James Clifford (artist)
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James Clifford (artist)
James Clifford (19361987) was an Australian painter who borrowed styles from other artists, in the manner of psychedelic rock music artists who came after the major pop artists and were forerunners of the postmodern appropriation movement of the 1980s. James Clifford was born in Muswellbrook, New South Wales in 1936 and in the sixties moved to Sydney, where he studied with Desiderius Orban and exhibited at Watters Gallery.Germaine, Max. Artists and Galleries of Australia. He worked in various styles and became distinctive early on, combining Hard-edge painting with landscape and seascape painting in kaleidoscopic perspectives, tropical landscapes, Art Nouveau borders and the surrealism of Gordon Onslow Ford, later incorporating collage, occasionally text art, Decalcomania Decalcomania (from french: décalcomanie) is a decorative technique by which engravings and prints may be transferred to pottery or other materials. A shortened version of the term is used for a mass-produc ...
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Muswellbrook, New South Wales
Muswellbrook ( ) is a town in the Upper Hunter Region of New South Wales, Australia, about north of Sydney and north-west of Newcastle. Geologically, Muswellbrook is situated in the northern parts of the Sydney basin, bordering the New England region. The area is predominantly known for coal mining and horse breeding, but has also developed a reputation for gourmet food and wine production. As at June 2018 Muswellbrook has a population of 12,364. Estimated resident population, 30 June 2018. Located to the south of the Muswellbrook township are two coal fuelled power stations, Liddell and Bayswater. They were commissioned in 1973 and mid 1980s respectively and employ approximately 500 people from the area. History Before European settlement of the region the Wonnarua and Gamilaroi peoples occupied the land. The first European to explore the area was Chief Constable John Howe in 1819, with the first white settlement occurring in the 1820s. The township of Muswellbrook was gaze ...
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Bernard William Smith
Bernard William Smith (3 October 19162 September 2011) was an Australian art historian, art critic and academic, considered the founding father of Australian art history, and one of the country's most important thinkers. His book ''Place, Taste and Tradition: a Study of Australian Art Since 1788'' is a key text in Australian art history, and influence on Robert Hughes. Smith was associated with the Communist Party of Australia, and after leaving the party remained a prominent left-wing intellectual and Marxist thinker. Following the death of his wife in 1989, he sold much of their art collection to establish the Kate Challis RAKA, one of the first prizes in the country for Indigenous artists and writers. Biography Smith was born in Balmain, Sydney of Charles Smith and Rose Anne Tierney on 3 October 1916. An illegitimate child, he was a ward of the state and raised in fostered care. In 1941, he married his first wife, Kate Challis, who died in 1989. Smith married his second wif ...
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Macquarie Galleries
Macquarie Galleries was a Sydney private art gallery established in 1925 by John Henry Young and Basil Burdett. It was located at "Strathkyle", 19 Bligh Street Sydney then moved to 40 King Street in 1945. From 1991 to 1993 it was located at 83–85 McLachlan Avenue, Rushcutters Bay. It is currently located at 585 Grosvenor Place, Sydney. There are also associated Macquarie Galleries in Canberra and Perth. Basil Burdett left in 1935 or 1936 to become art critic for the Melbourne Herald. A E J L McDonnell became a partner around 1928. From 1939 to 1956 (59?) Lucy Swanton and Treania Smith 'The bitches of Bligh St' ran the gallery then Treania Smith and Mary Killen. Artists who have had major exhibitions include: :John Beard (various dates 1985–91) : Les Blakebrough (1964–88) :Robert Boynes (1985–93) :Rupert Bunny (1940–62) : John Coburn (1958–70) :Ray Crooke (1962–70) :Russell Drysdale (1942–61) :Ian Fairweather (1948–70 and posthumous exhibition 1975) :Gr ...
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Tuberculosis
Tuberculosis (TB) is an infectious disease usually caused by '' Mycobacterium tuberculosis'' (MTB) bacteria. Tuberculosis generally affects the lungs, but it can also affect other parts of the body. Most infections show no symptoms, in which case it is known as latent tuberculosis. Around 10% of latent infections progress to active disease which, if left untreated, kill about half of those affected. Typical symptoms of active TB are chronic cough with blood-containing mucus, fever, night sweats, and weight loss. It was historically referred to as consumption due to the weight loss associated with the disease. Infection of other organs can cause a wide range of symptoms. Tuberculosis is spread from one person to the next through the air when people who have active TB in their lungs cough, spit, speak, or sneeze. People with Latent TB do not spread the disease. Active infection occurs more often in people with HIV/AIDS and in those who smoke. Diagnosis of active TB is ...
