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Jaiva
Jaiva, Township jive (TJ), Soweto jive, Soweto sound or Soweto beat is a subgenre of South African township music and African dance form that influenced Western breakdance and emerged from the shebeen culture of the apartheid-era townships. Influences and particularity While closely associated with mbaqanga, township jive more broadly incorporates influences from mariba and kwaito, and is synonymous with none of these. To the extent that mariba influences TJ, it may be somewhat sanitised as TJ broke into the international commercial arena. Emergence in world music circles The Boyoyo Boys received additional press coverage when Malcolm McLaren allegedly plagiarised their song "Puleng" and released it as the hit " Double Dutch", capitalising on the emergence of breakdance and hip-hop.Ambrose Ehirim, Sunday, 9 December 2007, The Boyoyo Boys and Township Jive Today , http://magazine.biafranigeriaworld.com/ambrose-ehirim.html Additional momentum for world beat attention to So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbaqanga
Mbaqanga () is a style of South African music with rural Zulu music, Zulu roots that continues to influence musicians worldwide today. The style originated in the early 1960s. History Historically, laws such as the Natives' Land Act, Land Act of 1913 to the Group Areas Act (1950) initially prevented black South Africans from integrating from different tribal communities, consequently making it almost impossible for most black native music artists to gain recognition beyond their tribal boundaries. The music genre mbaqanga developed during this time (1960s) and to this day most of the major record labels are white-owned companies with very few black artists that have contributed to their own material. In Zulu, the term ''mbaqanga'' means an everyday cornmeal porridge. ''Mbaqanga'' aficionados were mostly plebeian, metropolitan African jazz enthusiasts. Many of them were not permitted to establish themselves in the city, but they were unable to sustain themselves in the rural cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbaqanga
Mbaqanga () is a style of South African music with rural Zulu music, Zulu roots that continues to influence musicians worldwide today. The style originated in the early 1960s. History Historically, laws such as the Natives' Land Act, Land Act of 1913 to the Group Areas Act (1950) initially prevented black South Africans from integrating from different tribal communities, consequently making it almost impossible for most black native music artists to gain recognition beyond their tribal boundaries. The music genre mbaqanga developed during this time (1960s) and to this day most of the major record labels are white-owned companies with very few black artists that have contributed to their own material. In Zulu, the term ''mbaqanga'' means an everyday cornmeal porridge. ''Mbaqanga'' aficionados were mostly plebeian, metropolitan African jazz enthusiasts. Many of them were not permitted to establish themselves in the city, but they were unable to sustain themselves in the rural cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nelson Mandela's 70th Birthday Concert
The Nelson Mandela 70th Birthday Tribute was a popular-music concert staged on 11 June 1988 at Wembley Stadium, London, and broadcast to 67 countries and an audience of 600 million. Marking the forthcoming 70th birthday (18 July 1988) of the imprisoned anti-apartheid revolutionary Nelson Mandela, the concert was also referred to as ''Freedomfest'', ''Free Nelson Mandela Concert'' and ''Mandela Day''. In the United States, the Fox television network heavily censored the political aspects of the concert.Reed, T.V., ''The Art of Protest'', University of Minnesota Press, 2005, p. 174.Lee, Martin A., and Solomon, Norman, ''Unreliable Sources: A Guide to Detecting Bias in News Media''. . Quoted by Norman Solomon in Shirley, John, "Political and Corporate Censorship in the Land of the Free", ''Gauntlet'' No. 3, 1992.Morse, Steve (13 June 1988), ''The Boston Globe''. The concert is considered a notable example of anti-apartheid music. First of two Mandela events The Birthday Tribute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara Browning
