Jason Fowler (dancer)
Jason Fowler studied ballet at the Dallas Ballet Center and entered the School of American Ballet in 1993. While there he danced selections from Balanchine's ''Agon'', '' Cortège Hongrois'', ''The Nutcracker'' and ''A Midsummer Night's Dream''. Fowler became an apprentice with New York City Ballet in 1995, joined the corps de ballet in 1996 and was promoted to soloist in 2006. Originated rôles Mauro Bigonzetti *Vespro *In Vento Susan Stroman *Double Feature, ''The Blue Necklace'', Mr. Griffith Christopher Wheeldon *Polyphonia Featured rôles George Balanchine *Agon *Chaconne *Divertimento No. 15 *The Nutcracker **Hot Chocolate **Host *A Midsummer Night's Dream **Titania's Cavalier **Demetrius **Theseus *Scotch Symphony *Slaughter on Tenth Avenue *Union Jack *La Valse *Vienna Waltzes Boris Eifman *Musagète Peter Martins *The Sleeping Beauty ''European tour'' *Swan Lake **Hungarian **Russian **Spanish Jerome Robbins *The Four Seasons **Jan ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
School Of American Ballet
The School of American Ballet (SAB) is the most renowned ballet school in the United States. School of American Ballet is the associate school of the New York City Ballet, a ballet company based at the Lincoln Center for the Performing Arts in New York City. The school trains students from the age of six, with professional vocational ballet training for students aged 11–18. Graduates of the school achieve employment with leading ballet companies worldwide, and in the United States with New York City Ballet, American Ballet Theatre, Boston Ballet, San Francisco Ballet, Miami City Ballet, Pacific Northwest Ballet and Houston Ballet. History The school was founded by the renowned Russo-Georgian-born choreographer George Balanchine, and philanthropists Lincoln Kirstein and Edward Warburg in 1934. Balanchine's self- prescribed edict, "But first, a school", is indicative of his adherence to the ideals of the training that was fostered by the Imperial Ballet School where he receive ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Cortège Hongrois
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
New York City Ballet
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946. History In a 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in the way he wants to do it."Alastair Macaulay, "A Paragon of the Arts, as Both Man and Titan" (review of Martin Du ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Vespro
''Vespro'' is a ballet by Mauro Bigonzetti to eponymous music of Bruno Moretti, commissioned by New York City Ballet. The première took place Saturday, May 8, 2002, as part of Diamond Project V at the New York State Theater, Lincoln Center. ''Vespro'' is the first of three Bigonzetti / Moretti ballets commissioned by City Ballet, the others being ''In Vento'' and ''Oltremare''. Original cast *Alexandra Ansanelli *Maria Kowroski * Jason Fowler *Sébastien Marcovici *Benjamin Millepied Reception In the ''Village Voice'', the ballet's premiere at the NYBC 2002 Spring Gala was described by Deborah Jowitt as beginning "startlingly", with the male lead dancing and interacting with the on-stage piano, becoming "fascinating" as more musicians and dancers are added, but in parts feeling "long and aimless". ''The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reporte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
In Vento
{{Use mdy dates, date=October 2011 ''In Vento'' is a ballet by Mauro Bigonzetti, artistic director of Italy's Aterballetto dance company, to eponymous music of Bruno Moretti. It was commissioned as part of New York City Ballet's Diamond Project. The premiere took place May 4, 2006, at the David H. Koch Theater, Lincoln Center. ''In Vento'' is the second of three Bigonzetti / Moretti ballets commissioned by City Ballet, the others being ''Vespro'' and ''Oltremare''. Original cast *Maria Kowroski *Benjamin Millepied * Jason Fowler Reviews "Dance Review - New York City Ballet Presents 'Il Vento' by Mauro Bigonzetti" ''New York Times''. John Rockwell, May 6, 2006. "Confronting The Collective" ''New York Sun''. Joel Lobenthal, May 8, 2006."Jeweled Flash" ''Village Voice''. Deborah Jowitt, May 9, 2006. "Diamond Project Appraised: Still Only Semiprecious" ''New York Observer''. Robert Gottlieb, June 4, 2006."Dancing - Westward Ho!" ''The New Yorker''. Joan Acocella, July 3, 2006. " ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Polyphonia
''Polyphonia'' is a one-act ballet choreographed by Christopher Wheeldon to music by György Ligeti, costumes designed by Holly Hynes, and was created for the New York City Ballet. It premiered on January 4, 2001 at the New York State Theater. It is regarded as Wheeldon's breakthrough, and won the Laurence Olivier Award for Best New Dance Production in 2003. Production Performed by the New York City Ballet, ''Polyphonia'' premiered on January 4, 2001 at the New York State Theater. It was the first premiere of the company's winter season. ''Polyphonia'' is the first ballet Wheeldon created after he became artist-in-residence with the New York City Ballet and retired from dancing. It is plotless. Wheeldon described it as "romantic with comic twists", and said it was inspired by Norman Morrice's works, though reviewers have noted it also includes homage to Frederick Ashton and George Balanchine, especially the latter's "leotard ballets". The title is a reference to micropolyphony, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Agon (ballet)
