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James Brown Discography
This is a discography chronicling the musical career of James Brown. Brown joined Bobby Byrd's vocal group The Flames in 1953, first as a drummer, and then as leading front man. Later becoming The Famous Flames, they signed with Federal Records in 1956 and recorded their first hit single, "Please, Please, Please", which sold over a million copies. After the hit release of " Try Me", following nine relative failures, the group scored a series of hit albums and recordings in the early 1960s. Brown's solo aspirations started around 1962. By the time of "Papa's Got a Brand New Bag", he used the Flames less and less as he became a full-fledged solo artist who was now involved in the development of a new R&B subgenre, funk. Eventually the Famous Flames left him in 1968 as did his James Brown band by 1970 and Brown hired The J.B.'s who helped contribute to his continuing success in the 1970s. After their disbanding, Brown struggled for a number of years with recordings before the relea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Brown
James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, dancer, musician, record producer and bandleader. The central progenitor of funk music and a major figure of 20th century music, he is often referred to by the honorific nicknames "the Hardest Working Man in Show Business", "Godfather of Soul", "Mr. Dynamite", and "Soul Brother No. 1". In a career that lasted more than 50 years, he influenced the development of several music genres. Brown was one of the first 10 inductees into the Rock and Roll Hall of Fame at its inaugural induction in New York on January 23, 1986. Brown began his career as a gospel singer in Toccoa, Georgia. He first came to national public attention in the mid-1950s as the lead singer of the Famous Flames, a rhythm and blues vocal group founded by Bobby Byrd. With the hit ballads " Please, Please, Please" and " Try Me", Brown built a reputation as a dynamic live performer with the Famous Flames and his backing band, sometime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyn Collins
Gloria Lavern Collins (June 12, 1948 – March 13, 2005), better known as Lyn Collins, was an American soul singer best known for working with James Brown in the 1970s and for the influential 1972 funk single, " Think (About It)". A favorite among hip hop, R&B, and dance music producers for decades, Collins is by far the most sampled female artist of all time, with portions of her recordings used in well over 3,500 songs. Early life and career Collins began her recording career at age 14. She played with Charles Pike & The Scholars. Collins recorded "What My Baby Needs Now Is a Little More Lovin'" with James Brown in 1972. Her biggest solo hit was the James Brown-produced gospel-style song " Think (About It)", from her 1972 album of the same name on People Records. The song contains five breaks which have been sampled widely in hip-hop and drum and bass, most famously, the " Yeah! Woo!" and "It takes two to make a thing go right" loops in Rob Base and DJ E-Z Rock's " I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Albums Chart
The Canadian Albums Chart is the official album sales chart in Canada. It is compiled every Monday by U.S.-based music sales tracking company Nielsen SoundScan, and published every Tuesday by ''Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertise ...''. See also * ''RPM'' (magazine) * ''The Record'' (magazine) References External linksCanadian Albums Chart Canadi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by ''Billboard (magazine), Billboard'' magazine that ranks contemporary R&B, R&B and hip hop music, hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul music, Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by ''Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its "number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coincide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20 All-Time Greatest Hits!
