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Jazz Calendar
''Jazz Calendar'' is a ballet created in 1968 by Frederick Ashton to the music of Richard Rodney Bennett. The ballet was first performed on 9 January 1968 by The Royal Ballet at the Royal Opera House, Covent Garden, with designs by Derek Jarman. The work was performed over 50 times up to 1979 by the Royal Ballet at Covent Garden but is not part of the current repertoire.Bland, A. ''The Royal Ballet – the first 50 years.'' Threshold Books, London, 1981, It was also produced in October 1990 at the Birmingham Hippodrome by Birmingham Royal Ballet. History The production was arranged at short notice to replace a new production of ''Aida'', and at the suggestion of Nigel Gosling, Ashton asked Derek Jarman to create the designs.Kavanagh, J. ''Secret Muses: The Life of Frederick Ashton.'' Faber & Faber Ltd, London, 1996, Richard Rodney Bennett's score had been commissioned by the BBC and composed between 1962 and 1964. It encompasses a variety of traditional jazz forms and devices, ...
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Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ...
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Alexander Grant (dancer)
Alexander Marshall Grant (22 February 1925 – 30 September 2011) was a New Zealand ballet dancer, teacher, and company director. After moving to London as a young man, he became known as "the Royal Ballet's most remarkable actor-dancer in its golden period from the 1940s to the 1960s." Early life and training Alexander Marshall Grant was born in Wellington, New Zealand, the son of hoteliers, during the prosperous 1920s. He resolved to become a professional dancer at the age of six, when he was taught to perform a simple folk dance, a Ukrainian ''trepak'', and discovered the joy of performing. He began taking dancing lessons when he was seven and, under the tutelage of Kathleen O'Brien and Jean Horne, was an experienced amateur by age fifteen. Inspired by performances of Russian ballet troupes that he saw in Australia, he had already begun to develop the exuberant, energetic, and highly theatrical style that would become his trademark in later life. As a result, he won a scho ...
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Ballets To The Music Of Richard Rodney Bennett
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ...
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Ballets By Frederick Ashton
The following is a list, by decade, of ballets created by the English choreographer Frederick Ashton. 1920s * ''A Tragedy of Fashion'' (music by Eugene Goossens, arranged by Ernest Irving) (1926) * ''Various dances'' for a Purcell Opera Society production of ''The Fairy-Queen'': (music by Henry Purcell) (1927) * ''Pas de deux'' (music by Fritz Kreisler) (1927) * ''Suite de danses'' (music by Wolfgang Amadeus Mozart) (1927) * ''Argentine Dance'' (music by Artello) (1927) * ''Nymphs and Shepherds'' (music by Wolfgang Amadeus Mozart) (1928) * ''Leda'' (music by Christoph Willibald Gluck) (1928) * ''Various dances'' for ''Jew Süss'' (incidental music arranged by Constant Lambert) (1929) 1930s * ''Capriol Suite'' (music by Peter Warlock) (1930) * ''Pomona'' (music by Constant Lambert) (1930) * ''Regatta'' (music by Gavin Gordon) (1931) * ' (music by Léo Delibes) (1931) * ' (music by William Walton) (1931) * ''The Lady of Shalott'' (music by Jean Sibelius) (1931) * ' (music by Lord ...
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Sunday Night At The London Palladium
''Tonight at the London Palladium'' is a British television variety show that is hosted from the London Palladium theatre in the West End. Originally produced by ATV for the ITV network from 1955 to 1969, it went by its original name ''Sunday Night at the London Palladium'' from 25 September 1955 until the name was changed to ''The London Palladium Show'' from 1966 to 2 February 1969. It underwent three revivals, first from 28 October 1973 to 28 October 1974 where it retained its ''Sunday Night at the London Palladium'' title, second in 2000 under the title ''Tonight at the London Palladium'', and third from 2014 until 2015 under the title ''Sunday Night at the Palladium'', dropping ''London''. From 2016, the show is called ''Tonight at the London Palladium'' and is presented by Bradley Walsh. A one-off ''Sunday Night at the London Palladium'' was screened to mark Bruce Forsyth's 70th birthday in February 1998. History The regular hosts of the show were Tommy Trinder (1955 ...
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Pas De Deux
In ballet, a pas de deux (French language, French, literally "step of two") is a dance duet in which two dancers, typically a male and a female, perform ballet steps together. The pas de deux is characteristic of classical ballet and can be found in many well-known ballets, including ''Sleeping Beauty (ballet), Sleeping Beauty'', ''Swan Lake'', and ''Giselle''. It is most often performed by a male and a female (a ''danseur'' and a ''ballerina'') though there are exceptions, such as in the film ''White Nights (1985 film), White Nights'', in which a pas de deux is performed by Mikhail Baryshnikov and Gregory Hines. Grand pas de deux A grand pas de deux is a structured pas de deux that typically has five parts, consisting of an ''entrée'' (introduction), an ''adagio'', two variations (a solo for each dancer), and a ''coda'' (conclusion). It is effectively a suite of dances that share a common theme, often symbolic of a love story or the partnership inherent in love, with the dan ...
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The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( rus, Спящая красавица, Spyashchaya krasavitsa ) is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (Opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's '' La Belle au bois dormant''. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890. The work has become one of the classical repertoire's most famous ballets. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of ''Undine''. It was later decided that Charles Perrault's '' La Belle au bois dormant'' would be the story for which Tchaikovsky would co ...
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Monotones (ballet)
''Monotones'' is a one-act ballet in two parts choreographed by Frederick Ashton to music by Erik Satie. ''Monotones II'' was created first as a gala piece for a gala performance in aid of the Royal Ballet Benevolent Fund in 1965. Ashton had long been inspired by the '' Gymnopedies'' by Erik Satie of 1888 and took orchestrations by Claude Debussy and Roland-Manuel as the basis of a ''pas de trois'' for two men and one woman. The premiere was on 24 March 1965 with Vyvyan Lorrayne, Anthony Dowell, and Robert Mead. The piece was a great success – so much so that in 1966 Ashton enlarged the piece so that it would be long enough to be performed in the normal repertory, by the addition of ''Monotones I'', which formed an overture to the earlier work. This piece in many ways forms a mirror image of ''Monotones II''. Based on Satie's ''Gnossiennes'', it is another ''pas de trois'', but in this case for two women and one man; the premiere was given by Antoinette Sibley, Georgina Par ...
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Pas De Trois
In ballet, ''pas de trois'' is a French term usually referring to a dance between three people. Typically, a ''pas de trois'' in ballet consists of five parts: #Entrée (the opening number for the three dancers, usually preceded by a short introduction) # Variation (or solo) for the 1st dancer #Variation for the 2nd dancer #Variation for the 3rd dancer #Coda (a finale usually set to music of a quick tempo in which the dancers bring the piece to a spectacular finish) Today, the most celebrated ''pas de trois'' in the classical ballet repertory are derived from the works of the great choreographer Marius Petipa. Although the Balletmaster created many ''pas de trois'' for the near 150 ballets he created throughout his career in Russia, only three survive: the ''Pas de trois des Odalisques'' from his revival of the ballet '' Le Corsaire'' (set to the music of Adolphe Adam and Cesare Pugni, choreographed for three women); the ''Paquita Pas de trois'' added to his 1881 revival of t ...
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Monday's Child
"Monday's Child" is one of many fortune-telling songs, popular as nursery rhymes for children. It is supposed to tell a child's character or future from their day of birth and to help young children remember the seven days of the week. As with many nursery rhymes, there are many versions. It has a Roud Folk Song Index number of 19526. Lyrics The following is a common modern version: :Monday's child is fair of face, :Tuesday's child is full of grace. :Wednesday's child is full of woe, :Thursday's child has far to go. :Friday's child is loving and giving, :Saturday's child works hard for a living. :And the child born on the Sabbath day :Is bonny and blithe, good and gay.Iona Opie and Peter Opie, ''The Oxford Dictionary of Nursery Rhymes'' (Oxford: Oxford University Press, 1951, 2nd ed., 1997), pp. 364-5. Origins This rhyme was first recorded in A. E. Bray's ''Traditions of Devonshire'' (Volume II, pp. 287–288) in 1838 and was collected by James Orchard Halliwell in the mid- ...
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Wayne Sleep
Wayne Philip Colin Sleep (born 17 July 1948) is a British dancer, director, choreographer, and actor who appeared on the BBC series '' The Real Marigold on Tour'' and ITV's '' The Real Full Monty''. Early life Sleep was born in Plymouth, Devon. His mother enrolled him at an early age with Geraldine Lamb Dance School, where he studied tap and jazz, wanting to be the next Gene Kelly or Fred Astaire rather than a ballet dancer. He and his family moved to Hartlepool ca. 1951 and spent 10 years there. He lived at Friar Terrace on the Headland and attended Baltic Street Junior School. He began ballet lessons in Hartlepool in 1955 with Muriel Carr, before gaining a Leverhulme Scholarship to the Royal Ballet School in 1961 and joining the Royal Ballet in 1966 and becoming a senior principal dancer performing globally. Career At 157cm (5'2"), he is the shortest male dancer admitted into the Royal Ballet School. Because of his diminutive stature, many directors were reluctant to c ...
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Desmond Doyle (dancer)
Desmond Doyle (16 January 1932 – July 1991) was a South African ballet dancer who performed in England in the 1950s and 1960s before becoming ballet master of The Royal Ballet. Early life and training Desmond Doyle was born in Cape Town, South Africa. Dulcie Howes (1908-1993), a ballet dancer, choreographer and teacher, established the University of Cape Town Ballet School in 1934. Among her most promising students during the 1940s were Johaar Mosaval and Doyle. After some years' study with her, and performing under her direction in the University of Cape Town Ballet, both of them went to London to continue their training at the Sadler's Wells Ballet School. Professional career In 1951, Doyle was accepted into the Sadler's Wells Ballet, under the direction of Ninette de Valois, and was promoted to soloist in 1953. During his years with the company, renamed the Royal Ballet in 1956, he created roles in a number of new ballets by Frederick Ashton, Kenneth MacMillan, and John Cr ...
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