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Jazz Goes To College
''Jazz Goes to College'' is a 1954 album documenting the North American college tour of the Dave Brubeck Quartet. It was Dave Brubeck's first album for Columbia Records. He was joined by alto saxophonist Paul Desmond, double bassist Bob Bates, and drummer Joe Dodge. The album was re-released on CD and cassette in the Columbia Jazz Masterpieces (CBS Jazz Masterpieces in Europe) series in 1989 and on CD by Sony International in 2000. Background The college tour, in which the group crossed the country visiting major universities and junior colleges, was conceived by Brubeck's wife Iola as a way to introduce jazz to a new audience.García, Antonio J. (November 2001Dave Brubeck: His music keeps us here''Jazz Education Journal'' Accessed September 27, 2007. Brubeck described encountering resistance at the colleges, some of which were reluctant to allow him to perform, but found following initial forays that the quartet was in much demand. As the quartet traveled across the country, he t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dave Brubeck Quartet
David Warren Brubeck (; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck's work is characterized by unusual time signatures and superimposing contrasting rhythms, meters, and tonalities. Born in Concord, California, Brubeck was drafted into the US Army, but was spared from combat service when a Red Cross show he had played at became a hit. Within the US Army, Brubeck formed one of the first racially diverse bands. In 1951, Brubeck formed the Dave Brubeck Quartet, which kept its name despite shifting personnel. The most successful—and prolific—lineup of the quartet was the one between 1958 and 1968. This lineup, in addition to Brubeck, featured saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello. A U.S. Department of State-sponsored tour in 1958 featuring the band inspired Brubeck to record the 1959 album '' Time Out''. Despite its esoteric theme and contrarian t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Michigan
, mottoeng = "Arts, Knowledge, Truth" , former_names = Catholepistemiad, or University of Michigania (1817–1821) , budget = $10.3 billion (2021) , endowment = $17 billion (2021)As of October 25, 2021. , president = Santa Ono , provost = Laurie McCauley , established = , type = Public research university , academic_affiliations = , students = 48,090 (2021) , undergrad = 31,329 (2021) , postgrad = 16,578 (2021) , administrative_staff = 18,986 (2014) , faculty = 6,771 (2014) , city = Ann Arbor , state = Michigan , country = United States , coor = , campus = Midsize City, Total: , including arboretum , colors = Maize & Blue , nickname = Wolverines , sporti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Worry 'Bout Me
"Don't Worry 'bout Me" is a 1938 song composed by Rube Bloom, with lyrics written by Ted Koehler. It was introduced in the "World's Fair" edition of the Cotton Club show in 1939. The first hit recording was in 1939 by Hal Kemp and His Orchestra (vocal by Bob Allen). Other notable recordings *Billie Holiday – ''Last Recording'' with Ray Ellis and his Orchestra. Recording completed on March 11, 1959 and released in July the same year under MGM. *Savannah Churchill – recorded on December 26, 1951 for RCA Victor (catalog No. 20-4773). *Ella Fitzgerald, Count Basie, Joe Williams – ''One O'Clock Jump'' (Verve, 1956) note: Williams sings this tune with Basie's orchestra *Chris Connor – ''Chris In Person'' ive recording(Atlantic, 1959) *Jack Sheldon – ''Jack Sheldon Sings'' (Butterfly, 1993). *Frank Sinatra – ''This Is Sinatra!'' (1956), ''Where Are You'' (1957), ''Sinatra at the Sands'' (1966). His 1954 single reached No. 17 in the Billboard charts that year. *Sarah Vaughan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrase (music)
In music theory, a phrase ( gr, φράση) is a unit of musical meter that has a complete musical sense of its own, built from figures, motifs, and cells, and combining to form melodies, periods and larger sections. Terms such as ''sentence'' and ''verse'' have been adopted into the vocabulary of music from linguistic syntax. Though the analogy between the musical and the linguistic phrase is often made, still the term "is one of the most ambiguous in music....there is no consistency in applying these terms nor can there be...only with melodies of a very simple type, especially those of some dances, can the terms be used with some consistency." John D. White defines a phrase as "the smallest musical unit that conveys a more or less complete musical thought. Phrases vary in length and are terminated at a point of full or partial repose, which is called a ''cadence''." Edward Cone analyses the "typical musical phrase" as consisting of an "initial downbeat, a period of motio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take The 'A' Train
A take is a single continuous recorded performance. The term is used in film and music to denote and track the stages of production. Film In cinematography, a take refers to each filmed "version" of a particular shot or "setup". Takes of each shot are generally numbered starting with "take one" and the number of each successive take is increased (with the director calling for "take two" or "take eighteen") until the filming of the shot is completed. Film takes are often designated with the aid of a clapperboard. It is also referred to as the slate. The number of each take is written or attached to the clapperboard, which is filmed briefly prior to or at the beginning of the actual take. Only those takes which are vetted by the continuity person and/or script supervisor are printed and are sent to the film editor. Single-takes A single-take or one-take occurs when the entire scene is shot satisfactorily the first time, whether by necessity (as with certain expensive special e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Eastern Music
The various nations of the region include the Arabic-speaking countries of the Middle East, the Iranian traditions of Persia, the Jewish music of Israel and the diaspora, Armenian music, Kurdish music, Azeri Music, the varied traditions of Cypriot music, the music of Turkey, traditional Assyrian music, Coptic ritual music in Egypt as well as other genres of Egyptian music in general, and the Andalusian (Muslim Spain) music very much alive in the greater Middle East (North Africa), all maintain their own traditions. It is widely regarded that some Middle-Eastern musical styles have influenced Central Asia, as well as Spain, and the Balkans. Throughout the region, religion has been a common factor in uniting peoples of different languages, cultures and nations. The predominance of Islam allowed a great deal of Arabic, and Byzantine influence to spread through the region rapidly from the 7th century onward. The Arabic scale is strongly melodic, based on various maqamat (sing. maq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Backbeat
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as funk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberlin College
Oberlin College is a Private university, private Liberal arts colleges in the United States, liberal arts college and conservatory of music in Oberlin, Ohio. It is the oldest Mixed-sex education, coeducational liberal arts college in the United States and the second oldest continuously operating List of coeducational colleges and universities in the United States, coeducational institute of higher learning in the world. The Oberlin Conservatory of Music is the oldest continuously operating conservatory in the United States. In 1835, Oberlin became one of the first colleges in the United States to admit African Americans, and in 1837 the first to admit women (other than Franklin & Marshall College, Franklin College's brief experiment in the 1780s). It has been known since its founding for progressive student activism. The College of Arts & Sciences offers more than 50 majors, minors, and concentrations. Oberlin is a member of the Great Lakes Colleges Association and the Five Colleg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody
A melody (from Greek language, Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a Linearity#Music, linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coheren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atonality
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. More narrowly, the term ''atonality'' describes music that does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries. "The repertory of atonal music is characterized by the occurrence of pitches in novel combinations, as well as by the occurrence of familiar pitch combinations in unfamiliar environments". The term is also occasionally used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern. However, "as a categoric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
