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Jaws Strikes Again
''Jaws Strikes Again'' is an album by American jazz saxophonist Eddie "Lockjaw" Davis recorded in Paris in 1976 and released on the French Black and Blue label.Di Filippo, R.Enciclopedia del Jazz: Eddie "Lockjaw" Davisaccessed April 10, 2017 Track listing # " Don't Worry 'bout Me" (Rube Bloom, Ted Koehler) – 5:38 # " The Man I Love" (George Gershwin, Ira Gershwin) – 5:17 # "Light and Lovely" (Eddie "Lockjaw" Davis) – 8:45 # " Stompin' at the Savoy" ( Edgar Sampson, Benny Goodman, Andy Razaf, Chick Webb) – 4:30 # "When Sunny Gets Blue" (Marvin Fisher, Jack Segal) – 4:09 # " Blue and Sentimental" ( Count Basie, Mack David, Jerry Livingston) – 3:26 # "Jumpin' with Symphony Sid" ( Lester Young) – 6:09 Personnel * Eddie "Lockjaw" Davis – tenor saxophone * Wild Bill Davis – organ * Billy Butler – guitar * Oliver Jackson – drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie "Lockjaw" Davis
Edward F. Davis (March 2, 1922 – November 3, 1986), known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" (later shortened in "Jaws"): it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward. Biography Davis played with Cootie Williams, Lucky Millinder, Andy Kirk, Eddie Bonnemère, Louis Armstrong, and Count Basie, as well as leading his own bands and making many recordings as a leader. He played in the swing, bop, hard bop, Latin jazz, and soul jazz genres. Some of his recordings from the 1940s also could be classified as rhythm and blues. In 1940, when Teddy Hill became the manager of the legendary Minton's Jazz club, he put Eddie Davis in charge of deciding which musicians could, or couldn't, sit in during the jam sessions (playing in this Minton's sessions was coveted by many, including mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing". From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his quartet and quintet. He performed nearly to the end of his life while exploring an interest in classical music. Early years Goodman was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. His father, David Goodman (1873–1926), came to the United States in 1892 from Warsaw in partitioned Poland and became a tailor. His mother, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Butler (guitarist)
William Butler Jr. (December 15, 1924 – March 20, 1991) was an American soul jazz guitarist. Career A native of Philadelphia, Butler began his career in the 1940s behind the Harlemaires. In the 1950s he was a member of a trio led by Doc Bagby and accompanied keyboardist Bill Doggett. He co-wrote "Honky Tonk (song), Honky Tonk", an R&B hit for Doggett. Butler also worked with Al Casey (jazz guitarist), Al Casey, King Curtis, Eddie "Lockjaw" Davis, Bill Davison, Tommy Flanagan, Panama Francis, Dizzy Gillespie, Benny Goodman, Johnny Hodges, Floyd "Candy" Johnson, David "Fathead" Newman, Houston Person, Sammy Price, Jimmy Smith (musician), Jimmy Smith, Norris Turney, and Dinah Washington. He is credited as the guitarist on Joey Dee and the Starliters' "Peppermint Twist, Parts 1 & 2" recorded in September 1961 at the Peppermint Lounge in New York City. Part 1 of the song went to the top of the Billboard pop charts in January 1962. Butler died of a heart attack at home in Teaneck, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Bill Davis
Wild Bill Davis (November 24, 1918 – August 17, 1995) was the stage name of American jazz pianist, organist, and arranger William Strethen Davis. He is best known for his pioneering jazz electric organ recordings and for his tenure with the Tympany Five, the backing group for Louis Jordan. Prior to the emergence of Jimmy Smith in 1956, Davis (whom Smith had reportedly first seen playing organ in the 1930s) was the pacesetter among organists. Biography Davis was born in Glasgow, Missouri and grew up in Parsons, Kansas. He first learned music from his father who was a professional singer. He received further musical training at the Tuskegee Institute (now Tuskegee University) in Alabama, and at Wiley College in Marshall, Texas. In his early career he took inspiration from Fats Waller and Art Tatum. Davis moved to Chicago, where he originally played guitar and wrote arrangements for Milt Larkin's big band from 1939 through 1942; a band which included Arnett Cobb, Illinoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lester Young
Lester Willis Young (August 27, 1909 – March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music. Early life and career Lester Young was born in Woodville, Mississippi, on August 27, 1909. to Lizetta Young (née Johnson), and Willis Handy Young, originally from Louisiana. Lester had two siblings – a brother, Leonidas Raymond, known as Lee Young, who became a drummer, and a sister, Irma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Livingston
Jerry Livingston (born Jerry Levinson; March 25, 1909 – July 1, 1987) was an American songwriter and dance orchestra pianist. Life and career Born in Denver, Colorado, Livingston studied music at the University of Arizona. While there he composed his first score for a college musical. He moved to New York City in the 1930s, initially working as a pianist for dance orchestras. Livingston served in the Army's Special Services division during World War II.Biography of Hy Zaret www.argosymusiccorp.com. Retrieved August 12, 2021. Among the popular songs Livingston helped write are "", " |
Mack David
Mack David (July 5, 1912 – December 30, 1993) was an American lyricist and songwriter, best known for his work in film and television, with a career spanning the period between the early 1940s and the early 1970s. David was credited with writing lyrics or music or both for over one thousand songs. , ''The New York Times'', Saturday, January 1, 1994. He was particularly well known for his work on the films '''' and '' |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue And Sentimental
Blue and Sentimental is a song written by Count Basie, Jerry Livingston, and Mack David. It was written in 1938 and recorded by the Count Basie Orchestra on 6 June that year. Other recordings *1947 - Count Basie recorded the song again on October 19, 1947 for RCA Victor Records (catalog No. 2602) with a vocal by Bob Bailey and it charted briefly in 1948. *1947 - The King Cole Trio recorded November 24, 1947. *1952 - The Mills Brothers (1952). *1958 - Michel Legrand recorded June 27, 1958, for his album Legrand Jazz, featuring Ben Webster on tenor saxophone. *1962 - the song was featured on saxophonist Ike Quebec's album Blue & SentimentalBlue Note Records discography accessed October 29, 2010 *2001 - |
Jack Segal
Jack Segal (October 19, 1918 – February 10, 2005) was a pianist and composer of popular American songs, known for writing the lyrics to '' Scarlet Ribbons''. His composition '' May I Come In?'' was the title track for a Blossom Dearie album. Other songs he authored or co-authored are ''When Sunny Gets Blue'', ''That's the Kind of Girl I Dream Of'', ''I Keep Going Back to Joe's'' (with Marvin Fisher), ''A Boy from Texas, a Girl from Tennessee'' (with John Benson Brooks & Joseph Allan McCarthy), ''After Me'' (with Blossom Dearie) and ''When Joanna Loved Me'' (with Robert Wells). It has been estimated that his songs have helped sell 65 million records. Lyrics for the ballad that was perhaps Segal's greatest hit, Scarlet Ribbons (with music composed by Evelyn Danzig Levine), were written in just 15 minutes in 1949, but the song languished until Segal presented it to Harry Belafonte five years later. Belafonte's recording was responsible for making the song a hit. At least 30 ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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