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Jazzology
Jazzology Records is an American jazz record company and label. It is part of the Jazzology group of labels owned and operated by the George H. Buck Jr. Jazz Foundation. Jazzology Records was founded in 1949 by George H. Buck, Jr. That year he recorded Art Hodes, Wild Bill Davison, and Tony Parenti. Buck didn't record again until 1954, when he created his GHB Records label to concentrate on Dixieland jazz. Over time he released music on other labels that he acquired: American Music Records, Audiophile, Black Swan, Circle, Progressive, Solo Art, and Southland. Roster * Red Allen * Donald Ashwander * Jimmy Archey * Kenny Ball * Sidney Bechet * Barney Bigard * George Brunies * Billy Butterfield * Ernie Carson * Sid Catlett * Doc Cheatham * Evan Christopher * Bill Coleman * Eddie Condon * Kenny Davern * Wild Bill Davison * Baby Dodds * Don Ewell * Pops Foster * Pete Fountain * Bud Freeman * Marty Grosz * Bobby Hackett * Bob Haggart * Edmond Hall * Herb Hall * Chuck Hedge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Hodes
Arthur W. Hodes (November 14, 1904 – March 4, 1993), was a Russian Empire-born American jazz and blues pianist. He is regarded by many critics as the greatest white blues pianist. Biography Hodes was born in Mykolaiv, in present-day Ukraine. His family settled in Chicago, Illinois, when he was a few months old. His career began in Chicago clubs, but he did not gain wider attention until moving to New York City in 1938. In New York, he played with Sidney Bechet, Joe Marsala, and Mezz Mezzrow. Later, Hodes founded his own band in the 1940s and it would be associated with his hometown of Chicago. He and his band played mostly in that area for the next forty years. In the late 1960s, Hodes starred in a series of TV shows on Chicago style jazz called ''Jazz Alley'', where he appeared with musicians such as Pee Wee Russell and Jimmy McPartland. Episodes of the show have been released on DVD. Hodes was editor of the magazine, ''The Jazz Record'', for five years in the 1940s. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circle Records
Circle Records is a jazz record label founded in 1946 by Rudi Blesh and Harriet Janis. History In New York, Blesh and Janis heard jazz drummer Warren "Baby" Dodds playing inventive solos with Bunk Johnson's band. Blesh said he hated drum solos until he saw Dodds. To record Dodds and others, they started Circle Records. The name was given by fellow audience member Marcel Duchamp. Circle recorded traditional jazz of the time, and its releases included Chippie Hill, George Lewis, and broadcasts of Blesh's ''This is Jazz'' radio show. The label was the first to release Jelly Roll Morton's Library of Congress recordings. Blesh and Janis continued the label until 1952. Circle Records also released modern classical music by artists including Henry Cowell and Paul Hindemith. Circle was bought in the mid-1960s by George H. Buck, Jr. The Circle catalog is now under the control of the George H. Buck Jr. Jazz Foundation. Some of the original Circle recordings have been reissued on compa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doc Cheatham
Adolphus Anthony Cheatham, better known as Doc Cheatham (June 13, 1905 – June 2, 1997), was an American jazz trumpeter, singer, and bandleader. He is also the Grandfather of musician Theo Croker. Early life Doc Cheatham was born in Nashville, Tennessee, United States, of African, Cherokee and Choctaw heritage. He noted there was no jazz music there in his youth; like many in the United States he was introduced to the style by early recordings and touring groups at the end of the 1910s. He abandoned his family's plans for him to be a pharmacist (although retaining the medically inspired nickname "Doc") to play music, initially playing soprano and tenor saxophone in addition to trumpet, in Nashville's African American Vaudeville theater. Cheatham later toured in band accompanying blues singers on the Theater Owners Booking Association circuit. His early jazz influences included Henry Busse and Johnny Dunn, but when he moved to Chicago in 1924, he heard King Oliver. Oliver's p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Parenti
