Javier Busto
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Javier Busto
Javier Busto Sagrado (born 1949 in Hondarribia, Basque Country, Spain) is a Spanish choral music composer and conductor. Career Originally trained as a medical doctor, Busto taught himself music, but was initiated to choir direction by Erwin List. In 1995, he founded Kanta Cantemus Korua, a choir composed of women in their middle to late teens. In 1978 he founded the Eskifaia Choir in Hondarribia. Busto has presented his compositions at the Fourth World Symposium on Choral Music in Sydney, Australia in 1996, and was guest conductor of the ''Tokyo Cantat'' in 2000. His choirs have won first place awards in France, Italy, Austria, and Germany. Busto has served on the jury of composition and choral competitions in Spain, France, Italy and Japan. Works Busto's compositions are published in Sweden, Germany, Spain and the United States. SATB *''Ametsetan'' *''Agnus Dei'' *''Ave Maria'' *''Ave maris stella'' *''Ave verum corpus'' *'' Laudate pueri'' *''O sacrum ...
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Javi Busto Nov
Jowzar-e Javid ( fa, جوزارجاويد, also Romanized as Jowzār-e Jāvīd, Jow Zār Jāvīd, Jūzār-e Jāvīd, and Jūzār Jāvīd; also known as Jāveh, Jāvi, Jāvīd, and Jowzār) is a village in Jowzar Rural District, in the Central District of Mamasani County, Fars Province, Iran Iran, officially the Islamic Republic of Iran, and also called Persia, is a country located in Western Asia. It is bordered by Iraq and Turkey to the west, by Azerbaijan and Armenia to the northwest, by the Caspian Sea and Turkmeni .... At the 2006 census, its population was 424, in 115 families. References Populated places in Mamasani County {{Mamasani-geo-stub ...
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Musical Composition
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, counte ...
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Magnificat
The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Eastern Christianity, Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated into the liturgical services of the Catholic Church, the Eastern Orthodox churches, and the Anglican Communion. Its name comes from the incipit of the Latin version of the text. The text of the canticle is taken from the Gospel of Luke () where it is spoken by Mary, mother of Jesus, Mary upon the occasion of her Visitation (Christianity), Visitation to her cousin Elizabeth (biblical figure), Elizabeth. In the narrative, after Mary greets Elizabeth, who is pregnant with John the Baptist, the latter moves within Elizabeth's womb. Elizabeth praises Mary for her Faith in Christianity, faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat. The Magnificat is one of the eight most a ...
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A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ...
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Psalm 23
Psalm 23 is the 23rd psalm of the Book of Psalms, beginning in English in the King James Version: "The Lord is my shepherd". In Latin, it is known by the incipit, "". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 22. Like many psalms, Psalm 23 is used in both Jewish and Christian liturgies. It has often been set to music. Haredi educator Tziporah Heller referred to it as perhaps the best-known of the psalms due to "its universal message of trust in God, and its simplicity." Text Hebrew Bible version The following is the Hebrew text of Psalm 23: English translation (King James Version) : A Psalm of David. # The is my shepherd; I shall not want. # He maketh me to lie down in green pastures: he leadeth me beside the still waters. # He restoreth my soul: he leadeth me in the pat ...
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Pater Noster
The Lord's Prayer, also called the Our Father or Pater Noster, is a central Christian prayer which Jesus taught as the way to pray. Two versions of this prayer are recorded in the gospels: a longer form within the Sermon on the Mount in the Gospel of Matthew, and a shorter form in the Gospel of Luke when "one of his disciples said to him, 'Lord, teach us to pray, as John taught his disciples. Regarding the presence of the two versions, some have suggested that both were original, the Matthean version spoken by Jesus early in his ministry in Galilee, and the Lucan version one year later, "very likely in Judea". The first three of the seven petitions in Matthew address God; the other four are related to human needs and concerns. Matthew's account alone includes the "Your will be done" and the "Rescue us from the evil one" (or "Deliver us from evil") petitions. Both original Greek texts contain the adjective ''epiousios'', which does not appear in any other classical or Koine Greek ...
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O Magnum Mysterium
O magnum mysterium is a responsorial chant from the Matins of Christmas. Text The text is drawn from the Matins of Christmas in the Roman Breviary. ; Latin text: : O magnum mysterium, : et admirabile sacramentum, : ut animalia viderent Dominum natum, : iacentem in praesepio! : O beata virgo, cuius viscera : meruerunt portare : Dominum Iesum Christum. : Alleluia! ; English translation: : O great mystery, : and wonderful sacrament, : that animals should see the newborn Lord, : lying in a manger! : O blessed virgin, whose womb : was worthy to bear : the Lord Jesus Christ. : Alleluia! In the original responsorial chant, the first line of Ave Maria is also included: "Ave Maria, gratia plena, dominus tecum". History The image of the oxen and donkey next to the crib is found in Isaiah (Isa. 1.3) and is traditionally related to the nativity scene at the birth of Jesus in Luke 2. Luke (Lk 2.7) does not mention animals, but a manger. In the apocryphal Gospel of Pseudo-Matthew, ...
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O Sacrum Convivium
"O sacrum convivium" is a Latin prose text honoring the Blessed Sacrament. It is included as an antiphon to Magnificat in the vespers of the liturgical office on the feast of Corpus Christi. The text of the office is attributed with some probability to Saint Thomas Aquinas. Its sentiments express the profound affinity of the Eucharistic celebration, described as a banquet, to the Paschal mystery : "O sacred banquet at which Christ is consumed, the memory of his Passion is recalled, our souls are filled with grace, and the pledge of future glory is given to us." Text ; Original Latin (punctuation from ''Liber Usualis'') : O sacrum convivium! : in quo Christus sumitur: : recolitur memoria passionis eius: : mens impletur gratia: : et futurae gloriae nobis pignus datur. : Alleluia. ; Translation of original Latin : O sacred banquet! : in which Christ is received, : the memory of his Passion is renewed, : the mind is filled with grace, : and a pledge of future glory to us is given. ...
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Laudate Pueri Dominum
Psalm 113 is the 113th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the Lord, O ye servants of the Lord". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In Latin, it is known as 'Laudate pueri Dominum. In the slightly different numbering system used in the Greek Septuagint version of the bible and in the Latin Vulgate, this psalm is Psalm 112. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. In Judaism, it is the first of the six psalms comprising the Hallel, a prayer of praise and thanksgiving recited on Rosh Chodesh (the first day of the Hebrew month) and Jewish holidays. In Catholicism, it is one of the psalms included in the vespers service. It has been set to music often, notably by Claudio Monteverdi in his '' Vespro della Beata Vergine'' of 1610. Text Hebrew Bible version Following is the Hebrew text of Psa ...
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Ave Verum Corpus
"" is a short Eucharistic chant that has been set to music by many composers. It dates to the 13th century, first recorded in a central Italian Franciscan manuscript (Chicago, Newberry Library, 24). A Reichenau manuscript of the 14th century attributes it to Pope Innocent (variously identified as Innocent III, Innocent IV, Innocent V, or Innocent VI) During the Middle Ages it was sung at the elevation of the Eucharist during the consecration at Mass. It was also used frequently during Benediction of the Blessed Sacrament. The prayer is a meditation on Jesus's Real Presence in the Blessed Sacrament, and ties it to the redemptive meaning of suffering in the life of all believers. Text Latin Ave verum corpus, natum de Maria Virgine, vere passum, immolatum in cruce pro homine cuius latus perforatum fluxit aqua et sanguine: esto nobis prægustatum in mortis examine. O Iesu dulcis, O Iesu pie, O Iesu, fili Mariae. Miserere mei. Amen.   Hail, true Body, born of the Virgin Mary, h ...
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Ave Maris Stella
"Ave maris stella" (Latin for 'Hail, star of the sea') is a medieval Marian hymn, usually sung at Vespers. It was especially popular in the Middle Ages and has been used by many composers as the basis of other compositions. Background Authorship of the original hymn has been attributed to several people, including Bernard of Clairvaux (12th century), Saint Venantius Fortunatus (6th century) and Hermannus Contractus (11th century). Probably originating in the 9th century, it appears as a 10th century addition in two 9th-century manuscripts, one from Salzburg now in Vienna and the other still at the Abbey of Saint Gall. Its frequent occurrence in the Divine Office made it popular in the Middle Ages, many other hymns being founded upon it. The "Ave maris stella" was highly influential in presenting Mary as a merciful and loving Mother. "Much of its charm is due to its simplicity". The title " Star of the Sea" is one of the oldest and most widespread titles applied to Mary. The hymn ...
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Ave Maria
The Hail Mary ( la, Ave Maria) is a traditional Christian prayer addressing Mary, the mother of Jesus. The prayer is based on two biblical passages featured in the Gospel of Luke: the Angel Gabriel's visit to Mary (the Annunciation) and Mary's subsequent visit to Elisabeth, the mother of John the Baptist (the Visitation). The Hail Mary is a prayer of praise for and of petition to Mary, regarded as the Theotokos (Mother of God). Since the 16th century, the version of the prayer used in the Catholic Church closes with an appeal for her intercession. The prayer takes different forms in various traditions and has often been set to music. In the Latin Church, the Hail Mary forms the basis of other prayers such as the Angelus and the Rosary. In the psalmody of the Oriental Orthodox Churches a daily Theotokion is devoted to ascribing praise to the Mother of God. The Eastern Orthodox Churches have apart from the ''Theotokion'' a quite similar prayer to the Hail Mary (without explicit ...
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