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Jamerican Man
''Jamerican Man'' is the debut album by vocalist David Oliver. Reception Originally released in 1977 as ''Jamerican Man'', later pressings were changed to the self-titled ''David Oliver''. The album reached number eighteen on the ''Billboard'' Top Soul LPs chart. The single, "Ms.", peaked at number thirteen on the Soul Singles chart in 1978. The album also contained the original version of "Friends & Strangers" that Ronnie Laws recorded for his album An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early ... of the same name in 1977. Track listing #What Kinda Woman - ( Wayne Henderson, David Oliver) 4:59 #Love So Strong - (David Oliver, Ruth Robinson) 3:31 #Ms. - (David Oliver, Ruth Robinson) 5:20 #Friends & Strangers - (David Oliver, Ruth Robinson, William Jeffreys) 4:59 # ...
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David Oliver (singer)
David Oliver (January 8, 1942 – June 6, 1982) was an American soul singer best known for the quiet storm radio hit, "Ms" as well as his composition " Friends & Strangers", which was covered by Ronnie Laws in 1977. He also recorded the first version of the Cecil Womack song "Love TKO", releasing it as an album track on '' Here's To You'' in 1980. Biography Born January 8, 1942, in Orange County, Florida, United States, to Jamaican parents, David Oliver did not begin singing until high school at the age of 15. All through high school and college, he sang in various groups. After a stint in the Air Force, he re-located to Los Angeles in 1967 and joined a group called Five Days & Three Nights. They were discussing a contract with Motown Records, but after negotiations fell through, the group disbanded. By 1972, Oliver would go on to record background vocals on Redbone's ''Already Here'' album and he then sang with Mighty Joe Hicks's band during the mid-70s. He was signed to Mer ...
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Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ...
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Funk Music
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ...
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Mercury Records
Mercury Records is an American record label owned by Universal Music Group. It had significant success as an independent operation in the 1940s and 1950s. Smash Records and Fontana Records were sub labels of Mercury. In the United States, it is operated through Republic Records; in the United Kingdom and Japan (as Mercury Tokyo in the latter country), it is distributed by EMI Records. Since the separation of Island Records, Motown, Mercury Records, and Def Jam Recordings combining the Island Def Jam Music Group, Mercury Records has been placed under Island Records, although its back catalogue is still owned by the Island Def Jam Music Group (now Island Records). Background Mercury Records was started in Chicago in 1945 and over several decades, saw great success. The success of Mercury has been attributed to the use of alternative marketing techniques to promote records. The conventional method of record promotion used by major labels such as RCA Victor, Decca Records, and ...
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Wayne Henderson (musician)
Wayne Maurice Henderson (September 24, 1939 – April 5, 2014) was an American soul jazz and hard bop trombonist and record producer. In 1961, he co-founded the soul jazz/hard bop group The Jazz Crusaders. Henderson left the group (who by then had changed their name to The Crusaders) in 1976 to pursue a career in producing, but revived The Jazz Crusaders in 1995. In 2007, Henderson took a position with the California College of Music in Pasadena, California. Henderson had suffered from diabetes and died of heart failure at a Culver City hospital on April 5, 2014 at age 74. Discography As leader/co-leader *1968: The Freedom Sounds fest. Wayne Henderson ''People Get Ready'' (Atlantic) *1969: The Freedom Sounds fest. Wayne Henderson ''Soul Sound System'' (Atlantic) *1977: ''At Big Daddies'' (ABC) *1977: ''Big Daddy's Place'' (ABC) *1978: ''Living on a Dream'' (Polydor) *1978: ''Step in to Our Life'' (Polydor)(with Roy Ayers) *1979: ''Emphasized'' (Polydor)(with Roy Ayers) *1980: R ...
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Mind Magic (album)
''Mind Magic'' is the second album by vocalist David Oliver. Track listing #Who Are You 3:43 #I Wanna Write You a Love Song 6:13 #Housewives Are People Too 4:38 #When the Thrill Comes 3:28 #Private Secretary 3:44 #One Night Man 3:38 #Southern Comfort 3:45 #I Surrender 3:26 #Take My Emptiness 3:07 Charts References External links David Oliver-Mind Magic at Discogs 1978 albums David Oliver (singer) albums Mercury Records albums Albums produced by Wayne Henderson (musician) {{1970s-R&B-album-stub ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ...
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Friends & Strangers
''Friends & Strangers'' is the third album by American saxophonist Ronnie Laws recorded in 1976-1977 and released on the Blue Note label.Blue Note Records discography
accessed January 25, 2011
The album was certified Gold by the RIAA for sales of over 500,000 copies.


Reception

The review by Ed Hogan awarded the album three stars and stated "saxophonist Ronnie Laws' ''Friends and Strangers'' LP showcases his skilled chops on up-tempo and mellow tunes".Hogan, E
Allmusic Review
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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