Tony Parenti (August 6, 1900 – April 17, 1972) was an American jazz clarinetist and saxophonist born in New Orleans, Louisiana, United States. After starting his musical career in New Orleans, he had a successful career in music in New York City for decades. Biography Parenti was a childhood musical prodigy, first on violin, then on clarinet. As a child he substituted for Alcide Nunez in Papa Jack Laine's band. In New Orleans he also worked with Johnny Dedroit. During his early teens, Parenti worked with the Nick LaRocca band, among other local acts. Parenti led his own band in New Orleans in the mid-1920s, making his first recordings there, before moving to New York City at the end of the decade. In the late 1920s, Parenti worked with Benny Goodman and Fred Rich, and then in New York City, where he worked through the 1930s as a CBS staffman and as a member of the Radio City Symphony Orchestra. From 1939 until 1945, Parenti, with Ted Lewis's band, played alongside Muggsy Span ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Carson
Ernie Carson (December 4, 1937 – January 9, 2012) was an American Dixieland jazz revival cornetist, pianist, and singer. He was born in Portland, Oregon. Carson played trumpet from elementary school and at Lincoln High School in Portland, Oregon. He was introduced to Dixieland music by listening to Monte Ballou's Castle Jazz Band through the bathroom wall at the Liberty Theater in Portland as a teenager. He ended up playing with the Castle Jazz Band in the mid-1950s prior to a stint in the U.S. Marines. Following this he worked in Los Angeles with Dave Wierbach, Jig Adams, Ray Bauduc, Pat Yankee, and Turk Murphy, and led several of his own groups from the 1970s, including the Capital City Jazz Band and a new version of the Castle Jazz Band. After more than twenty years of playing based in Atlanta, he moved back to Oregon in 1995. He died in 2012 in Portland, Oregon. Discography As leader * ''Ernie Carson and His Capital City Jazz Band'' (Jazzology, 1968) * ''Ole Oregon Ern' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Davern
John Kenneth Davern (January 7, 1935 – December 12, 2006) was an American jazz clarinetist. Biography He was born in Huntington, Long Island, to a family of mixed Jewish and Irish-Catholic ancestry. His mother's family originally came from Vienna, Austria, where his great-grandfather Alfred Roth had been a colonel in the Austro-Hungarian cavalry, the highest rank accessible to a Jew in the Habsburg Imperial army. After hearing Pee Wee Russell the first time, he was convinced that he wanted to be a jazz musician, too; and at the age of 16 he joined the musician's union, first as a baritone saxophone player. In 1954 he joined Jack Teagarden's Band, and after only a few days with the band he made his first jazz recordings. Later on, he worked with bands led by Phil Napoleon and Pee Wee Erwin before joining the Dukes of Dixieland in 1962. The late 1960s found him freelancing with, among others, Red Allen, Ralph Sutton, Yank Lawson and his lifelong friend Dick Wellstood. At this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Butterfield
Charles William Butterfield (January 14, 1917 – March 18, 1988) was an American jazz bandleader, trumpeter, flugelhornist, and cornetist. Early years Charles William Butterfield was born in Middletown, Ohio and attended high school in Wyoming. Although he studied medicine at Transylvania College, he preferred playing in bands, and he studied cornet with Frank Simon. He discontinued his studies after finding success as a trumpeter. Career Early in his career he played in the band of Austin Wylie. He gained attention working with Bob Crosby (1937–1940), and later performed with Artie Shaw, Les Brown, and Benny Goodman. While with Bob Crosby, he initially played third trumpet behind Charlie Spivak and Yank Lawson. When those two left Crosby to join Tommy Dorsey's band in 1938, Butterfield was given the opportunity to solo on a song written by Crosby bassist Bob Haggart, initially titled "I'm Free." When lyrics were added, it became the well-known standard "What's New?". On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Records
Progressive Records is an American jazz record company and label owned by the Jazzology group. It produces reissues and compilations of musicians such as Sonny Stitt, Eddie Barefield, George Masso, and Eddie Miller. History Progressive Records was founded by Gus Statiras in New York in 1950. When the business declined, Savoy bought and reissued much of the label's catalog, then sold it to Prestige with backing from Bainbridge, a Japanese record company. Progressive had a revival in the late 1970s when Statiras bought the label back from Fantasy, which by then had absorbed Prestige, which continued into the 1980s. Progressive's second era included recordings by Buddy DeFranco, Scott Hamilton, J. R. Monterose, and Al Haig. In the 1980s, Progressive was acquired by George Buck and his Jazzology group and is owned by the George H. Buck Jr. Jazz Foundation. Roster Catalogue * PCD-7001 ''The Horn'', Ben Webster * PCD-7002 ''Love for Sale'', Derek Smith Trio * PCD-7003 '' Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Condon