Barbara Browning (born December 7, 1961, in Madison, Wisconsin) is an American academic, award-winning novelist, dancer, and cultural critic. Education and career Browning received her B.A. in comparative literature from Yale University in 1983, spent a year in Brazil on a Fulbright fellowship, where she studied dance, and then returned to Yale to complete her Ph.D. in 1989. She taught for six years in the English Department of Princeton University, where she was awarded the President's Distinguished Teaching Award, and since then has taught in the Department of Performance Studies at the Tisch School of the Arts, New York University, serving for a time as chair. Writing Her first book, ''Samba: Resistance in Motion'' (1995),. . was an ethnographic account of her experiences studying and performing Brazilian dance. It was the 1996 recipient of the de la Torre Bueno Prize for an outstanding publication in the field of dance scholarship. Her second academic book was ''Infectious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigel Worden
Nigel ( ) is an English masculine given name. The English ''Nigel'' is commonly found in records dating from the Middle Ages; however, it was not used much before being revived by 19th-century antiquarians. For instance, Walter Scott published ''The Fortunes of Nigel'' in 1822, and Arthur Conan Doyle published ''Sir Nigel'' in 1905–06. As a name given for boys in England and Wales, it peaked in popularity from the 1950s to the 1970s (see below). ''Nigel'' has never been as common in other countries as it is in Britain, but was among the 1,000 most common names for boys born in the United States from 1971 to 2010. Numbers peaked in 1994 when 447 were recorded (it was the 478th most common boys' name that year). The peak popularity at 0.02% of boys' names in 1994 compares to a peak popularity in England and Wales of about 1.2% in 1963, 60 times higher. Etymology The name is derived from the church Latin '. This Latin word would at first sight seem to derive from the classical L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Hamm
Charles Edward Hamm (April 21, 1925 – October 16, 2011) was an American musicologist, writer, composer, and music educator. He is credited with being the first music historian to seriously study and write about American popular music. He also was one of the founders of the International Association for the Study of Popular Music (IASPM). Born in Charlottesville, Virginia, Hamm graduated from the University of Virginia in 1947 where he was a member of the Virginia Glee Club. Zachary Woolfe wrote in ''The New York Times'' that "Mr. Hamm was one of the first scholars to study the history of American popular music with musicological rigor and sensitivity to complex racial and ethnic dynamics, and both oral and written traditions. He traced pop’s history not just to its full recent flowering in the 1950s or to the 19th century and Stephen Foster, but also to the colonial-era compositions that created the context for all that followed." In 2002 he was awarded a Lifetime Achieve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Honey In The Rock
Sweet Honey in the Rock is an all-women band, all-woman, African American, African-American a cappella ensemble. They are an United States, American three-time Grammy Award–nominated troupe who express their history as black women through song, dance, and sign language. Originally a four-person ensemble, the group has expanded to five-part harmonies, with a sixth member acting as a sign-language interpreter. Although the members have changed over four decades, the group continues to sing and perform worldwide. Musical career Sweet Honey in the Rock was founded in 1973 by Bernice Johnson Reagon, who was teaching a vocal workshop with the Washington, D.C. Black Repertory Company. Reagon retired from the group in 2004. The name of the group was derived from a song, based on Book of Psalms, Psalm 81:16, which tells of a land so rich that when rocks were cracked open, honey flowed from them. Johnson has said that this first song in which four women blended their voices was so power ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ladysmith Black Mambazo
Ladysmith Black Mambazo are a South African male choral group singing in the local vocal styles of ''isicathamiya'' and '' mbube''. They became known internationally after singing with Paul Simon on his 1986 album ''Graceland'', and have won multiple awards, including five Grammy Awards, dedicating their fifth Grammy to the late former President Nelson Mandela. Formed by Joseph Shabalala in 1960, Ladysmith Black Mambazo became one of South Africa's most prolific recording artists, with their releases receiving gold and platinum disc honours. The group became a mobile academy of South African cultural heritage through their African indigenous ''isicathamiya'' music. History Joseph Shabalala formed Ladysmith Black Mambazo because of a series of dreams he had in 1964, in which he heard certain ''isicathamiya'' harmonies (''isicathamiya'' being the traditional music of the Zulu people). Following their local success at wedding ceremonies and other gatherings, Shabalala entered th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahotella Queens
The Mahotella Queens is a South African female band formed in 1964 by music producer Rupert Bopape, consisting of Hilda Tloubatla, Nobesuthu Mbadu, and Amanda Nkosi. The group is noted for their distinct vocal harmony sound, guitar-led mbaqanga music, and fast stage dancing. Bopape was a talent scout and producer at the independent Gallo Africa's subsidiary dedicated to black music, Mavuthela Music Company. He formed the Mahotella Queens as the company's resident girl group and the ensemble, often led by the deep-voiced male vocals of Simon 'Mahlathini' Nkabinde, went on to have many hit records during the 1960s. The Queens line-up during this period usually comprised Hilda Tloubatla, Juliet Mazamisa, Ethel Mngomezulu, Nobesuthu Mbadu and Mildred Mangxola. The Queens and Mahlathini were backed by Mavuthela's house band, the Makgona Tsohle Band (including Marks Mankwane on lead guitar and West Nkosi on alto saxophone). In 1972 the line-up of the Mahotella Queens disintegrate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahlathini
Simon "Mahlathini" Nkabinde (1937 or 1938 – 27 July 1999) was a South African ''mbaqanga'' singer. Known as the "Lion of Soweto", Nkabinde is the acknowledged exponent of the deep-voiced, basso profundo "groaning" style that came to symbolize mbaqanga music in the 1960s. Nkabinde was also a very active live performer in South Africa, recording and performing with the Mahotella Queens and the backing Makgona Tsohle Band from 1964 to 1971, and then again from 1983 to 1999. The Mahlathini and the Mahotella Queens act was propelled into international stardom in the wake of Paul Simon's 1986 ''Graceland'' album. Early career and life Nkabinde was born in Newcastle, KwaZulu-Natal and grew up in Alexandra, Gauteng. As a young boy, he began leading isicathamiya and mbube choirs at traditional Zulu wedding ceremonies. By the time he was a teenager, Nkabinde's voice was much admired. During the early 1950s, however, his voice became strained and was reduced to a growl. Initially, Nka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise Khanyile
Noise is unwanted sound considered unpleasant, loud or disruptive to hearing. From a physics standpoint, there is no distinction between noise and desired sound, as both are vibrations through a medium, such as air or water. The difference arises when the brain receives and perceives a sound. Acoustic noise is any sound in the acoustic domain, either deliberate (e.g., music or speech) or unintended. In contrast, noise in electronics may not be audible to the human ear and may require instruments for detection. In audio engineering, noise can refer to the unwanted residual electronic noise signal that gives rise to acoustic noise heard as a hiss. This signal noise is commonly measured using A-weighting or ITU-R 468 weighting. In experimental sciences, noise can refer to any random fluctuations of data that hinders perception of a signal. Measurement Sound is measured based on the amplitude and frequency of a sound wave. Amplitude measures how forceful the wave is. The ene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rounder Records
Rounder Records is an independent record label founded in 1970 in Somerville, Massachusetts by Marian Leighton Levy, Ken Irwin, and Bill Nowlin. Focused on American roots music, Rounder's catalogue of more than 3000 titles includes records by Alison Krauss and Union Station, George Thorogood, Tony Rice, and Béla Fleck, in addition to re-releases of seminal albums by artists such as the Carter Family, Jelly Roll Morton, Lead Belly, and Woody Guthrie. "Championing and preserving the music of artists whose music falls outside of the mainstream," Rounder releases have won 54 Grammy Awards representing diverse genres, from bluegrass, folk, reggae, and gospel to pop, rock, Americana, polka and world music. Acquired by Concord in 2010, Rounder is based in Nashville, Tennessee. Beginnings Rounder was founded by Ken Irwin, Bill Nowlin, and Marian Leighton Levy. Nowlin and Irwin first met in 1962 as incoming freshman at Tufts University in the Boston suburb of Medford, Massachusetts. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
