Jacques-Gabriel Prod’homme (1871–1956) 1927 © Georg Fayer (1892–1950)
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Jacques-Gabriel Prod’homme (1871–1956) 1927 © Georg Fayer (1892–1950)
Jacques-Gabriel Prod’homme (28 November 1871, Paris – 18 June 1956, Paris) was a French musicologist and has been president of the French association of musicologists Société française de musicologie in 1944. Books * ''Les Menus Plaisirs du Roi. L'École Royale et le Conservatoire de Musique'', with E. de Crauzat, collection « Paris qui disparaît », Delagrave, 1929. * ''Vingt Chefs-d'œuvre jugés par leurs contemporains. Corneille, Montesquieu, Beaumarchais, Flaubert etc. Opinions, critics, selected correspondence and annotated by Albert Thibaudet'', Stock, 1931. * '' Hector Berlioz 1803–1869. Sa vie et ses œuvres'', after new documents and the most recent work, followed by a musical and literary bibliography an iconography and a genealogy of the family of Hector Berlioz from the 16th, foreword by Alfred Bruneau, Paris, Ch. Delagrave, 1904 ; 1913. * ''Gounod 1818–1893. Sa vie et ses œuvres d'après des documents inédits'', with A. Dandelot, preface by Camil ...
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Jacques-Gabriel Prod’homme (1871–1956) 1927 © Georg Fayer (1892–1950)
Jacques-Gabriel Prod’homme (28 November 1871, Paris – 18 June 1956, Paris) was a French musicologist and has been president of the French association of musicologists Société française de musicologie in 1944. Books * ''Les Menus Plaisirs du Roi. L'École Royale et le Conservatoire de Musique'', with E. de Crauzat, collection « Paris qui disparaît », Delagrave, 1929. * ''Vingt Chefs-d'œuvre jugés par leurs contemporains. Corneille, Montesquieu, Beaumarchais, Flaubert etc. Opinions, critics, selected correspondence and annotated by Albert Thibaudet'', Stock, 1931. * '' Hector Berlioz 1803–1869. Sa vie et ses œuvres'', after new documents and the most recent work, followed by a musical and literary bibliography an iconography and a genealogy of the family of Hector Berlioz from the 16th, foreword by Alfred Bruneau, Paris, Ch. Delagrave, 1904 ; 1913. * ''Gounod 1818–1893. Sa vie et ses œuvres d'après des documents inédits'', with A. Dandelot, preface by Camil ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ...
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Data
In the pursuit of knowledge, data (; ) is a collection of discrete values that convey information, describing quantity, quality, fact, statistics, other basic units of meaning, or simply sequences of symbols that may be further interpreted. A datum is an individual value in a collection of data. Data is usually organized into structures such as tables that provide additional context and meaning, and which may themselves be used as data in larger structures. Data may be used as variables in a computational process. Data may represent abstract ideas or concrete measurements. Data is commonly used in scientific research, economics, and in virtually every other form of human organizational activity. Examples of data sets include price indices (such as consumer price index), unemployment rates, literacy rates, and census data. In this context, data represents the raw facts and figures which can be used in such a manner in order to capture the useful information out of it. ...
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Emanuel Schikaneder
Emanuel Schikaneder (born Johann Joseph Schickeneder; 1 September 1751 – 21 September 1812) was a German impresario, dramatist, actor, singer, and composer. He wrote the libretto of Wolfgang Amadeus Mozart's opera ''The Magic Flute'' and was the builder of the Theater an der Wien. Peter Branscombe called him "one of the most talented theatre men of his era". Aside from Mozart, he worked with Salieri, Haydn and Beethoven. Early years Schikaneder was born in Straubing in Bavaria to Joseph Schickeneder and Juliana Schiessl. Both of his parents worked as domestic servants and were extremely poor.Dent (1956, 16) They had a total of four children: Urban (born 1746), Johann Joseph (died at age two), Emanuel (born 1751 and also originally named Johann Joseph), and Maria (born 1753). Schikaneder's father died shortly after Maria's birth, at which time his mother returned to Regensburg, making a living selling religious articles from a wooden shed adjacent to the local cathedral. S ...
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The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ...
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Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theatre Munich, National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of ''Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily Master craftsman, master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depictio ...
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Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ...
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Charles-Blanc Prize
The Charles-Blanc Prize ( French: ) was an annual award of the Académie Française for the author(s) of works in the fields of History and Sociology. The prize was awarded from 1898 to 1994, and was named after French art critic and historian, Charles Blanc. Recipients See also * Académie Française * Former prizes awarded by the Académie française This list of Former prizes awarded by the Académie française includes the which no longer exists (as of 2016). List of former prizes awarded by the Académie française History * Prix Albéric Rocheron * Prix Antoine Girard * Prix Augustin ... References {{Reflist Académie Française awards ...
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Académie Française
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary education, secondary or tertiary education, tertiary higher education, higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and Skills, skill, north of Ancient Athens, Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the Gymnasium (ancient Greece), gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive Grove (nature), grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 3 ...
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Édouard Colonne
Édouard Juda Colonne (23 July 1838 – 28 March 1910) was a French conductor and violinist, who was a champion of the music of Berlioz and other eminent 19th-century composers. Life and career Colonne was born in Bordeaux, the son and grandson of musicians of Italian-Jewish descent. From the age of eight, he played flageolet and accordion, and then began violin studies with Baudoin.''Cinquante Ans de Musique Française de 1874 à 1925.'' Les Éditions Musicales de la Librairie de France, Paris, 1925. Starting in 1855, Colonne studied at the Conservatoire in Paris, where he won first prizes in both harmony and violin. For almost a decade (1858–67) he was first violinist at the Opéra in Paris, as well as playing second violin in the Lamoureux Quartet. In 1871 he directed concerts at the Grand-Hôtel and Massenet's music for the staging of ''Les Érinnyes'' in 1873. Also in 1873, Colonne, along with the music publisher Georges Hartmann, founded the "Concert National" at th ...
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Louis Barthou
Jean Louis Barthou (; 25 August 1862 – 9 October 1934) was a French politician of the Third Republic who served as Prime Minister of France for eight months in 1913. In social policy, his time as prime minister saw the introduction (in July 1913) of allowances to families with children. In 1917 and in 1934, Barthou also served as Minister of Foreign Affairs. Early life Louis Barthou was born on 25 August 1862 in Oloron-Sainte-Marie, Pyrénées-Atlantiques, France. Career Barthou served as a deputy from his home constituency and was an authority on trade-union history and law. He served as prime minister from 22 March 1913 to 9 December 1913. In social policy, Barthou's time as prime minister saw the passage of a law in June 1913 aimed at safeguarding women workers before and after childbirth. He also held ministerial office on 13 other occasions. He served as Foreign Minister in 1917 and 1934. He was the primary figure behind the Franco-Soviet Treaty of Mutual Assi ...
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François-Joseph Gossec
François-Joseph Gossec (17 January 1734 – 16 February 1829) was a French composer of operas, string quartets, symphonies, and choral works. Life and work The son of a small farmer, Gossec was born at the village of Vergnies, then a French exclave in the Austrian Netherlands, now an '' ancienne commune'' in the municipality of Froidchapelle, Belgium. Showing an early taste for music, he became a choir-boy in Antwerp. He went to Paris in 1751 and was taken on by the composer Jean-Philippe Rameau. He followed Rameau as the conductor of a private orchestra kept by the '' fermier général'' Le Riche de La Poupelinière, a wealthy amateur and patron of music. Gradually he became determined to do something to revive the study of instrumental music in France. Gossec's own first symphony was performed in 1754, and as conductor to the Prince de Condé's orchestra he produced several operas and other compositions of his own. He imposed his influence on French music with remarkable su ...
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