Albert Edwin Condon (November 16, 1905 – August 4, 1973) was an American jazz banjoist, guitarist, and bandleader. A leading figure in Chicago jazz, he also played piano and sang. Early years Condon was born in Goodland, Indiana, the son of John and Margaret (née McGraw) Condon. He grew up in Momence, Illinois, and Chicago Heights, Illinois, where he attended St. Agnes and Bloom High School. After playing ukulele, he switched to banjo and was a professional musician by 1921. When he was 15 years old, he received his first union card in Waterloo, Iowa. Career He was based in Chicago for most of the 1920s, and played with such jazz notables as Bix Beiderbecke, Jack Teagarden, and Frank Teschemacher. He and Red McKenzie formed the Chicago Rhythm Kings in 1925. While in Chicago, Condon and other white musicians would go to Lincoln Gardens to watch and learn from King Oliver and his band. They later would frequent the Sunset Café to see Louis Armstrong and his Hot Five for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audiophile Records
Audiophile Records is a record company and label founded in 1947 by Ewing Dunbar Nunn to produce recordings of Dixieland jazz. A very few of the early pressings were classical music, Robert Noehren on pipe organ, AP-2 and AP-9 for example. History Having been a record collector since the 1920s, Nunn began to make records to improve their audio quality. He was a recording engineer who believed monophonic sound (mono) was better than stereophonic sound (stereo). His records impressed ''High Fidelity'' magazine and G. A. Briggs, the designer of Wharfedale speakers. In 1947, he started Audiophile Records in Saukville, Wisconsin before moving it to Mequon, Wisconsin in 1965. In 1969 Nunn sold the label to Jim Cullum of San Antonio, Texas, and his son, Jim Cullum, Jr., who owned Happy Jazz Records. Nunn remained as chief engineer. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Southland Records
Southland Records is a record label in New Orleans, Louisiana, United States specializing in blues and jazz. Southland Records was founded in 1953 by Joe Mares, a clarinetist and younger brother of trumpeter Paul Mares. He created the label after realizing many musicians in New Orleans were unsigned to record labels. Mares recorded George Lewis, Papa Celestin, Sharkey Bonano, Nick LaRocca, and Raymond Burke. Bands practiced at the label's studio behind Mares Brothers Furs, a company established by his father, uncle, and grandfather. Sessions were recorded at concert halls and at TV and radio stations. In the 1960s, Mares sold the label to George Buck and it became part of the Jazzology Records group under the control of the George H. Buck Jr. Jazz Foundation. Roster * Jimmy Ballero * Big Bill Broonzy * Wendell Brunious * Dan Burley * Red Callender * Erving Charles * Pops Foster * Ernie Freeman * Hezekiah and The Houserockers * John Jackson * Homesick James * Thomas Jefferson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Swan Records
Black Swan Records was an American jazz and blues record label founded in 1921 in Harlem, New York. It was the first widely distributed label to be owned, operated, and marketed to African Americans. (Broome Special Phonograph Records was the first to be owned and operated by African Americans). Black Swan was established to give African Americans a label that would give them more creative liberties. Black Swan was revived in the 1990s for CD reissues of historic jazz and blues recordings. History Black Swan's parent company, Pace Phonograph Corporation, was founded in March 1921 by Harry Pace and was based in Harlem. The new production company was formed after Pace's music publishing partnership with W. C. Handy, Pace & Handy, had dissolved. Black Swan, which sought to specialize in classical recordings, served as an investment opportunity for the Talented Tenth. As recognized by Thomas Brothers, "luminaries like Jack Nail and James Weldon Johnson served on the Black Swan board ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |