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James Street (album)
''James Street'' is an album by guitarist Jimmy Ponder that was released by HighNote in 1997. Reception In his review on AllMusic, Scott Yanow stated "Guitarist Jimmy Ponder is most closely associated with soul-jazz organ groups, so this quartet outing with pianist John Hicks, bassist Dwayne Dolphin, and drummer Cecil Brooks III is a happy surprise. During the bop-oriented set, Ponder takes a few numbers unaccompanied, works well with Hicks (with whom he had not performed previously), and shows that he can play bop as well as almost anyone". In JazzTimes, Willard Jenkins wrote "One of the legion of unsung and underrated jazz artists who are the backbone of the music, Ponder has been largely showcased in funky-butt organ settings. This time around drummer-producer Cecil Brooks III decided to make it lean and simple as Ponder wends his way through the 11 tracks".Jenkins, WJazzTimes Review accessed January 30, 2019 Track listing All compositions by Jimmy Ponder, Barney Fields a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Ponder
Jimmy Ponder (May 10, 1946 – September 16, 2013) was an American jazz guitarist. Career When Ponder's brother entered the military, he left his guitar, and Ponder picked it up. In his early teens he received lessons from the guitarist in a band for which he sang doo-wop. He was drawn to the jazz guitar he heard on the radio. While playing in a rhythm and blues band, he occasionally inserted a jazz solo. He considered hearing guitarist Thornel Schwartz an important part of his life, when Schwartz was playing with organist Jimmy McGriff. He was impressed by Pat Martino when he saw Martino in the Jack McDuff band. He also cited as influences George Benson, Kenny Burrell, and Rene Thomas, though none surpassed the impact of seeing Wes Montgomery. He learned the guitar solo from "Daily Double" (Quaker Town), the first 45 rpm single released by Charles Earland. When Earland performed in Pittsburgh, he invited Ponder to sit-in with the band and liked what he heard. Earland promised ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
God Bless The Child (Billie Holiday Song)
"God Bless the Child" is a song written by Billie Holiday and Arthur Herzog Jr. in 1939. It was first recorded on May 9, 1941, by Billie Holiday and released by the Okeh Records in 1942. Holiday's version of the song was honored with the Grammy Hall of Fame Award in 1976. It was also included in the list of ''Songs of the Century'', by the Recording Industry Association of America and the National Endowment for the Arts. Billie Holiday recording sessions Billie Holiday recorded the song three times. First recording (Session #44, Columbia/Okeh): Columbia Studio A, 799 Seventh Avenue, New York City, May 9, 1941, Eddie Heywood and his Orchestra with Roy Eldridge (trumpet), Jimmy Powell and Lester Boone (alto saxophone), Ernie Powell (trumpet), Eddie Heywood (piano), Johan Robins (guitar), Paul Chapman (guitar), Grachan Moncur II (bass), Herbert Cowans (drums), Billie Holiday (vocal). Second recording (Session #65, her final Decca session): Los Angeles March 8, 1950, Gordon Jenk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Ponder Albums
Jimmy may refer to: Arts and entertainment Film and television * ''Jimmy'' (2008 film), a 2008 Hindi thriller directed by Raj N. Sippy * ''Jimmy'' (1979 film), a 1979 Indian Malayalam film directed by Melattoor Ravi Varma * ''Jimmy'' (2013 film), a 2013 drama directed by Mark Freiburger * "The Jimmy", a 1995 episode of the sitcom ''Seinfeld'' * "Jimmy", a 2002 episode of ''Static Shock'' Music * ''Jimmy'' (musical), a 1969 musical Songs * "Jimmy" (song), a song by M.I.A. from the 2007 album ''Kala'' * "Jimmy", a song by Irving Berlin, see also List of songs written by Irving Berlin * "Jimmy", a song by Tones and I from her EP ''The Kids Are Coming'' * "Jimmy", a song by Tool from their 1996 album ''Ænima'' * "Jimmy", a song by dutch artist Boudewijn de Groot * "Jimmy", a song by Jay Thompson for the 1967 film ''Thoroughly Modern Millie'' Theater * Jimmy Awards, annual awards given by the Broadway League to high school musical theater performers in the United States P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piccolo Bass
A piccolo bass is either an electric bass or acoustic double bass which has been tuned to a higher frequency, usually one octave higher than conventional bass tuning. This allows bass players to use higher registers during soloing while retaining a familiar scale length and string spacing. History In the early 1970s, Ron Carter and Stanley Clarke were independently exploring the possibilities of stringing their instruments in a higher, or piccolo, tuning. Clarke’s idea for piccolo bass originally came from luthier Carl Thompson. The earliest recording of Carter playing piccolo bass is on the 1973 album ''Blues Farm''. Design considerations Acoustic piccolo bass The acoustic piccolo bass is constructed in the same way as a double bass, allowing the player to use the same arco and pizzicato techniques. The scale length will usually be similar to that of standard upright bass, with thinner strings to allow a higher-pitched tuning. The acoustic piccolo bass is usually tuned in fou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dwayne Dolphin
Dwayne Dolphin is a jazz and funk bassist. Biography Dolphin plays acoustic bass and bass guitar (including piccolo bass)."Mr. Bass strikes again – Dwayne Dolphin" (August 22, 2012). New Pittsburgh Courier. He played locally in Pittsburgh from the age of 15. After high school he joined 's band. The reviewer of his 1993 album ''Portrait of Adrian'' observed that "Dolphin's tone is round and full, and he's got an agile technique. Certainly the late |
John Hicks (pianist)
John Josephus Hicks Jr. (December 21, 1941 – May 10, 2006) was an American jazz pianist, composer, and arranger. He was leader of more than 30 recordings and played as a sideman on more than 300."Artist of the Month: John Hicks" . wicn.org. Retrieved November 20, 2016. After early experiences backing blues musicians, Hicks moved to New York in 1963. He was part of 's band for two years, accompanied vocalist Betty Carter from 1965 to 1967, before joining 's big band, where he stayed until 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph MacDonald
Ralph Anthony MacDonald (March 15, 1944 – December 18, 2011) was a Trinidadian and Tobagonian American, Trinbagonian-American percussionist, songwriter, musical arranger, record producer, steelpan virtuoso and philanthropist. His compositions include "Where Is the Love (Roberta Flack and Donny Hathaway song), Where Is the Love", a Grammy Award winner for the duet of Roberta Flack and Donny Hathaway; "Just the Two of Us (Grover Washington Jr. song), Just the Two of Us", recorded by Bill Withers and Grover Washington Jr.; and "Mister Magic" recorded by Grover Washington Jr. Career Growing up in Harlem, New York City, New York, United States, under the close mentorship of his Trinbagonian father, Patrick MacDonald (a calypsonian and bandleader originally from Trinidad and Tobago who used the stage name "Macbeth the Great"), MacDonald began showing his musical talent, particularly with the steelpan, and when he was 17 years old started playing pan for the Harry Belafonte show. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In A Sentimental Mood
"In a Sentimental Mood" is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. Lyrics were written by Manny Kurtz; Ellington's manager Irving Mills gave himself a percentage of the publishing, so the song was credited to all three. Other popular versions in 1935/36 were by Benny Goodman and by Mills Blue Rhythm Band. Background According to Ellington, the song was born in Durham, North Carolina. "We had played a big dance in a tobacco warehouse, and afterwards a friend of mine, an executive in the North Carolina Mutual Insurance Company, threw a party for Amy. I was playing piano when another one of our friends had some trouble with two chicks. To pacify them, I composed this there and then, with one chick standing on each side of the piano." The recording featured solos by Otto Hardwicke, Harry Carney, Lawrence Brown, and Rex Stewart. Ellington recorded a version with John Coltrane which appears on '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My One And Only Love
"My One and Only Love" is a 1953 popular song with music written by Guy Wood and lyrics by Robert Mellin.Gioia, T. (2012). ''The Jazz Standards: A Guide to the Repertoire''. Oxford University Press. . pp. 284-285. Notable renditions by Frank Sinatra (1953), and later by John Coltrane and Johnny Hartman (1963), have made the song part of the jazz standard musical repertoire. Structure Published in 1953, it is a conventional 32-bar song with four 8-bar sections, including a bridge ("Type A" or "AABA" song structure).Meeder, C. (2012). ''Jazz: The Basics''. Taylor & Francis. . Chapter 1, Fundamentals, "Form". Typically performed as a ballad, it has an aria-like melody that is a challenge to many vocalists;Sinatra, N. (1986). ''Frank Sinatra, My Father''. Pocket Books. . p. 102. Quote: "This song is perhaps ''the'' most difficult popular song to sing. The intervals are extremely tricky…" in the key of C, the song's melody extends from G below middle C to the second D above middle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alex North
Alex North (born Isadore Soifer, December 4, 1910 – September 8, 1991) was an American composer best known for his many film scores, including ''A Streetcar Named Desire'' (one of the first jazz-based film scores), ''Viva Zapata!'', ''Spartacus'', ''Cleopatra'', and ''Who's Afraid of Virginia Woolf?'' He was the first composer to receive an Honorary Academy Award, but never won a competitive Oscar despite fifteen nominations. He wrote the music for Unchained Melody as the theme for the prison film '' Unchained'' (1955), It has become a standard and one of the most recorded songs of the 20th century, with over 1,500 recordings made by more than 670 artists, in multiple languages. Early life North was born Isadore Soifer in Chester, Pennsylvania, to Jewish parents Jesse and Baila (Bessie) who had left the Russian Empire for the US around 1906. Jesse was from Bila Tserkva and Besie originated from Odessa (both cities are now in Ukraine). In the US, Jesse was a blacksmith, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills. After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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