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Jacques Firmin Beauvarlet
Jacques Firmin Beauvarlet, a celebrated engraver, was born at Abbeville in 1731. He went to Paris when young, and was instructed in the art by Charles Dupuis and Laurent Cars. His first manner was bold and free, and his plates in that style are preferred by some to the more finished and highly-wrought prints that he afterwards produced, although it must be confessed that the latter are executed with great neatness and delicacy. Beauvarlet married, in 1761, Catherine Jeanne Françoise Deschamps, a young lady who possessed some skill in engraving, but who died in 1769 at the age of thirty-one. He married again in 1770, but became for a second time a widower in 1779. Eight years later, in 1787, he married Marie Catherine Riollet, who, like his first wife, was an engraver. She was born in Paris in 1755, and is said to have died in 1788. Beauvarlet himself died in Paris in 1797. Portraits *'' Marie Adelaide, daughter of Louis XV''; after Nattier. *'' Louis Joseph Xavier, Duke of Burg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Firmin Beauvarlet - 4
Ancient and noble French family names, Jacques, Jacq, or James are believed to originate from the Middle Ages in the historic northwest Brittany region in France, and have since spread around the world over the centuries. To date, there are over one hundred identified noble families related to the surname by the Nobility & Gentry of Great Britain & Ireland. Origins The origin of this surname ultimately originates from the Latin, Jacobus which belongs to an unknown progenitor. Jacobus comes from the Hebrew name, Yaakov, which translates as "one who follows" or "to follow after". Ancient history A French knight returning from the Crusades in the Holy Lands probably adopted the surname from "Saint Jacques" (or "James the Greater"). James the Greater was one of Jesus' Twelve Apostles, and is believed to be the first martyred apostle. Being endowed with this surname was an honor at the time and it is likely that the Church allowed it because of acts during the Crusades. Indeed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adriaen Van Ostade
Adriaen van Ostade (baptized as Adriaen Jansz Hendricx 10 December 1610 – buried 2 May 1685) was a Dutch Golden Age painter of genre works, showing everyday life of ordinary men and women. Life According to Arnold Houbraken, he and his brother were pupils of Frans Hals and like him, spent most of their lives in Haarlem. He thought they were " Lubekkers" by birth, though this has since found to be false.Adriaan & Izaak van Ostade biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by , courtesy of the |
David Teniers The Younger
David Teniers the Younger or David Teniers II (bapt. 15 December 1610 – 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output.Teniers the Younger, David at the National Gallery of Art He was an innovator in a wide range of genres such as history painting, genre painting, , |
Gerrit Dou
Gerrit Dou (7 April 1613 – 9 February 1675), also known as Gerard Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his ''trompe-l'œil'' "niche" paintings and candlelit night-scenes with strong chiaroscuro. He was a student of Rembrandt. Life Dou was born in Leiden, where his father was a manufacturer of stained-glass.Baer, p.28 He studied drawing under Bartholomeus Dolendo, and then trained in the stained-glass workshop of Pieter Couwenhorn. In February 1628, at the age of fourteen, his father sent him to study painting in the studio of Rembrandt (then aged about 21) who lived nearby. From Rembrandt, with whom he remained for about three years, he acquired his skill in colouring and in the more subtle effects of chiaroscuro, and his master's style is reflected in several of his earlier pictures, notably a self-portrait at the age of 22 in the Bridgewater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Turchi
Alessandro Turchi (1578 – 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname ''L'Orbetto''. His style has been described as soft and Caravaggesque at the same time. Biography Turchi initially trained with Felice Riccio (''il Brusasorci'') in Verona. By 1603, he was working as independent painter, and in 1606–1609, Turchi painted the organ shutters for the Accademia Filarmonica of Verona. When Brusasorci died in 1605, Turchi and his fellow painter Pasquale Ottino completed a series of their deceased master's canvases. In 1610, he completed an ''Assumption'' altarpiece for the church of San Luca of Verona. In 1612, the Veronese Guild of the Goldsmiths commissioned from Turchi an altarpiece, today lost, of the ''Madonna and Saints''. On leaving the school of Riccio, he went to Venice, where he worked for a time under Carlo Cagliari. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Cardisco
Marco Cardisco, also known as Marco Calabrese, (Born in Tiriolo c.1486 – c.1542) was an Italian painter of the Renaissance period, active mainly in Naples during 1508–1542. Biography He was a pupil of the painter and decorator Polidoro da Caravaggio, and influenced by Andrea da Salerno He painted at Sant' Agostino at Aversa. Among his pupils were the painter Pietro Negroni and Giovanni Filippo Crescione. He is also known as ''Marco Calabrese'', because he was born in Calabria , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 .... References * External links 1480s births 1540s deaths People from the Province of Catanzaro 15th-century Italian painters Italian male painters 16th-century Italian painters Renaissance painters {{Italy-painter-15thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Cagnacci
Guido Cagnacci (13 January 1601 – 1663) was an Italian painter originally from Santarcangelo di Romagna. Associated most readily with the Baroque period, his mature works are characterized by their use of chiaroscuro and their sensual subjects. He was influenced by the masters of the Bolognese School (painting), Bolognese School. Biography Guido Cagnacci was born on 13 January 1601 in the small city of Santarcangelo di Romagna to Matteo Cagnacci, a tanner and furrier, and Livia Serra. His mother (Serra) came from the province of Cesena; the origins of his paternal family, however, are altogether uncertain. Some documents suggest that the Cagnacci came from Castel Durante, but it is also possible that they hailed from Rimini, where Matteo moved in 1618. Not much is known about Guido's early life or training as a painter, though he is widely characterized as an autodidact. According to Giovan Battista Costa (the artist's eighteenth-century biographer), Cagnacci "had been gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Giordano
Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain. Early life and training Born in Naples, Giordano was the son of the painter Antonio Giordano. In around 1650 he was apprenticed to Ribera on the recommendation of the viceroy of Naples and his early work was heavily influenced by his teacher. Like Ribera, he painted many half-length figures of philosophers, either imaginary portraits of specific figures, or generic types. He acquired the nickname ''Luca fa presto'', which translates into "Luca paints quickly." His speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two other epithets, "The Thunderbolt" (''Fulmine'') and "The Proteus" of painting. Following a period studying in Rome, Parma and Venice, Gior ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame Du Barry
Jeanne Bécu, Comtesse du Barry (19 August 1743 – 8 December 1793) was the last ''maîtresse-en-titre'' of King Louis XV of France. She was executed, by guillotine, during the French Revolution due to accounts of treason—particularly being suspected of assisting ''émigrés'' flee from the Revolution. In order for the king to take Jeanne as a ''maîtresse-en-titre'', she had to be married to someone of high rank so she could be allowed at court; she was hastily married on 1 September 1768, to Comte Guillaume du Barry. The marriage ceremony was accompanied by a false birth certificate, created by Jean du Barry. The certificate made Jeanne younger by three years and dissimulated her “poor” background. Henceforth, she was deemed as an official ''maîtresse-en-titre'' to the king. Her arrival at the French royal court was considered scandalous by some, as she had been a prostitute and a commoner. For these reasons, she was disliked by many, including Marie Antoinette. Mari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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