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James Conlon
James Conlon (born March 18, 1950) is an American conductor. He is currently the music director of Los Angeles Opera, principal conductor of the RAI National Symphony Orchestra, and artistic advisor to the Baltimore Symphony Orchestra. Early years Conlon grew up in a family of five children on Cherry Street in Douglaston, Queens, New York City. His mother, Angeline L. Conlon, was a freelance writer. His father was an assistant to the New York City Commissioner of Labor in the Robert F. Wagner administration. His siblings were not musically inclined, nor were his parents. When he was eleven, he went to a production of '' La traviata'' by the North Shore Opera. He asked for music lessons and became a treble (boy soprano) in a children's chorus in an opera company in Queens. He dreamed about being a tenor, then a baritone, and even wanted to sing the role of '' Carmen'' at one point. Finally it dawned on him that the only way to do everything in opera was to become an operati ...
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Conductor (music)
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, a ...
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La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ...
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Maggio Musicale Fiorentino
The Maggio Musicale Fiorentino (English: Florence Musical May) is an annual Italian arts festival in Florence, including a notable opera festival, under the auspices of the Opera di Firenze. The festival occurs between late April into June annually, typically with four operas. History In April 1933, on 's idea, Vittorio Gui founded the festival, with the aim of presenting contemporary and forgotten operas in visually dramatic productions. It was the first music festival in Italy and the oldest in Europe after the Salzburg Festival. The first opera presented was Verdi's early ''Nabucco'', his early operas then being rarely staged. The first festival's success, which included two performances of Spontini's ''La Vestale'' with Rosa Ponselle, led to it becoming a biennial event in 1937 with the presentation of nine operas. After 1937, it became an annual festival, except during World War II. Performances took place in the Teatro Comunale and Piccolo Teatro, plus the Teatro della Per ...
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Opéra National De Paris
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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Cincinnati May Festival
The Cincinnati May Festival is a two-week annual choral festival, held in May in Cincinnati, Ohio, US. History The festival's roots go back to the 1840s, when '' Saengerfests'' were held in that city, bringing singers from all over the United States and abroad to perform large scale classical works of the day. In ''A City That Sings,'' we find a description of Cincinnati in the late 1800s: "In the final decades of the nineteenth century Cincinnati cemented its position as one of America's cultural leaders with the founding of the still flourishing May Festival (1873), the Cincinnati Art Museum (1886) and its neighbor in Cincinnati, the Cincinnati Art Academy (1887), and the Cincinnati Symphony Orchestra (1895). Singing societies were very popular in the nineteenth century and the tradition was no different in Cincinnati. Both the English and German societies were evident. As a rule, the differences between the two national choral traditions were in language, origin, composition ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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Scottish Opera
Scottish Opera is the national opera company of Scotland, and one of the five national performing arts companies of Scotland. Founded in 1962 and based in Glasgow, it is the largest performing arts organisation in Scotland. History Scottish Opera was founded by conductor Alexander Gibson in 1962. In 1975 it purchased the Theatre Royal in Glasgow from Scottish Television re-opening it as the first national opera house for Scotland in October 1975 with ''Die Fledermaus''. In March 2005, the management of the Theatre Royal was transferred to the Ambassador Theatre Group, but remains the home of Scottish Opera and of Scottish Ballet. Scottish Opera dealt with various financial troubles, related to lack of funding and accusations of fiscal profligacy, during the first part of the 2000s. Its cycle of Richard Wagner's ''Ring'' was critically acclaimed, but also was highly draining of the company's financial resources. In 2004, a financial restructuring plan had called for the elimin ...
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Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ...
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New York Philharmonic Orchestra
The New York Philharmonic, officially the Philharmonic-Symphony Society of New York, Inc., globally known as New York Philharmonic Orchestra (NYPO) or New York Philharmonic-Symphony Orchestra, is a symphony orchestra based in New York City. It is one of the leading American orchestras popularly referred to as the " Big Five". The Philharmonic's home is David Geffen Hall, located in New York's Lincoln Center for the Performing Arts. Founded in 1842, the orchestra is one of the oldest musical institutions in the United States and the oldest of the "Big Five" orchestras. Its record-setting 14,000th concert was given in December 2004. History Founding and first concert, 1842 The New York Philharmonic was founded in 1842 by the American conductor Ureli Corelli Hill, with the aid of the Irish composer William Vincent Wallace. The orchestra was then called the Philharmonic Society of New York. It was the third Philharmonic on American soil since 1799, and had as its intended purpose, "t ...
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Léon Barzin
Léon Eugene Barzin (November 27, 1900April 19, 1999) was a Belgian-born American conductor and founder of the National Orchestral Association (NOA), the oldest surviving training orchestra in the United States. Barzin was also the founding musical director of the New York City Ballet. Life and career Born in Brussels, Belgium on November 27, 1900, Léon Barzin was taken to the United States at the age of two. He studied the violin with his father (principal viola at the Théâtre de la Monnaie in Brussels and later of the Metropolitan Opera Orchestra), and later with Édouard Deru, Pierre Henrotte and Eugène Ysaÿe. He joined the New York Philharmonic in 1919 as a violinist and was appointed first viola in 1925, a position he retained until 1929, collaborating in those years with Willem Mengelberg, Wilhelm Furtwängler and Arturo Toscanini.Dissertation abstracts international - Page 1528 University Microfilms,1986 "After a decade as an American-trained symphonic musician, Leo ...
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Peter Mennin
Peter Mennin (born Mennini) (May 17, 1923 in Erie, Pennsylvania – June 17, 1983 in New York City) was a prominent American composer, teacher and administrator. In 1958, he was named Director of the Peabody Conservatory in Baltimore, and in 1962 became President of the Juilliard School, a position he held until his death in 1983. Under his leadership, Juilliard moved from Claremont Avenue to its present location at Lincoln Center. Mennin is responsible for the addition of drama and dance departments at Juilliard. He also started the Master Class Program, and brought many artists to teach including Maria Callas, Pierre Fournier and others. Biography Born Peter Mennini in Erie, Pennsylvania on May 17, 1923, Mennin was the son of Italian immigrants Amalia (née Benacci) and Attilio Mennini and the younger brother of composer Louis Mennini. Musically gifted from an early age, he started his first orchestral piece at eleven and completed his first symphony (out of nine he would ...
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Master Classes
A master class is a class given to students of a particular discipline by an expert of that discipline—usually music, but also science, painting, drama, games, or on any other occasion where skills are being developed. "Masterclass" is also used in a figurative sense to describe a display of great skill in a context where education was not the primary intention; e.g., “his last few laps were a ''masterclass'' in overtaking” (referencing a race around a track). Around music The difference between a normal class and a ''master class'' is typically the setup. In a master class, all the students (and often spectators) watch and listen as the master takes one student at a time. The student (typically intermediate or advanced, depending on the status of the master) usually performs a single piece which they have prepared, and the master will give them advice on how to play it, often including anecdotes about the composer, demonstrations of how to play certain passages, an ...
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