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Pondicherry
Pondicherry (), now known as Puducherry ( French: Pondichéry ʊdʊˈtʃɛɹi(listen), on-dicherry, is the capital and the most populous city of the Union Territory of Puducherry in India. The city is in the Puducherry district on the southeast coast of India and is surrounded by Bay of Bengal to the east and the state of Tamil Nadu, with which it shares most of its culture, heritage, and language. History Puducherry, formerly known as Pondicherry, gained its significance as “The French Riviera of the East” after the advent of the French colonialization in India. Puducherry is the Tamil interpretation of “new town” and mainly derived from “Poduke”, the name of the marketplace as the “Port town” for Roman trading in 1st century as mentioned in ‘The Periplus of the Erythraean Sea’. The settlement was once an abode of many learned scholars as evidently versed in the Vedas, hence also known as Vedapuri. The history of Puducherry can broadly be classified ...
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Sri Aurobindo Ashram
The Sri Aurobindo Ashram is a spiritual community (ashram) located in Pondicherry, in the Indian territory of Puducherry. The ashram grew out of a small community of disciples who had gathered around Sri Aurobindo after he retired from politics and settled in Pondicherry in 1910. On 24 November 1926, after a major spiritual realization, Sri Aurobindo withdrew from public view in order to continue his spiritual work. At this time he handed over the full responsibility for the inner and outer lives of the ''sadhaks'' (spiritual aspirants) and the ashram to his spiritual collaborator, "The Mother", earlier known as Mirra Alfassa. This date is therefore generally known as the founding-day of the ashram, though, as Sri Aurobindo himself wrote, it had "less been created than grown around him as its centre." History Life in the community that preceded the ashram was informal. Sri Aurobindo spent most of his time in writing and meditation. The three or four young men who had f ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ...
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Decalcomania
Decalcomania (from french: décalcomanie) is a decorative technique by which engravings and prints may be transferred to pottery or other materials. A shortened version of the term is used for a mass-produced commodity art transfer or product label, known as a "decal". History Decalcomania was first used commercially in England about 1750 and imported into the United States at least as early as 1865. Its invention has been attributed to Simon François Ravenet, an engraver from France who later moved to England and perfected the process, which he called "" (derived from French , "tracing paper"). The first known use of the French term , in Mary Elizabeth Braddon's ''Eleanor's Victory'' (1863), was followed by the English ''decalcomania'' in an 1865 trade show catalog (''The Tenth Exhibition of the Massachusetts Charitable Mechanic Association''); it was popularized during the ceramic transfer craze of the mid-1870s. By around 1875 decalcomania designs printed in colored glazes ...
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Marbleizing
Marbleizing or faux marbling is the preparation and finishing of a surface to imitate the appearance of polished marble. It is typically used in buildings where the cost or weight of genuine marble would be prohibitive. Faux marbling is a special case of faux painting used to create the distinctive and varied patterns of marble - the most imitated stone by far. History Faux stone painting was widely used in Pompeii, but it really took off in Europe during the Renaissance with two schools of faux painting developing. The Italian school was loose and artistic, the French school was formal and realistic. It typically took an apprentice 10 years or more to fully master the art. The sophistication of the techniques are such that visitors are frequently unable to distinguish between false and real marble in many churches, palaces and public buildings in Europe. The techniques were perfected by the 17th century and have been used in all styles of construction well into the 20th centur ...
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Richard Larter
Richard Larter (19 May 1929 – 25 July 2014) was an Australian painter, often identified as one of Australia's few highly recognisable pop artists. Larter also frequently painted in a Pointillist style. He took advantage of unusual techniques with painting: using a syringe filled with paint to create his early works, and juxtaposing multiple images on to a canvas. Many of his works are brightly coloured and draw on popular culture for source materials, reproducing news photographs, film stills, and images from pornography. He was married to Pat Larter, an artist who was involved in the Mail art movement, then performance art and finally painting in a brightly coloured style similar to Richard's. The Larters emigrated to Australia in 1962. Richard Larter's pop art was less ironic than his American and English counterparts. In this Larter is similar to other noted Australian pop artists, such as, Mike Brown and Martin Sharp. Exhibitions Larter was exhibited consistently from 196 ...
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The Field (exhibition)
The Field was the inaugural exhibition at the National Gallery of Victoria’s new premises on St Kilda Road, Melbourne. Launched by the director of London’s Tate gallery, Norman Reid,Norman Basile, 'Brush off for first gallery art show,' ''The Age'' 22 August 1968, p.3 before an audience of 1,000 invitees, it was held between held 21 August and 28 September 1968. Hailed then, and regarded since as a landmark exhibition in Australian art history, it presented the first comprehensive display of colour field painting and abstract sculpture in the country in a radical presentatiobetween silver foil–covered walls and under geometric light fittings, of 74 works by 40 artists. All practised hard-edge, geometric, colour and flat abstraction, often in novel media including coloured or transparent plastic, fluorescent acrylic paints, steel and chrome. The art was appropriate to a launch of the new venue itself, designed by architect Roy Grounds, and emphatically rectilinear; cubes nes ...
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