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Jayme Amatnecks
Jayme Amatnecks ( Ponta Grossa, December 22, 1966) is a Brazilian composer and conductor. In 1987 he founded the Children's Choir of UEPG and in 1999 organized the choirs Ars Musica and Vox Pop with which it performed numerous concerts, mainly promoting vocal repertoire of Brazilian music. He was conductor of the Symphony Orchestra of Ponta Grossa (2002–2005) and from 2005 to 2011 he taught at the University Potiguar – UNP. Directed the Choir of CEIC, the Women's Choir St. Cecilia, the Choir of AFENAB/AABB and the Choir of the Federal Court of Rio Grande do Norte (2005–2011). He was the originator of draft disclosure of vocal music and choral singing: The implementation of a system through choral music education in public schools in Ponta Grossa, forming 83 choirs, directly reaching 40 regents, 1346 students from public schools in Ponta Grossa and indirectly affecting more than 200,000 people. He lectured and presented concerts in all the capitals of Brazil and ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duerme Negrito
Duerme Negrito ("Sleep, little black one") is a popular Latin American folkloric lullaby, originally from an area near the Colombian and Venezuelan border. The song was compiled by Atahualpa Yupanqui when visiting this region and popularized by him and other musicians, such as Victor Jara, Mercedes Sosa, Jayme Amatnecks, Alfredo Zitarrosa, Daniel Viglietti, and Natalia Lafourcade when touring around the world. The song tells the story of a mother who leaves her child in the care of a friend or neighbor while she goes out to work hard in the fields for no pay. It is sung by this lady to the little black child who has been left in her care. This lady tells the child to fall asleep, because his mother is working in the fields. The lady promises that the child's mother will bring him treats, such as quails and pork, if he falls asleep. The mother is a slave, as she works without pay. The caregiver tells the boy, if he doesn't fall asleep, the white devil, meaning the slave driver, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazilian Composers
Brazilian commonly refers to: * Something of, from or relating to Brazil * Brazilian Portuguese, the dialect of the Portuguese language used mostly in Brazil * Brazilians, the people (citizens) of Brazil, or of Brazilian descent Brazilian may also refer to: Sports * Brazilian football, see football in Brazil * Brazilian jiu-jitsu, a martial art and combat sport system *''The Brazilians'', a nickname for South African football association club Mamelodi Sundowns F.C. due to their soccer kits which resembles that of the Brazilian national team Other uses * Brazilian waxing, a style of Bikini waxing * Brazilian culture, describing the Culture of Brazil * "The Brazilian", a 1986 instrumental by Genesis * Brazilian barbecue, known as churrasco * Brazilian cuisine See also * ''Brasileiro ''Brasileiro'' is a 1992 album by Sérgio Mendes and other artists including Carlinhos Brown which won the 1993 Grammy Award for Best World Music Album. Track listing # "Fanfarra" (Carlinhos Brown) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1966 Births
Events January * January 1 – In a coup, Colonel Jean-Bédel Bokassa takes over as military ruler of the Central African Republic, ousting President David Dacko. * January 3 – 1966 Upper Voltan coup d'état: President Maurice Yaméogo is deposed by a military coup in the Republic of Upper Volta (modern-day Burkina Faso). * January 10 ** Pakistani–Indian peace negotiations end successfully with the signing of the Tashkent Declaration, a day before the sudden death of Indian prime minister Lal Bahadur Shastri. ** The House of Representatives of the US state of Georgia refuses to allow African-American representative Julian Bond to take his seat, because of his anti-war stance. ** A Commonwealth Prime Ministers' Conference convenes in Lagos, Nigeria, primarily to discuss Rhodesia. * January 12 – United States President Lyndon Johnson states that the United States should stay in South Vietnam until Communist aggression there is ended. * January 15 – 1966 Nigeria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans-Joachim Koellreutter
Hans-Joachim Koellreutter (2 September 1915 – 13 September 2005) was a Brazilian composer, teacher and musicologist. Koellreutter was born in Freiburg, Germany and lived in Brazil from 1937 onward, where he became one of the country's most influential musicians. In Brazil Koellreuter taught many prominent composers, including Gilberto Mendes, Cláudio Santoro, Antônio Carlos Jobim, Denis Mandarino, Jayme Amatnecks, among others. He brought the theory of atonal music to Brazil, creating the group ''"Musica Viva"'' and inflating the debate between the "Nationalists" and "Serialists". While the former group believed in the use of folklore material for the development of their compositions, the latter believed that the more rational approach of the European school was the path to truly contemporary works. This debate played a central role in the esthetic developments of Brazilian classical music throughout the 20th century. Death Koellreutter died in São Paulo São P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called 'monothematic', while music based on several themes is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody
A melody (from Greek language, Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a Linearity#Music, linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coheren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gestalt (music)
Music psychology, or the psychology of music, may be regarded as a branch of both psychology and musicology. It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life. Modern music psychology is primarily empirical; its knowledge tends to advance on the basis of interpretations of data collected by systematic observation of and interaction with human participants. Music psychology is a field of research with practical relevance for many areas, including music performance, composition, education, criticism, and therapy, as well as investigations of human attitude, skill, performance, intelligence, creativity, and social behavior. Music psychology can shed light on non-psychological aspects of musicology and musical practice. For example, it contributes to music theory through investigations of the perception and computational modelling of musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