''20 All-Time Greatest Hits!'' is a compilation album by James Brown containing 20 of his most famous recordings. Released by Polydor in 1991 as a single-disc alternative to the '' Star Time'' box set, it features songs from the 1950s, 1960s, and 1970s. 16 of the songs from the album had previously topped the US R&B charts. The album itself peaked at number 99 on the R&B/Hip-Hop Albums chart after its release. In 2003, it was ranked number 414 on ''Rolling Stone'' magazine's list of the 500 greatest albums of all time. Track listing Personnel Credits for ''20 All-Time Greatest Hits!'' adapted from Allmusic. * John Bobbit – composer * Deanna Brown – composer * Deidra Brown – composer * James Brown – composer, vocals * James Razor Brown – producer * Yamma Brown – composer * Alfred Ellis – composer * Pee Wee Ellis Alfred James Ellis (April 21, 1941 – September 23, 2021), known as Pee Wee Ellis due to his diminutive stature, was an American saxophonist, com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Star Time (album)
''Star Time'' is a four-CD box set by American musician James Brown. Released in May 1991 by Polydor Records, its contents span most of the length of his career up to the time of its release, starting in 1956 with his first hit record, "Please, Please, Please", and ending with "Unity", his 1984 collaboration with Afrika Bambaataa. Writing in 2007, Robert Christgau described it as "the finest box set ever released... as essential a package as the biz has ever hawked, not just because it's James Brown, but because compilers Cliff White and Harry Weinger invested so much care and knowledge in it." Its title comes from the question Brown's announcer would ask concert audiences, as heard on the album '' Live at the Apollo'': "Are you ready for star time?" ''Star Times liner notes, written by Cliff White, Harry Weinger, Nelson George, Alan Leeds, and Brown himself, won a 1991 Grammy Award for Best Album Notes. The notes also include a discography and a one-page comic by Mary Fleene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Payback
''The Payback'' is the 37th studio album by American musician James Brown. The album was released in December 1973, by Polydor Records. It was originally scheduled to become the soundtrack for the blaxploitation film ''Hell Up in Harlem'', but was rejected by the film's producers, who dismissed it as "the same old James Brown stuff." A widely repeated story—including by Brown himself—that director Larry Cohen rejected the music as "not funky enough" is denied by Cohen. On the DVD commentary track for '' Black Caesar'' (to which ''Hell Up in Harlem'' is a sequel), Cohen states that executives at American International Pictures were already unhappy with Brown for delivering songs much longer than expected on ''Black Caesar'' and ''Slaughter's Big Rip-Off'' and opted for a deal with Motown Records instead. Cohen said the absence of Brown's music from ''Harlem'' still "breaks isheart." It went to #1 on the Soul Albums chart for two weeks and cracked the Pop Albums chart in the T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Payback (song)
"The Payback" is a funk song by James Brown, the title track from his 1973 album of the same name. The song's lyrics, originally written by trombonist and bandleader Fred Wesley but heavily revised by Brown himself soon before it was recorded, concern the revenge he plans to take against a man who betrayed him. The song is notable for its sparse, open arrangement and its use of wah-wah guitar – a relative rarity in Brown's previous funk recordings. Released as a two-part single (featuring a radio announcer at the beginning of part one) in February 1974, it was the first in an unbroken succession of three singles by Brown to reach #1 on the R&B charts that year – the last chart-toppers of his career. It also peaked at number 26 on the ''Billboard'' Hot 100. It was his second, and final, single to be certified gold by the RIAA. Background The song and the album of the same name were originally recorded by Brown as the accompanying soundtrack to the blaxploitation film ''Hell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Get On The Good Foot
"Get on the Good Foot" is a funk song performed by James Brown. It was released in 1972 as a two-part single that charted #1 R&B and #18 Pop. It also appeared on an album of the same name released that year. Partly due to the unwillingness of Brown's record labels to certify sales of his previous hits, "Get on the Good Foot" was his first gold record. ''Billboard'' ranked it as the No. 99 song for 1972. Performances of "Get on the Good Foot" appear on the albums '' Hot on the One'', '' Live in New York'', ''Live at Chastain Park and Live at the Apollo 1995'' Personnel * James Brown - lead vocal, organ ''with The J.B.'s:'' * Russell Crimes - trumpet * Ike Oakley - trumpet * Fred Wesley - trombone * Jimmy Parker - alto saxophone * St. Clair Pinckney - tenor saxophone * Hearlon "Cheese" Martin - guitar * Bobby Roach - guitar * Fred Thomas - bass * John "Jabo" Starks - drumsLeeds, Alan, and Harry Weinger (1991). "Star Time: Song by Song". In ''Star Time'' (pp. 46–53) D bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
