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Jacques Villisech
Jacques Villisech was a French bass-baritone in opera and concert. He was an early specialist singing Baroque music in historically informed performance. Career Villisech was an actor and singer in the theatre company of Jean-Louis Barrault. He studied at the Conservatoire National Supérieur de Musique, and continued his studies at the Mozarteum in Salzburg and the Academy Chigiana in Siena. He was a prize-winner at the ARD International Music Competition in Munich. In opera, he appeared in both serious and comic bass parts, such as the title role in Massenet's ''Don Quichotte'', Don Basile in Rossini's ''The Barber of Seville, Il barbiere di Siviglia'', Geronimo in Cimarosa's ''Il matrimonio segreto'', and Prince Gremin in Tchaikovsky's ''Eugene Onegin (opera), Eugene Onegin''. Villisech performed in 1965 the bass arias in the St John Passion discography#Harnoncourt, pioneering recording of Nikolaus Harnoncourt of Bach's ''St John Passion'', with Kurt Equiluz as the Evangelis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conservatoire National Supérieur De Musique
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, prop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Van Egmond
Max van Egmond (born 1 February 1936 in Semarang) is a Dutch bass and baritone singer. He has focused on oratorio and Lied and is known for singing works of Johann Sebastian Bach. He was one of the pioneers of historically informed performance of Baroque and Renaissance music. Career Max van Egmond studied voice at Hilversum with Tine van Willingen de Lorme.[ Max van Egmond] at all-music At the age of eighteen he became a member of Netherlands Bach Society, De Nederlandse Bachvereniging (Netherlands Bach Society).Max van Egmond on the bach-cantatas website Starting in 1965, he became involved in the complete Bach recordings of Gustav Leonhardt, Nikolaus Harnoncourt and Frans Brüggen. He recorded the ''St Matthew Passion'' under Claudio Abbado in 1969 and Nikolaus Harnoncourt in 1970, singing the bass arias. In 1973, he was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Leonhardt
Gustav Maria Leonhardt (30 May 1928 – 16 January 2012) was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments. Leonhardt professionally played many instruments, including the harpsichord, pipe organ, claviorganum (a combination of harpsichord and organ), clavichord, fortepiano and piano. He also conducted orchestras and choruses. Biography Gustav Leonhardt was born in 's-Graveland, near Hilversum, and studied organ and harpsichord from 1947 to 1950 with Eduard Müller at the Schola Cantorum Basiliensis in Basel. In 1950, he made his debut as a harpsichordist in Vienna, where he studied musicology. He was professor of harpsichord at the Academy of Music from 1952 to 1955 and at the Amsterdam Conservatory from 1954. He was also a church organist. Career Leonhardt performed and conducted a variety of solo, chamber, orchestral, operatic, and choral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amore Traditore
(Treacherous love), BWV203, is a secular cantata composed by Johann Sebastian Bach in Köthen between 1718 and 1719, while he was in the service of the court of Leopold, Prince of Anhalt-Köthen. Bach wrote the unusual work on an Italian libretto for a bass soloist and harpsichord. Background After an extended period at the court of Weimar, Bach was Kapellmeister at the court of Leopold, Prince of Anhalt-Köthen between 1717 and 1723, directing a qualified musical ensemble. As the court was Reformed, he had no obligations to compose church music, but focused on instrumental works. He had no choir at his disposition, but several excellent singers who sometimes stayed for a short period. He later wrote about this period: History and text Bach composed this cantata in Köthen in 1718 or 1719 for an unknown occasion. Its librettist and first performance are also unknown. Unusually for Bach, the text is Italian; only one other cantata (BWV 209) has Italian text. The text i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Was Mir Behagt, Ist Nur Die Muntre Jagd, BWV 208
''Was mir behagt, ist nur die muntre Jagd'' (The lively hunt is all my heart's desire), 208.1, BWV 208, also known as the ''Hunting Cantata'', is a secular cantata composed by Johann Sebastian Bach for the 31st birthday of Duke Christian of Saxe-Weissenfels on 23 February 1713. A performance lasts about forty minutes. The aria "Schafe können sicher weiden" (" Sheep May Safely Graze") is the most familiar part of this cantata. History and text It is Bach's earliest surviving secular cantata, composed while he was employed as court organist in Weimar. The work may have been intended as a gift from Bach's employer, William Ernest, Duke of Saxe-Weimar, for his neighbouring ruler, Duke Christian, who was a keen hunter. Bach is known to have stayed in Weißenfels in 1713 for the birthday celebrations. He went on to earn more commissions from Saxe-Weissenfels, and in 1729, Bach was appointed Royal Kapellmeister, but this position as court composer did not require ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottes Zeit Ist Die Allerbeste Zeit, BWV 106
(God's time is the very best time), , also known as ''Actus tragicus'', is an early sacred cantata composed by Johann Sebastian Bach in Mühlhausen, intended for a funeral. The earliest source for the composition is a copied manuscript dated 1768, therefore the date of the composition is not certain. Research leads to a funeral of a former mayor of Mühlhausen on 16 September 1708. The text is a carefully compiled juxtaposition of biblical texts, three quotations from the Old Testament and four from the New Testament, combined with funeral hymns, of which two are sung and one is quoted instrumentally, and some additions by an anonymous author. Bach scored the work for four vocal parts and a small ensemble of Baroque instruments, two recorders, two violas da gamba and continuo. The work is opened by an instrumental Sonatina, followed by through-composed sections which have been assigned to four movements. The structure is symmetrical around a turning point, when the lower voi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jürgen Jürgens
Jürgen Jürgens (5 October 1925 – 4 August 1994) was a German choral conductor and academic teacher. He founded and directed the Monteverdi-Chor Hamburg, a pioneering ensemble for Monteverdi's music. Biography Born in Frankfurt am Main, Jürgens received his musical training at the Musisches Gymnasium Frankfurt with Kurt Thomas. Jürgens studied singing and choir direction with at the Musikhochschule Freiburg. In 1955, he founded the award-winning Monteverdi-Chor Hamburg. They recorded for Archiv Produktion, focussing on works of Claudio Monteverdi. Later the choir became involved in the Telefunken/Teldec Bach cantatas project with the Leonhardt-Consort. From 1961 to 1993, Jürgens was University Music Director of the Choir and Orchestra at the University of Hamburg. and was appointed professor at the University of Hamburg in 1973. He died in Hamburg and was buried at the Ohlsdorf Cemetery. Awards * 1985 Biermann Ratjen Medal * 1991 Johannes Brahms Medal Discography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monteverdi-Chor
The Monteverdi-Chor Hamburg is a mixed choir in Hamburg, the chamber choir of the University of Hamburg since 1961. Founded in 1955 by Jürgen Jürgens and directed by him until 1994, it is one of Germany's most famous concert choirs. The choir is well known for its interpretations of Baroque and Renaissance music, but covers choral music from the Renaissance to contemporary music. Since 1994, the conductor has been Gothart Stier. History The choir was founded in 1955 as the "Chor am Italienischen Kulturinstitut" (Choir at the Italian Cultural Institute), but renamed the same year after Claudio Monteverdi, then a largely unknown composer. Since 1961 it has been the chamber choir of the University of Hamburg, where Jürgens worked as a director of music from 1961 to 1993. After four years of intensive preparation, the Monteverdi-Chor won first prize at the international choral competition ''Concorso Polifonico Internazionale "Guido d'Arezzo"'' in Arezzo, Italy, in 1959. In 1962, it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Bach Cantatas
This is a sortable list of Bach cantatas, the cantatas composed by Johann Sebastian Bach. His almost 200 extant cantatas are among his important Vocal music (Bach), vocal compositions. Many are known to be lost. Bach composed both Church cantata (Bach), church cantatas, most of them for specific occasions of the liturgical year of the Lutheran Church, and List of secular cantatas by Johann Sebastian Bach, secular cantatas. Bach's early cantatas, Bach's earliest cantatas were written possibly from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. He began regular composition of Weimar cantata (Bach), church cantatas in Weimar between 1708 and 1717, writing one cantata per month. In his next position in Köthen, he composed no church cantatas, but secular cantatas for the court. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lajos Kozma
Lajos Kozma (1938–2007) was a Hungarian operatic tenor, particularly associated with lyric Italian roles, baroque operas and oratorios. Born on 2 September 1938 in Lepsény, Hungary, he studied at the Franz Liszt Academy in Budapest, and made his debut at the Budapest Opera in 1961 (as ''Malcolm''), where he won considerable acclaim as Pelléas in Debussy's '' Pelléas et Mélisande''. In 1963, he went to Italy to further his studies at the Accademia di Santa Cecilia in Rome, with Giorgio Favaretto and Franco Capuana. Beginning in 1964, he sang widely in Italy, appearing in Bologna, Venice, Florence, Trieste, Palermo, at the Rome Opera, at La Scala in Milan, and the San Carlo in Naples. His career quickly became international with guest appearances at the Vienna State Opera, the Royal Opera House in London, La Monnaie in Brussels, Amsterdam, Copenhagen, and Philadelphia. He also appeared at the Salzburg Festival and Aix-en-Provence Festival, notably as Ferrando in '' Così ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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