Fragonard and Debu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Directory
The Directory (also called Directorate, ) was the governing five-member committee in the French First Republic from 2 November 1795 until 9 November 1799, when it was overthrown by Napoleon, Napoleon Bonaparte in the Coup of 18 Brumaire and replaced by the French Consulate, Consulate. ''Directoire'' is the name of the final four years of the French Revolution. Mainstream historiography also uses the term in reference to the period from the dissolution of the National Convention on 26 October 1795 (4 Brumaire) to Napoleon's coup d’état. The Directory was continually at war with foreign coalitions, including Kingdom of Great Britain, Britain, Habsburg monarchy, Austria, Kingdom of Prussia, Prussia, the Kingdom of Naples, Russian Empire, Russia and the Ottoman Empire. It annexed Austrian Netherlands, Belgium and the left bank of the Rhine, while Bonaparte conquered a large part of Italy. The Directory established 196 short-lived sister republics in Italy, Old Swiss Confederacy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zephyrus
In ancient Greek religion and myth, the Anemoi (Greek: , 'Winds') were wind gods who were each ascribed a cardinal direction from which their respective winds came (see Classical compass winds), and were each associated with various seasons and weather conditions. They were the progeny of the goddess of the dawn Eos and her husband Astraeus. Etymology The earliest attestation of the word in Greek and of the worship of the winds by the Greeks, are perhaps the Mycenaean Greek word-forms , , , , i.e. 'priestess of the winds'. These words, written in Linear B, are found on the KN Fp 1 and KN Fp 13 tablets. Mythology The Anemoi are minor gods and are subject to the god Aeolus. They were sometimes represented as gusts of wind, and at other times were personified as winged men. They were also sometimes depicted as horses kept in the stables of the storm god Aeolus, who provided Odysseus with the Anemoi in the ''Odyssey''. The Spartans were reported to sacrifice a horse to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Michel-Ange Challe
Charles-Michel-Ange Challe (born in Paris on 13 February 1718; died 8 January 1778) was a painter, draftsman and French architect. Having studied with Boucher and Le Moyne, he was one of the most appreciated painters of his time and enjoyed a huge success across Europe. His architectural drawings in the style of Piranesi contributed to his appointment in 1764 as Draftsman of the Chamber and the Cabinet of the King, charge for which he would produce many ephemeral architectures for parties and great royal funerals. He played a pivotal role in the transition between rococo and classical styles and was one of the essential contributors to the creation of aesthetics known as the Louis XVI style . The first years (1718 - 1742) Charles-Michel-Ange Challe was born in Paris to a modest family from 18 March 1718. He first studied architecture with the Dominican friar Brother André before joining the workshop of François Lemoyne, then at the height of his glory. After the latter's s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Huet
Jean-Baptiste Marie Huet (Paris, 15 October 1745 – Paris, 27 January 1811) was a French painter, engraver and designer associated with pastoral and genre scenes of animals in the Rococo manner, influenced by François Boucher. Born into a family of artists— his uncle was Christophe Huet, his father Nicolas Huet—he apprenticed with the animal painter Charles Dagomer, a member of the painters' guild, the ''Académie de Saint-Luc'', Paris, who was working in the 1760s. Huet’s interest in printmaking and his acquaintance with Gilles Demarteau, who later engraved many of his compositions, both date from this period. About 1764 Huet entered the studio of Jean-Baptiste Le Prince, where he further developed his printmaking skills, largely reproducing his own paintings, a method of publishing them with some profit. In 1768 he was approved (''agréé'') by the Académie Royale, and 29 July 1769 he was received (''reçu'') in the minor category (''petite manière'') of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine-François Callet
Antoine-François Callet (1741–1823), generally known as Antoine Callet, was a French painter of portraits and allegorical works, who acted as official portraitist to Louis XVI. He won the grand prix de Rome in 1764 with ''Cléobis et Biton conduisent le char de leur mère au temple de Junon'' (''Kleobis and Biton dragging their mother's cart to the temple of Juno''). He was accepted by the Académie des beaux arts in 1779, with his entry piece being a portrait of the comte d'Artois, and received with his allegory ''Le printemps'' (''Spring'') in 1781. He exhibited at the Salon from 1783 onwards. He painted the centre of the ceiling of the grande galerie of the palais du Luxembourg, with a composition entitled ''L'Aurore'' (''Aurora''). Under the French Consulate and the First French Empire he painted several more allegories, including an ''Allégorie du dix-huit brumaire ou la France sauvée'' (''Allegory of 18 Brumaire, or France saved'' - 1801, château de Versailles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon (Paris)
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée Des Augustins
The Musée des Augustins de Toulouse is a fine arts museum in Toulouse, France which conserves a collection of sculpture and paintings from the Middle Ages to the early 20th century. The paintings are from throughout France, the sculptures representing Occitan culture of the region with a particularly rich assemblage of Romanesque sculpture. History The building in which the museum is sited was built in 1309 in the Gothic style and prior to the French Revolution housed Toulouse's Augustinian convent. The convent was secularized in 1793 and first opened to the public as a museum on 27 August 1795 by decree of the French Convention, very shortly after the opening of the Louvre, making it one of the oldest museums in France after the Louvre and the Musée des Beaux Arts in Besançon. It at first housed the Muséum Provisoire du Midi de la République and the école des Beaux-Arts. The Musée des Augustins de Toulouse was one of fifteen museums founded in provincial centres, by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Tell
William Tell (german: Wilhelm Tell, ; french: Guillaume Tell; it, Guglielmo Tell; rm, Guglielm Tell) is a folk hero of Switzerland. According to the legend, Tell was an expert mountain climber and marksman with a crossbow who assassinated Albrecht Gessler, a tyrannical reeve of the Austrian dukes of the House of Habsburg positioned in Altdorf, in the canton of Uri. Tell's defiance and tyrannicide encouraged the population to Burgenbruch, open rebellion and a Rütlischwur, pact against the foreign rulers with neighbouring Schwyz and Unterwalden, marking the foundation of the Old Swiss Confederacy, foundation of the Swiss Confederacy. Tell was considered the father of the Swiss Confederacy. Set in the early 14th century (traditional date 1307, during the rule of Albert I of Germany, Albert of Habsburg), the first written records of the legend date to the latter part of the 15th century, when the Old Swiss Confederacy, Swiss Confederacy was gaining military and political influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liberty (goddess)
The concept of liberty has frequently been represented by personifications, often loosely shown as a female classical goddess. Examples include Marianne, the national personification of the French Republic and its values of '' Liberté, Égalité, Fraternité'', the female Liberty portrayed on United States coins for well over a century, and many others. These descend from images on ancient Roman coins of the Roman goddess Libertas and from various developments from the Renaissance onwards. The Dutch Maiden was among the first, re-introducing the cap of liberty on a liberty pole featured in many types of image, though not using the Phrygian cap style that became conventional. The 1886 Statue of Liberty (''Liberty Enlightening the World'') by Frédéric Auguste Bartholdi is a well-known example in art, a gift from France to the United States. Ancient Rome The ancient Roman goddess Libertas was honored during the second Punic War (218 to 201 BC) by a temple erected on the Ave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Revolution
The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considered fundamental principles of liberal democracy, while phrases like ''liberté, égalité, fraternité'' reappeared in other revolts, such as the 1917 Russian Revolution, and inspired campaigns for the abolition of slavery and universal suffrage. The values and institutions it created dominate French politics to this day. Its causes are generally agreed to be a combination of social, political and economic factors, which the ''Ancien Régime'' proved unable to manage. In May 1789, widespread social distress led to the convocation of the Estates General, which was converted into a National Assembly in June. Continuing unrest culminated in the Storming of the Bastille on 14 July, which led to a series of radical measures by the Assembly, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbey Of Saint-Germain-des-Prés
An abbey is a type of monastery used by members of a religious order under the governance of an abbot or abbess. Abbeys provide a complex of buildings and land for religious activities, work, and housing of Christian monks and nuns. The concept of the abbey has developed over many centuries from the early monastic ways of religious men and women where they would live isolated from the lay community about them. Religious life in an abbey may be monastic. An abbey may be the home of an enclosed religious order or may be open to visitors. The layout of the church and associated buildings of an abbey often follows a set plan determined by the founding religious order. Abbeys are often self-sufficient while using any abundance of produce or skill to provide care to the poor and needy, refuge to the persecuted, or education to the young. Some abbeys offer accommodation to people who are seeking spiritual retreat. There are many famous abbeys across the Mediterranean Basin and Europe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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