Jaroslav Řídký
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Jaroslav Řídký
Jaroslav Řídký (25 August 1897 – 14 August 1956) was a Czech composer, conductor, harpist, and music teacher. Life Řídký was born at Reichenberg, now Liberec. From 1919 to 1923 he studied at the Prague Conservatory with Josef Bohuslav Foerster, Karel Boleslav Jirák, and Jaroslav Křička. Besides teaching at the Conservatory from 1924 to 1949, he also played the harp for the Czech Philharmonic Orchestra between 1924 and 1938, and conducted the Philharmonic choir from 1925 to 1930. In 1928 Řídký attended as a conductor the premiere of Leoš Janáček´s chamber composition Capriccio. He died at Poděbrady. Style He composed seven symphonies and one sinfonietta, one string serenade, concertos for violin (1), piano (1), and cello (2), chamber music, pieces for piano, cantatas, and also prepared his own arrangements of folk songs. His work is composed rather in traditional style, first compositions are influenced by romanticism Romanticism (also kno ...
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Jaroslav Řídký (1897-1956)
Jaroslav Řídký (25 August 1897 – 14 August 1956) was a Czech composer, conductor, harpist, and music teacher. Life Řídký was born at Reichenberg, now Liberec. From 1919 to 1923 he studied at the Prague Conservatory with Josef Bohuslav Foerster, Karel Boleslav Jirák, and Jaroslav Křička. Besides teaching at the Conservatory from 1924 to 1949, he also played the harp for the Czech Philharmonic Orchestra between 1924 and 1938, and conducted the Philharmonic choir from 1925 to 1930. In 1928 Řídký attended as a conductor the premiere of Leoš Janáček´s chamber composition Capriccio. He died at Poděbrady. Style He composed seven symphonies and one sinfonietta, one string serenade, concertos for violin (1), piano (1), and cello (2), chamber music, pieces for piano, cantatas, and also prepared his own arrangements of folk songs. His work is composed rather in traditional style, first compositions are influenced by romanticism Romanticism (also know ...
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String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baro ...
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1897 Births
Events January–March * January 2 – The International Alpha Omicron Pi sorority is founded, in New York City. * January 4 – A British force is ambushed by Chief Ologbosere, son-in-law of the ruler. This leads to a punitive expedition against Benin. * January 7 – A cyclone destroys Darwin, Australia. * January 8 – Lady Flora Shaw, future wife of Governor General Lord Lugard, officially proposes the name "Nigeria" in a newspaper contest, to be given to the British Niger Coast Protectorate. * January 22 – In this date's issue of the journal ''Engineering'', the word ''computer'' is first used to refer to a mechanical calculation device. * January 23 – Elva Zona Heaster is found dead in Greenbrier County, West Virginia. The resulting murder trial of her husband is perhaps the only capital case in United States history, where spectral evidence helps secure a conviction. * January 31 – The Czechoslovak Trade Union Association is f ...
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František Branislav
František () is a masculine given name of Czech origin. It is a cognate of Francis, Francisco, François, and Franz. People with the name include: *Frank Daniel (František Daniel) (1926–1996), Czech film director, producer, and screenwriter *Frank Musil (František Musil) (born 1964), Czech professional ice hockey player and coach *František Albert (1856–1923), Czech surgeon and writer *František Balvín (born 1915), Czech Olympic cross-country skier * František Bartoš (other), multiple people **František Bartoš (folklorist) (1837–1906), Moravian ethnomusicologist and folklorist **František Bartoš (motorcycle racer) (born 1926), Czech Grand Prix motorcycle road racer * František Běhounek (1898–1973), Czech scientist, explorer, and writer * František Bělský (1921–2000), Czech sculptor *František Bílek (1872–1941), Czech Art Nouveau and Symbolist sculptor and architect *František Bolček (1920–1968), Slovak professional football player *Frant ...
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Sousedská
The sousedská is a semi-slow Bohemian dance in three quarter time. It has a calm, swaying character and it is usually danced in a pair. The dance was used by some Czech composers, including Antonín Dvořák, who used it in his ''Slavonic Dances The ''Slavonic Dances'' ( cs, Slovanské tance) are a series of 16 orchestral pieces composed by Antonín Dvořák in 1878 and 1886 and published in two sets as Op. 46 and Op. 72 respectively. Originally written for piano four hands, t ...'' (the Sousedská is the fourth and sixth dance from his Op. 46, and the eighth dance from Op. 72). Josef Suk’s last composition is also a Sousedská for an unusual combination of instruments. References {{DEFAULTSORT:Sousedska European dances Bohemia Culture of the Czech Republic Dance forms in classical music ...
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Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ...
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Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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