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Jatta (novel)
''Jatta'' is a fantasy novel by Australian author and illustrator Jenny Hale. Set in an alternate world, its heroine Jatta discovers in the days before her fourteenth birthday that she is a werewolf In folklore, a werewolf (), or occasionally lycanthrope (; ; uk, Вовкулака, Vovkulaka), is an individual that can shapeshift into a wolf (or, especially in modern film, a therianthropic hybrid wolf-like creature), either purposely or .... As the wolf inside Jatta grows, it continues to morph. When it impinges on her waking hours, Jatta realises her personality will disintegrate. Eventually none of her gentle humanity will be left. The novel deals with themes of forgiveness and how we are sculpted by family and culture. It investigates societies by contrasting Jatta's pacifist, compassionate and vulnerable ‘Alteeda’ with the brutal, militarily successful Kingdom of Dartith. Once in Dartithan custody, both Jatta and her brother Arthmael are faced with impossible deci ...
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Jenny Hale
Jenny Hale (born 1959) is an Australian illustrator and author who has published 20 children's picture books, including the ''Double Delight'' flap books with hundreds of thousands of copies in print. Her illustration styles range from naïve and cute (for toddlers) to detailed watercolour realism. Hale often hides characters and little jokes in her pictures for children to find. Biography Hale is the fifth of seven children, all of whom showed drawing talent. From the age of 8, her drawings were published in the '' Sun-Herald'' children's lift-out pages, and she won prizes in competitions as diverse as the Coca-Cola summer beach sand modelling competition, billboard painting, and a Dulux egg painting competition at Easter 1973. After completing Graphic Design at Randwick TAFE, she worked as a freelance illustrator, graphic designer and copywriter. Works Hale works in pastel, watercolour, coloured pencil, and in Photoshop, concentrating on figure illustration. Her illustra ...
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Juvenile Fantasy
Children's fantasy is children's literature with fantasy elements: fantasy for young readers. It may also mean fantasy read ''by'' children (regardless of intended audience). The genre has roots in folk tales such as ''Aesop's Fables'' that were not originally intended for children: before the Victorian era, fairytales were perceived as immoral and ill-suited for children's minds. A market for children's fantasy was established in Britain in the 19th century, leading to works such as Lewis Carroll's '' Alice in Wonderland'' and Edith Nesbit's ''Five Children'' series; the genre also developed in America, exemplified by L. Frank Baum's ''The Wonderful Wizard of Oz''. Of the authors of this period, Nesbit is commonly cited as the creator of modern children's fantasy. The golden age of children's fantasy, in scholars' view, occurred in the mid-20th century when the genre was influenced by J. R. R. Tolkien's ''The Hobbit'' and C. S. Lewis's ''The Chronicles of Narnia''. In the vein ...
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Dark Fantasy
Dark fantasy is a subgenre of fantasy literary, artistic, and cinematic works that incorporate disturbing and frightening themes of fantasy. It often combines fantasy with elements of horror or has a gloomy dark tone or a sense of horror and dread.Stableford, Brian, "Dark Fantasy", in ''The A to Z of Fantasy Literature'',(p. 97), Scarecrow Press,Plymouth. 2005. Definition A strict definition for dark fantasy is difficult to pin down. Gertrude Barrows Bennett has been called "the woman who invented dark fantasy". Both Charles L. Grant''The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders'', Volume 1, edited by Gary Westfahl, Greenwood Publishing Group, 2005. and Karl Edward Wagner are credited with having coined the term "dark fantasy"—although both authors were describing different styles of fiction. Brian Stableford argues "dark fantasy" can be usefully defined as subgenre of stories that attempt to "incorporate elements of horror fiction" i ...
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Young Adult Literature
Young adult fiction (YA) is a category of fiction written for readers from 12 to 18 years of age. While the genre is primarily targeted at adolescents, approximately half of YA readers are adults. The subject matter and genres of YA correlate with the age and experience of the protagonist. The genres available in YA are expansive and include most of those found in adult fiction. Common themes related to YA include friendship, first love, relationships, and identity. Stories that focus on the specific challenges of youth are sometimes referred to as problem novels or coming-of-age novels. Young adult fiction was developed to soften the transition between children's novels and adult literature. History Beginning The history of young adult literature is tied to the history of how childhood and young adulthood has been perceived. One early writer to recognize young adults as a distinct age group was Sarah Trimmer, who, in 1802, described "young adulthood" as lasting from ages 1 ...
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Scholastic Corporation
Scholastic Corporation () is an American multinational publishing, education, and media company that publishes and distributes books, comics, and educational materials for schools, parents, and children. Products are distributed via retail and online sales and through schools via reading clubs and book fairs. Clifford the Big Red Dog, a character created by Norman Bridwell in 1963, serves as the company's official mascot. History Scholastic was founded in 1920 by Maurice R. Robinson near Pittsburgh, Pennsylvania, to be a publisher of youth magazines. The first publication was ''The Western Pennsylvania Scholastic''. It covered high school sports and social activities; the four-page magazine debuted on October 22, 1920, and was distributed in 50 high schools. In the 1940s, Scholastic entered the book club business. In the 1960s, international publishing locations were added in England (1964), New Zealand (1964), and Sydney (1968). Also in the 1960s, Scholastic entered the book p ...
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Paperback
A paperback (softcover, softback) book is one with a thick paper or paperboard cover, and often held together with adhesive, glue rather than stitch (textile arts), stitches or Staple (fastener), staples. In contrast, hardcover (hardback) books are bound with cardboard covered with cloth, leather, paper, or plastic. Inexpensive books bound in paper have existed since at least the 19th century in such forms as pamphlets, yellow-backs, yellowbacks, dime novels, and airport novels. Modern paperbacks can be differentiated from one another by size. In the United States, there are "mass-market paperbacks" and larger, more durable "trade paperbacks". In the United Kingdom, there are A-format, B-format, and the largest C-format sizes. Paperback editions of books are issued when a publisher decides to release a book in a low-cost format. Lower-quality paper, glued (rather than stapled or sewn) bindings, and the lack of a hard cover may contribute to the lower cost of paperbacks. Paperb ...
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Werewolf
In folklore, a werewolf (), or occasionally lycanthrope (; ; uk, Вовкулака, Vovkulaka), is an individual that can shapeshift into a wolf (or, especially in modern film, a therianthropic hybrid wolf-like creature), either purposely or after being placed under a curse or affliction (often a bite or the occasional scratch from another werewolf) with the transformations occurring on the night of a full moon. Early sources for belief in this ability or affliction, called lycanthropy (), are Petronius (27–66) and Gervase of Tilbury (1150–1228). The werewolf is a widespread concept in European folklore, existing in many variants, which are related by a common development of a Christian interpretation of underlying European folklore developed during the Christendom, medieval period. From the early modern period, werewolf beliefs also spread to the New World with colonialism. Belief in werewolves developed in parallel to the belief in European witchcraft, witches, in the ...
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2009 Australian Novels
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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