Jazz Recital
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Jazz Recital
''Jazz Recital'' (also released as ''Dizzy Gillespie and His Orchestra'') is an album by the trumpeter Dizzy Gillespie, recorded in 1954 and 1955 and released on the Norgran label. It consists of quintet, sextet and jazz orchestra tracks.Dizzy Gillespie discography
Retrieved March 27, 2012.


Track listing

''All compositions by Dizzy Gillespie and Buster Harding except as indicated'' # "Sugar Hips" (Dizzy Gillespie, Wade Legge) - 5:16 # "Hey Pete" (Gillespie, , Lester Peterson) - 5:07 # "Money Honey" () - 2:30 # "Blue Mood" ...
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Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ...
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Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Willie Smith (alto Saxophonist)
William McLeish Smith (November 25, 1910 – March 7, 1967) was an American saxophonist and one of the major alto saxophone players of the swing era. He also played clarinet and sang. Early life Smith was born in Charleston, South Carolina, United States, and raised in Charleston and attended Avery Institute. His first instrument was clarinet, and his education was in chemistry. He received his chemistry degree from Fisk University, an HBCU. Career In 1929, Smith became an alto saxophonist for Jimmie Lunceford's band, becoming one of the main stars in the group. In 1940, he led his own quintet as a side project. His success with Lunceford had lost its charms by 1942, as he now wanted more pay and less travel. Smith moved to the Charlie Spivak orchestra for a year, and was in the United States Navy for another year. He then switched to Harry James's orchestra, where he made more money, and stayed with him for seven years. After that he worked with Duke Ellington and Billy May. He ...
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Hilton Jefferson
Hilton Jefferson (July 30, 1903 – November 14, 1968) was an American jazz alto saxophonist born in Danbury, Connecticut, United States, perhaps best known for leading the saxophone section from 1940–1949 in the Cab Calloway band. Jefferson is said to have been "a soft, delicate saxophone player, with an exquisite sensibility." In 1929, Jefferson began his professional career with Claude Hopkins, and throughout the 1930s was busy working for the big bands of Chick Webb, Fletcher Henderson and McKinney's Cotton Pickers. From 1952–1953, Jefferson performed with Duke Ellington, but ultimately became a bank guard to support himself with a steady income. In the 1950s, he continued to perform, especially with Rex Stewart and some former members of Fletcher Henderson's Orchestra. Discography With Dizzy Gillespie * ''Afro'' (Norgran, 1954) * ''Dizzy and Strings'' (Norgran, 1954) * ''Jazz Recital'' (Norgran, 1955) * ''The Big Band Sound of Dizzy Gillespie'' (Verve, 1973) With Re ...
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Gigi Grice
Gigi Gryce (born George General Grice Jr.; November 28, 1925 – March 14, 1983), later Basheer Qusim, was an American jazz saxophonist, flautist, clarinetist, composer, arranger, and educator. While his performing career was relatively short, much of his work as a player, composer, and arranger was quite influential and well-recognized during his time. However, Gryce abruptly ended his jazz career in the 1960s. This, in addition to his nature as a very private person, has resulted in very little knowledge of Gryce today. Several of his compositions have been covered extensively (" Minority", "Social Call", "Nica's Tempo") and have become minor jazz standards. Gryce's compositional bent includes harmonic choices similar to those of contemporaries Benny Golson, Tadd Dameron and Horace Silver. Gryce's playing, arranging, and composing are most associated with the classic hard bop era (roughly 1953–1965). He was a well-educated composer and musician, and wrote some classical work ...
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Melba Liston
Melba Doretta Liston (January 13, 1926 – April 23, 1999) was an American jazz trombonist, arranger, and composer. Other than those playing in all-female bands she was the first woman trombonist to play in big bands during the 1940s and 1960s, but as her career progressed she became better known as an arranger, particularly in partnership with pianist Randy Weston. Smith, Jessie Carney, and Shirelle Phelps (eds), ''Notable Black American Women: Book 2''. VNR AG, 1996, , pp. 413–415. Other major artists with whom she worked include Dizzy Gillespie, Billie Holiday, John Coltrane and Count Basie. Biography Early life and education Liston was born in Kansas City, Missouri. At the age of seven, Melba's mother purchased her a trombone and began learning to play. Her family encouraged her musical pursuits, as they were all music lovers. Liston was primarily self-taught, but she was "encouraged by her guitar-playing grandfather", with whom she spent significant time learning to p ...