''Agon'' is a 22-minute ballet for twelve dancers with music by Igor Stravinsky. It was choreographed by George Balanchine. Stravinsky began composition in December 1953 but was interrupted the next year; he resumed work in 1956 and concluded on April 27, 1957. The music was premiered in Los Angeles at UCLA's Royce Hall on June 17, 1957, conducted by Robert Craft. Stravinsky himself conducted the sessions for the work's first recording the following day on June 18, 1957. ''Agon'' was first performed on stage by the New York City Ballet at the City Center of Music and Drama on December 1, 1957. The composition's long gestation period covers an interesting juncture in Stravinsky's composing career, in which he moved from a diatonic musical idiom to one based on twelve-tone technique; the music of the ballet thus demonstrates a unique symbiosis of musical idioms. The ballet has no story, but consists of a series of dance movements in which various groups of dancers interact in pairs ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
The Nutcracker
''The Nutcracker'' ( rus, Щелкунчик, Shchelkunchik, links=no ) is an 1892 two-act ballet (""; russian: балет-феерия, link=no, ), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. The complete ''Nutcracker'' has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of ''The Nutcracker''. The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the score is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
A Midsummer Night's Dream (ballet)
''A Midsummer Night's Dream'' is a two-act ballet choreographed by George Balanchine to Felix Mendelssohn's music to Shakespeare's play of the same name. History ''A Midsummer Night's Dream'', Balanchine's first completely original full-length ballet, premiered at New York City Ballet on 17 January 1962, with Edward Villella in the role of Oberon, Melissa Hayden in the role of Titania, and Arthur Mitchell in the role of Puck. They were joined by Francisco Moncion in the role of Theseus- Duke of Athens. Description In addition to the incidental music, Balanchine incorporated other Mendelssohn works into the ballet, including the Overtures to ''Athalie'', '' Son and Stranger'', and ''The Fair Melusine'', the "String Symphony No. 9 in C minor" and '' The First Walpurgis Night''. The ballet employs a large children's corps de ballet. Act I tells Shakespeare's familiar story of lovers and fairies while Act II presents a strictly classical dance wedding celebration. The ball ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Scotch Symphony
''Scotch Symphony'' is a ballet choreographed by George Balanchine to Mendelssohn's Symphony No. 3, "Scottish". The ballet is inspired by Scotland, and evokes the style of the romantic ballet era, particularly ''La Sylphide'', which is set in Scotland. ''Scotch Symphony'' was made for the New York City Ballet, and premiered on November 11, 1952, at the City Center of Music and Drama. Choreography The program for ''Scotch Symphony'' stated, Balanchine ike Mendelssohnwishes to evoke the sweep and freshness, the brilliance and strength inherent in the Highland landscape. He has invented a classic ballet based on atmosphere and music, with an affectionate nod to the romantic tradition that made the hero of ''La Sylphide'' a Highlander. The ballet is set to Mendelssohn's Symphony No. 3, "Scottish". Dance critic Richard Buckle described ''Scotch Symphony'' as "one of those Balanchine ballets ... that hover between romance and comedy or pastiche." Author Nancy Reynolds wrote ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoye ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, link=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Jennifer Dunning
Jennifer Dunning (born February 4, 1942) is a writer and critic for ''The New York Times'' on the subjects of dance and ballet. She is the author of the 1985 ''But First a School: The First Fifty Years of the School of American Ballet'', the 1996 ''Alvin Ailey, a Life in Dance'', and the 1997 ''Great Performances: A Celebration''. Dunning was born in New York City New York, often called New York City or NYC, is the most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the most densely populated major city in the Un ... and studied dance. In 1977 she became the ballet critic for ''The New York Times''. She retired from the paper in 2008. References * {{DEFAULTSORT:Dunning, Jennifer 1942 births Living people American dance critics Critics employed by The New York Times Bessie Award winners American women journalists American women critics 21st-century American women ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |