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Japanese Films Of 1950
A list of films produced in Japan in 1950 (see 1950 in film). File:Rashomon_poster.jpg, ''Rashomon'' File:Shubun_poster.jpg, ''Scandal'' File:Tokyo_Kid_poster.jpg, ''Tokyo Kid'' See also *1950 in Japan References External linksJapanese films of 1950at the Internet Movie Database {{DEFAULTSORT:Japanese Films Of 1950 1950 Events January * January 1 – The International Police Association (IPA) – the largest police organization in the world – is formed. * January 5 – Sverdlovsk plane crash: ''Aeroflot'' Lisunov Li-2 crashes in a snowstorm. All 19 ... Lists of 1950 films by country or language Films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romance Film
Romance films or movies involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films. Romantic films often explore the essential themes of love at first sight young and mature love, unrequited love, obsession, sentimental love, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial love, explosive and destructive love, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michiyo Kogure
(31 January 1918 – 13 June 1990) was a Japanese film actress. She appeared in nearly 200 films in a career which spanned 45 years, starring in works by Akira Kurosawa, Kenji Mizoguchi, Yasujirō Ozu, Mikio Naruse, and others. Film historian Donald Richie once called her " e of Japan's most versatile actresses, and perhaps the most intellectual of all in her approach to acting." Biography Michiyo Kogure was born in Shimonoseki, Yamaguchi Prefecture, Japan, and graduated from Nihon University in 1940. While still a student, she joined the Shochiku film studios and gave her screen debut in 1939. She worked for directors such as Hiroshi Shimizu, Heinosuke Gosho and Kōzaburō Yoshimura, before following her husband to Manchuria in 1944. Upon her return two years later, she starred again in films by Shochiku, but also Toho, Daiei and other studios, and repeatedly appeared in films by Mizoguchi and Shimizu. She received the 1949 Mainichi Film Award for Best Supporting Actress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenji Mizoguchi
was a Japanese film director and screenwriter, who directed about one hundred films during his career between 1923 and 1956. His most acclaimed works include ''The Story of the Last Chrysanthemums'' (1939), ''The Life of Oharu'' (1952), ''Ugetsu'' (1953), and '' Sansho the Bailiff'' (1954), with the latter three all being awarded at the Venice International Film Festival. A recurring theme of his films was the oppression of women in historical and contemporary Japan. Together with Akira Kurosawa and Yasujirō Ozu, Mizoguchi is seen as a representative of the "golden age" of Japanese cinema. Biography Early years Mizoguchi was born in Hongō, Tokyo, as the second of three children, to Zentaro Miguchi, a roofing carpenter, and his wife Masa. The family's background was relatively humble until the father's failed business venture of selling raincoats to the Japanese troops during the Russo-Japanese War. The family was forced to move to the downtown district of Asakusa and gave Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Madame Yuki
, also titled ''A Picture of Madame Yuki'', is a 1950 Japanese drama film directed by Kenji Mizoguchi. Plot Yuki Shinano, a descendant of the once powerful Shinano family, is living in an unhappy marriage with her husband Naoyuki. Although he treats her disdainfully and has a candid affair with his mistress Ayako, whom he even brings to Yuki's residence in Atami, she is tied to him through sexual dependency. Yuki and koto teacher Masaya share a mutual affection since childhood, but are both too weak-willed to change the situation. In an attempt to gain autonomy, Yuki opens an inn in her residence, but Naoyuki makes Ayako the head of the business, only to find out later that he himself has been bought out by Ayako and his lawyer Tateoka. Yuki, pregnant from her husband but suspected of adultery through a scheme contrived by Tateoka, drowns herself in the lake. Cast * Michiyo Kogure as Yuki Shinano * Yoshiko Kuga as Hamako Abe * Ken Uehara as Masaya Kikunaka * Eijirō Yanagi as Nao ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hideko Takamine
was a Japanese actress who began as a child actress and maintained her fame in a career that spanned 50 years. She is particularly known for her collaborations with directors Mikio Naruse and Keisuke Kinoshita, with ''Twenty-Four Eyes'' (1954) and ''Floating Clouds'' (1955) being among her most noted films. Biography Takamine was born in Hakodate, Hokkaidō, in 1924. At the age of four, following the death of her mother, she was placed in the care of her aunt in Tokyo. Her first role was in the Shochiku studio's 1929 film ''Mother'' (''Haha''), which brought her tremendous popularity as a child actor. Many of the films of her early career were imitations of Shirley Temple films. After moving to the Toho studio in 1937, her dramatic roles in Kajirō Yamamoto's ''Tsuzurikata kyōshitsu'' (1938) and ''Horse'' (1941) brought her added fame as a girl star. She toured as a singer to entertain Japanese troops and, after the war, sang for American occupation troops in Tokyo. After ini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choko Iida
Choko may refer to: *An alternative name for Chayote, a green vegetable of the gourd family *Chokó languages, an alternative name for the Choco languages * Chöko, a Tibeto-Burman language *Choko (cup), a type of sake cup * Choko (game) *The name of a fictional character in Chokotto Sister *Isabelle Choko Isabelle Choko (née Izabela Sztrauch Galewska, 18 September 1928 – 21 July 2023) was a Polish-French concentration camp survivor and chess player who won the 1956 French Women's Chess Championship. Biography Isabelle Choko was born in Łód ... (born 1928), French concentration camp survivor and chess master See also * Choco (other) {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasujirō Ozu
was a Japanese film director and screenwriter. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most prominent themes of Ozu's work are marriage and family, especially the relationships between generations. His most widely beloved films include ''Late Spring'' (1949), ''Tokyo Story'' (1953), and ''An Autumn Afternoon'' (1962). Widely regarded as one of the world's greatest and most influential filmmakers, Ozu's work has continued to receive acclaim since his death. In the 2012 ''Sight & Sound'' poll, Ozu's ''Tokyo Story'' was voted the third-greatest film of all time by critics world-wide. In the same poll, ''Tokyo Story'' was voted the greatest film of all time by 358 directors and film-makers world-wide. Biography Early life Ozu was born in the Fukagawa, Tokyo, the second son of merchant Toranosuke Ozu and his wife ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Munekata Sisters
is a 1950 drama film directed by Yasujirō Ozu and starring Kinuyo Tanaka and Hideko Takamine was a Japanese actress who began as a child actress and maintained her fame in a career that spanned 50 years. She is particularly known for her collaborations with directors Mikio Naruse and Keisuke Kinoshita, with ''Twenty-Four Eyes'' (1954) .... Synopsis Setsuko is unhappily married to Mimura, an engineer with no job and a bad drinking habit. She had always been in love with Hiroshi but both of them failed to propose when Hiroshi left for France a few years ago. Now he is back and Mariko (Setsuko's sister) tries to reunite them. She too is secretly in love with Hiroshi. References External links * Films directed by Yasujirō Ozu 1950s Japanese-language films 1950 films Films scored by Ichirō Saitō Films with screenplays by Yasujirō Ozu Films with screenplays by Kogo Noda Shintoho films Japanese drama films 1950 drama films Japanese black-and-white films 1950s Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Film
War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subject is the Second World War. The stories told may be fiction, historical drama, or biographical. Critics have noted similarities between the Western and the war film. Nations such as China, Indonesia, Japan, and Russia have their own traditions of war film, centred on their own revolutionary wars but taking varied forms, from action and historical drama to wartime romance. Subgenres, not necessarily distinct, includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama Film
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirley Yamaguchi
was a Japanese singer, actress, journalist, and politician. Born in China, she made an international career in film in China, Hong Kong, Japan and the United States. Early in her career, the Manchukuo Film Association concealed her Japanese origin and she went by the Chinese name Li Hsiang-lan (), rendered in Japanese as Ri Kōran. This allowed her to represent China in Japanese propaganda movies. After the war, she appeared in Japanese movies under her real name, as well as in several English language movies under the stage name, Shirley Yamaguchi. After becoming a journalist in the 1950s under the name , she was elected as a member of the Japanese parliament in 1974, and served for 18 years. After retiring from politics, she served as vice president of the Asian Women's Fund. Early life She was born on February 12th, 1920 to Japanese parents, and , who were then settlers in Fushun, Manchuria, Republic of China, in a coal mining residential area in Dengta, Liaoyang. Fumio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