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Matthew Gee
Matthew Gee (November 25, 1925 in Houston, Texas – July 18, 1979 in New York City) was an American bebop trombonist and part-time actor. Gee played trumpet and baritone as a child, and took up the trombone at age 11. After studying at Alabama State University, he played with Coleman Hawkins before doing a stint in the Army. Following this, he played with Dizzy Gillespie (1946–1949), Joe Morris, Gene Ammons and Sonny Stitt (1950), Count Basie (1951), Illinois Jacquet (1952–1954), Lou Donaldson (1954), Sarah Vaughan (1956), and Gillespie again in 1957. In 1956 he released his only record as a bandleader on Riverside Records. From 1959 to 1963 he played on and off with the Duke Ellington Orchestra. Later in the 1960s, he played in small groups with Paul Quinichette and Brooks Kerr, as well as in big bands with Sonny Stitt and Johnny Griffin. Discography As leader * ''Jazz by Gee'' (Riverside, 1956) * ''Soul Groove'' (Atlantic, 1963) - with Johnny Griffin As sideman With Gen ...
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Ernie Royal
Ernest Andrew Royal (June 2, 1921 in Los Angeles, California – March 16, 1983 in New York City) was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording '' The Genius of Ray Charles'' (1959). Career He began in Los Angeles as a member of Les Hite's Orchestra in 1937. In the following 20 years he would work with Lionel Hampton, Woody Herman, Count Basie, Duke Ellington, Wardell Gray, Stan Kenton and recording as a member of the Charles Mingus Octet, with Teo Macero, John Lewis and Kenny Clarke, among others, in 1953. He led ten albums, most of them recorded in Paris. In 1957 he became a staff musician for the American Broadcasting Company. He went on to play in The Tonight Show Band and can be heard on the Miles Davis albums '' Miles Ahead'' (1957), ''Porgy and Bess'' (1958), and ''Sketches of Spain'' (1960). Death A resident of Teaneck, New Jersey, Royal died of cancer at a ...
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Taft Jordan
Taft Jordan (February 15, 1915 – December 1, 1981) was an American jazz trumpeter. Life and career He was born in Florence, South Carolina, United States. Jordan played early in his career with the Washboard Rhythm Kings, before becoming a member of Chick Webb's orchestra from 1933 to 1942, remaining after Ella Fitzgerald became its leader. Jordan and Bobby Stark traded duties as the main trumpet soloist in Webb's orchestra. From 1943 to 1947, he played with Duke Ellington, then with Lucille Dixon at the Savannah Club in New York City from 1949 to 1953. After this he played less often, though he toured with Benny Goodman in 1958, played on Miles Davis's ''Sketches of Spain'', and worked with the New York Jazz Repertory Company. He recorded four tunes as a leader in 1935, and led his own band in 1960–61 when he recorded albums for Mercury Records, Mercury, Aamco Records, and Prestige Records, Swingville. Discography As leader * ''Skin Tight and Cymbal Wise!'' with Vic Dickens ...
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Harry Edison
Harry "Sweets" Edison (October 10, 1915 – July 27, 1999) was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra. Biography Edison was born in Columbus, Ohio, United States. He spent his early childhood in Louisville, Kentucky, being introduced to music by an uncle. After moving back to Columbus at the age of twelve, the young Edison began playing the trumpet with local bands. In 1933, he became a member of the Jeter-Pillars Orchestra in Cleveland. Afterwards, he played with the Mills Blue Rhythm Band and Lucky Millinder. In 1937, he moved to New York and joined the Count Basie Orchestra. His colleagues included Buck Clayton, Lester Young (who named him "Sweets"), Buddy Tate, Freddie Green, Jo Jones, and other original members of that famous band. Speaking in 1956 with ''Down Beat's'' Don Freeman, Edison expla ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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