|
Jamie Stewart (bassist)
James Alec Stewart (born 31 January 1964) is a retired British musician who was the bassist of the post-punk/hard rock band The Cult. He recorded on The Cult's first four albums, ''Dreamtime'', ''Love'', ''Electric'' and ''Sonic Temple''. Early life Stewart was born in Harrow, Middlesex, on 31 January 1964. His mother, Myra (née Kidd), was a dancer with the International Ballet, and his father, Donald Stewart, was a violinist with the London Symphony Orchestra. Performance career Stewart's musical career began playing guitar in Harrow-based band Ritual. Ritual gigged extensively in London's gothic rock/ post-punk scene but rarely outside. Ritual's first output was a 4 song radio session for BBC Radio 1 DJ John Peel in 1981. This led the way for a self-compiled and released cassette album, ''Songs for a Dead King'', which was available only at gigs and by mail order. In 1982, Ritual signed to Red Flame Records and released one single, "Mind Disease" (1982) and one EP, ''Kanga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harrow, London
Harrow () is a large town in Greater London, England, and serves as the principal settlement of the London Borough of Harrow. Lying about north-west of Charing Cross and south of Watford, the entire town including its localities had a population of 149,246 at the 2011 census, whereas the wider borough (which also contains Pinner and Stanmore) had a population of 250,149. The historic centre of Harrow was atop the Harrow Hill. The modern town of Harrow grew out at the foot of the settlement, in what was historically called Greenhill. With the arrival of the Metropolitan Railway in the 19th century, the centre of Harrow moved to Greenhill and it grew as the unofficial "capital" of the Metroland suburbia in the early 20th century; Harrow-on-the-Hill station is on one of the railway corridors between London and the Chilterns. Meanwhile, Harrow & Wealdstone station is on the West Coast Main Line and is the eighth oldest railway station, having opened in 1837 one and a half ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dreamtime (The Cult Album)
''Dreamtime'' is the debut studio album by English rock band the Cult. Released on 31 August 1984 by Beggars Banquet Records, it peaked at No. 21 on the UK Albums Chart and was later certified silver by the BPI after having sold 60,000 copies. The first single, "Spiritwalker", peaked at No. 1 on the UK Indie Chart. ''Dreamtime'' has subsequently been reissued (or in some cases bootlegged) in roughly 30 countries worldwide. Lyrics to the song "Horse Nation" are taken almost verbatim from the book ''Bury My Heart at Wounded Knee''. "Spiritwalker" is a reference to shamanism, while "Dreamtime" is inspired by mythology of the Aboriginal Australians and 'Butterflies' is a reference to the Hopi ceremonial butterfly dance. "A Flower in the Desert" is a reworking of the Southern Death Cult's song "Flowers in the Forest". The music of the album is characterized as dramatic, moody, dark psychedelic, with "crystalline guitar not that far off from what U2 was going after". In 1985 Ian As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death Cult
The Cult are an English rock band formed in 1983 in Bradford, West Yorkshire. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the United Kingdom in the mid-1980s as a post-punk/ gothic rock band, with singles such as "She Sells Sanctuary", before breaking into the mainstream in the United States in the late 1980s establishing themselves as a hard rock band with singles such as "Love Removal Machine". Since its initial formation in 1983, the band have had various line-ups; the longest-serving members are Astbury and guitarist Billy Duffy, who are also the band's two songwriters. The Cult's debut studio album ''Dreamtime'' was released in 1984 to moderate success, with its lead single "Spiritwalker" reaching No. 1 on the UK Indie Chart. Their second studio album, ''Love'' (1985), was als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Duffy
William Henry Duffy (born 12 May 1961) is an English rock musician, best known as the guitarist of the band The Cult. Early life Duffy was born and grew up in Manchester. He has Irish and Jewish heritage and ancestry. He began playing the guitar at the age of fourteen, being influenced by the music of Queen, Thin Lizzy, The Who, Aerosmith, Blue Öyster Cult, and the early work of Led Zeppelin. In the late 1970s he became involved in the punk movement, being influenced by the New York Dolls, The Stooges, Buzzcocks, and The Sex Pistols, as well as AC/DC (which he views as a proto-punk group). He started playing lead guitar with a number of different punk acts whilst still in school in the late 1970s, including the Studio Sweethearts. In the Manchester scene he personally influenced Johnny Marr to start performing as a guitarist, and encouraged Morrissey to make his first foray as singer/frontman with a punk-rock act titled The Nosebleeds. After leaving school, Duffy left Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Astbury
Ian Robert Astbury (born 14 May 1962) is an English singer, best known as a founding member, lead vocalist and frontman of the rock band the Cult. During various hiatuses from the Cult, Astbury has fronted the short-lived Holy Barbarians in 1996, and later from 2002 to 2007 served as the lead singer of Riders on the Storm, a Doors tribute band that also featured Ray Manzarek and Robby Krieger from the original Doors. He replaced Rob Tyner during an MC5 reunion in 2003, as well as appearing on several one-off guest vocal performances on other artist's songs. Early life Ian Astbury was born in Heswall, Cheshire, and is of Scottish and English descent. He moved with his family to Hamilton, Ontario, Canada, from England in 1973 when he was 11. He attended Glendale Secondary School. Astbury's early musical influences took root in Hamilton, where he became a fan of David Bowie, Iggy Pop and The New York Dolls. He did not start performing until after his return to England. In 1979 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Mondo
Raymond Taylor-Smith (birth date unknown, born in Sierra Leone) was a drummer for several notable British post-punk and gothic rock groups during the early 1980s. He is best known by his stage name, Ray Mondo. Ray Mondo first appeared on the British music scene when he joined the Harrow-based post-punk group Ritual upon its formation in 1981. Mondo drummed for the group for nearly two years, appearing on both of their records, the "Mind Disease" single and ''Kangaroo Court'' EP. During this period, Mondo was going simply by "Ray". In March 1983, Ritual dissolved. Mondo was recruited by Ian Astbury and Billy Duffy in April 1983 to drum for their newly formed group Death Cult. It was Mondo, now going by the moniker "Ray Mondo" and alternately "The Reverend", that suggested Jamie Stewart (his bandmate from Ritual) for the vacant bass guitarist slot (after Astbury and Duffy had auditioned some 30 hopefuls). Mondo drummed on the group's eponymous ''Death Cult'' EP and during their su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Peel
John Robert Parker Ravenscroft (30 August 1939 – 25 October 2004), known professionally as John Peel, was an English disc jockey (DJ) and radio presenter. He was the longest-serving of the original BBC Radio 1 DJs, broadcasting regularly from 1967 until his death in 2004. Peel was one of the first broadcasters to play psychedelic rock and progressive rock records on British radio. He is widely acknowledged for promoting artists of multiple genres, including pop, dub reggae, punk rock and post-punk, electronic music and dance music, indie rock, extreme metal and British hip hop. Fellow DJ Paul Gambaccini described Peel as "the most important man in music for about a dozen years". Peel's Radio 1 shows were notable for the regular "Peel sessions", which usually consisted of four songs recorded by an artist in the BBC's studios, often providing the first major national coverage to bands that later achieved fame. Another feature was the annual Festive Fifty countdown of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Radio 1
BBC Radio 1 is a British national radio station owned and operated by the BBC. It specialises in modern popular music and current chart hits throughout the day. The station provides alternative genres at night, including electronica, dance, hip hop and indie, while its sister station 1Xtra plays black contemporary music, including hip hop and R&B. Radio 1 also runs two online streams, Radio 1 Dance, dedicated to dance music, and Radio 1 Relax, dedicated to chill-out music; both are available to listen only on BBC Sounds. Radio 1 broadcasts throughout the UK on FM between and , digital radio, digital TV and BBC Sounds. It was launched in 1967 to meet the demand for music generated by pirate radio stations, when the average age of the UK population was 27. The BBC claims that it targets the 15–29 age group, and the average age of its UK audience since 2009 is 30. BBC Radio 1 started 24-hour broadcasting on 1 May 1991. According to RAJAR, the station broadcasts to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Rock
Gothic rock (also called goth rock or simply goth) is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure. The genre itself was defined as a separate movement from post-punk. Gothic rock stood out due to its darker sound, with the use of primarily minor or bass chords, reverb, dark arrangements, or dramatic and melancholic melodies, having inspirations in gothic literature allied with themes such as sadness, nihilism, dark romanticism, tragedy, melancholy and morbidity. These themes are often approached poetically. The sensibilities of the genre led the lyrics to represent the evil of the century and the romantic idealization of death and the supernatural imagination. Gothic rock then gave rise to a broader goth subculture that included clubs, fashion and publications in the 1980s, 1990s, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritual (post-punk Band)
Ritual was an early 1980s Harrow-based post-punk band that were later aligned with the early UK-based gothic rock movement. The group is commonly associated with Death Cult (later the Cult), which two Ritual members later joined. History Formation Ritual was formed out of the remnants of the Harrow-based punk band General Confusion, which included Steve Pankhurst on drums. Formed in December 1979, General Confusion played its first gig at Watford College supporting Toyah.No Class: 1982Frame: 1998 After two name changes (Suppressed Emotion and Stigma) and personnel shifts (a new drummer, Peter Gould, was brought onboard and Pankhurst switched to saxophone), the band finally settled on a permanent line-up and the name Ritual in 1981. The new line-up consisted of Errol Blyth (vocals), Mark Bond (bass), Pankhurst (saxophone), Ray Mondo (simply referred to as "Ray", drums), and the newly recruited 17-year-old Jamie Stewart (guitar). The band's name did not carry any religious s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Ballet
International Ballet was a British ballet company that operated, with great success, between 1941 and 1953. Its director throughout its existence was Mona Inglesby, who was also its principal ballerina. Although it was Britain's largest ballet company during the war years, and performed to an audience of between one and two million in wartime Britain and between ten and twenty million in its twelve-year life, its contribution to the growth of British ballet has been largely overshadowed by that of the other four ballet companies that were operating in 1953. all state subsidised, and are still operating; Sadler's Wells Ballet (now the Royal Ballet), Ballet Rambert (now the Rambert Dance Company), Sadler's Wells Theatre Ballet now Birmingham Royal Ballet), and the newly formed Festival Ballet (now English National Ballet). International Ballet is probably unique amongst large ballet companies in that it paid its way without any private or state grant aid. Staging ballet has alwa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
