Jacques De Lajoue
Jacques de Lajoue, a French architectural painter, was born in 1687 in Paris. He became a member of the Academy in 1721, and is noticed for a 'Perspective' which he executed in 1732 at the Library of St. Geneviève. He also designed the title-page to the works of Wouwerman. Etchings have been made after him by Cochin Kochi (), also known as Cochin ( ) ( the official name until 1996) is a major port city on the Malabar Coast of India bordering the Laccadive Sea, which is a part of the Arabian Sea. It is part of the district of Ernakulam in the state of K ..., Tardieu, and others. He died in Paris in 1761. References * Further reading ;Primary study * ;Reference books * * * * 1687 births 1761 deaths 18th-century French painters French male painters 18th-century French male artists {{France-painter-17thC-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Architectural Painter
Architectural painting (also Architecture painting) is a form of genre painting where the predominant focus lies on architecture, including both outdoor and interior views. While architecture was present in many of the earliest paintings and illuminations, it was mainly used as background or to provide rhythm to a painting. In the Renaissance, architecture was used to emphasize the perspective and create a sense of depth, like in Masaccio's '' Holy Trinity'' from the 1420s. In Western art, architectural painting as an independent genre developed in the 16th century in Flanders and the Netherlands, and reached its peak in 16th and 17th century Dutch painting. Later, it developed in a tool for Romantic paintings, with e.g. views of ruins becoming very popular. Closely related genres are architectural fantasies and trompe-l'oeils, especially illusionistic ceiling painting, and cityscapes. Western artists specialized in architectural painting 16th century The 16th century saw the d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the ÃŽle-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Académie De Peinture Et De Sculpture
An academy ( Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, '' Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulatio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bibliothèque Sainte-Geneviève
A library is a collection of materials, books or media that are accessible for use and not just for display purposes. A library provides physical (hard copies) or digital access (soft copies) materials, and may be a physical location or a virtual space, or both. A library's collection can include printed materials and other physical resources in many formats such as DVD, CD and cassette as well as access to information, music or other content held on bibliographic databases. A library, which may vary widely in size, may be organized for use and maintained by a public body such as a government; an institution such as a school or museum; a corporation; or a private individual. In addition to providing materials, libraries also provide the services of librarians who are trained and experts at finding, selecting, circulating and organizing information and at interpreting information needs, navigating and analyzing very large amounts of information with a variety of resources. Li ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Philips Wouwerman
Philips Wouwerman (also Wouwermans) (24 May 1619 (baptized) – 19 May 1668) was a Dutch painter of hunting, landscape and battle scenes. Life and work Philips Wouwerman was one of the most versatile and prolific artists of the Dutch Golden Age. Embedded in the artistic environment and tradition of his home town of Haarlem, Wouwerman made an important and highly influential contribution to the canon of seventeenth-century Dutch painting. His pictures were in demand during his lifetime, and even more sought after in the 18th century. Throughout Europe, formerly princely art collections like in Dresden and St. Petersburg still bear witness to this widespread admiration of Wouwerman's art. Born in Haarlem in 1619, the son of a now altogether obscure painter named Pouwels Joostsz Wouwerman, little is known of his artistic schooling. According to Cornelis de Bie, he studied with Frans Hals (1581/85–1666), but the particular style of Hals didn't leave a footmark on his oeuvre.Du ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charles-Nicolas Cochin
Charles-Nicolas Cochin (22 February 1715 – 29 April 1790) was a French engraver, designer, writer, and art critic. To distinguish him from his father of the same name, he is variously called Charles-Nicolas Cochin le Jeune (the Younger), Charles-Nicolas Cochin le fils (the son), or Charles-Nicolas Cochin II. Early life Cochin was born in Paris, the son of Charles-Nicolas Cochin the Elder (1688–1754), under whom he studied engraving.Charles-Nicolas Cochin the Younger at britannica.com (accessed 11 February 2008) His mother was Louise-Magdeleine Horthemels (1686–1767), who herself was an important engraver in Paris for some fifty years. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pierre Alexandre Tardieu
Pierre Alexandre Tardieu (1756–1844) was a French engraver. He was a member of the Institut de France, the Saint Petersburg Academy and the Academy of Milan. His students included Auguste Gaspard Louis Desnoyers. He is buried at the cimetière du Père-Lachaise in Paris (2nd division). Biography Tardieu was part of a family of engravers. His brothers were Antoine François Tardieu and Jean Baptiste Pierre Tardieu. His nephews Ambroise and Pierre Antoine Tardieu also worked in this industry. He learned his craft from his uncle Jacques-Nicolas Tardieu and his godfather Johann Georg Wille. His role models were Gérard Edelinck and Robert Nanteuil. He was considered one of the few engravers who could also implement painted templates with great skill and fineness. He had many students, but especially Auguste Gaspard Louis Desnoyers stood out. In 1822 he took over the seat of Charles Clément Balvay in the Académie des Beaux-Arts An academy (Attic Greek: ἈκΠ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cooper–Hewitt, National Design Museum
Cooper Hewitt, Smithsonian Design Museum is a design museum housed within the Andrew Carnegie Mansion in Manhattan, New York City, along the Upper East Side's Museum Mile. It is one of 19 museums that fall under the wing of the Smithsonian Institution and is one of three Smithsonian facilities located in New York City, the other two being the National Museum of the American Indian's George Gustav Heye Center in Bowling Green and the Archives of American Art New York Research Center in the Flatiron District. It is the only museum in the United States devoted to historical and contemporary design. Its collections and exhibitions explore approximately 240 years of design aesthetic and creativity. History In 1895, the granddaughters of Peter Cooper, Sarah Cooper Hewitt, Eleanor Garnier Hewitt and Amy Hewitt Green, asked the Cooper Union for a space to create a Museum for the Arts of Decoration. The museum would take its inspiration from the Musée des Arts Décoratifs, Paris and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Benezit Dictionary Of Artists
The ''Benezit Dictionary of Artists'' (in French, ''Bénézit: Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs'') is an extensive publication of bibliographical information on painters, sculptors, designers and engravers created primarily for art museums, auction houses, historians and dealers. It was published by Éditions Gründ in Paris but has been sold to Oxford University Press. First published in the French language in three volumes between 1911 and 1923, the dictionary was put together by Emmanuel Bénézit (1854–1920) and a team of international specialists with assistance from his son the painter Emmanuel-Charles Bénézit (1887–1975), and daughter Marguerite Bénézit. After the elder Bénézit's death the editors were Edmond-Henri Zeiger-Viallet (1895–1994) and the painter Jacques Busse (1922–2004), the younger Bénézit having already left Paris and moved to Provence. The next edition was an eight-volume set published between 1948 and 1955, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Grove Art Online
''Grove Art Online'' is the online edition of ''The Dictionary of Art'', often referred to as the ''Grove Dictionary of Art'', and part of Oxford Art Online, an internet gateway to online art reference publications of Oxford University Press, which also includes the online version of the ''Benezit Dictionary of Artists''. It is a large encyclopedia of art, previously a 34-volume printed encyclopedia first published by Grove in 1996 and reprinted with minor corrections in 1998. A new edition was published in 2003 by Oxford University Press. Scope Written by 6,700 experts from around the world, its 32,600 pages cover over 45,000 topics about art, artists, art critics, art collectors, or anything else connected to the world of art. According to ''The New York Times Book Review'' it is the "most ambitious art-publishing venture of the late 20th century". Almost half the content covers non-Western subjects, and contributors hail from 120 countries. Topics range from Julia Margaret C ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thieme-Becker
Thieme-Becker is a German biographical dictionary of artists. Thieme-Becker The dictionary was begun under the editorship of Ulrich Thieme (1865–1922) (volumes one to fifteen) and Felix Becker (1864–1928) (volumes one to four). It was completed under the editorship of Frederick Charles Willis (b. 1883) (volumes fourteen and fifteen) and Hans Vollmer (1878–1969) (volumes sixteen to thirty-seven)."The Project: From Thieme-Becker to the Artists’ Database," GmbH.Heinz Ladendorf, "Das Allgemeine Lexikon der bildenden Künstler Thieme-Becker-Vollmer," in Magdalena George (ed.), ''Festschrift Hans Vollmer'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |