Jacobowsky Und Der Oberst (opera)
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Jacobowsky Und Der Oberst (opera)
''Jacobowsky und der Oberst'', Op. 49, (''Jacobovsky and the Colonel'') is an opera in four acts by Giselher Klebe who also wrote the libretto based on the 1944 play ' by Franz Werfel. It premiered on 2 November 1965 at the Hamburg State Opera which had Commission (art), commissioned the work. Klebe dedicated it to the then director of the Staatsoper, Rolf Liebermann. Roles Time and place: 1940, Paris, St. Cyrill, Bayonne and Saint-Jean-de-Luz The first American performance was on 27 June 1967 at the Metropolitan Opera in New York City, using the same cast, conducted by Matthias Kuntzsch. References Further reading "Die Komödie einer Tragödie" ''Hamburger Abendblatt'', 3 November 1965, retrieved 20 May 2009 "Er pfeift auf Mode, Schule und Doktrin" ''Die Zeit'', 5 November 1965, retrieved 20 May 2009 Michael Herbert Rentzsch and Erik Levi: "Klebe, Giselher" Grove Dictionary of Music and Musicians, Grove Music Online Alan Blyth: "Czerwenka, Oskar" Grove Music Online Har ...
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Giselher Klebe
Giselher Wolfgang Klebe (28 June 19255 October 2009) was a German composer, and an academic teacher. He composed more than 140 works, among them 14 operas, all based on literary works, eight symphonies, 15 solo concerts, chamber music, piano works, and sacred music. Biography Giselher Klebe was born in Mannheim, Germany. He received musical tuition early in his life from his mother, the violinist Gertrud Klebe. The family relocated in 1932 to Munich, where his mother's sister, Melanie Michaelis, continued the training. His father's profession required a further relocation in 1936 to Rostock. Following the separation of his parents, Klebe moved with his mother and sister to Berlin. During 1938, the 13-year-old sketched his first compositions. In 1940, he began studies in violin, viola, and composition, supported by a grant from the city of Berlin. After serving his Reichsarbeitsdienst (labour service), Klebe was conscripted to military service as signalman. After the German ...
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Erwin Wohlfahrt
Erwin Wohlfahrt (13 January 1932 – 28 November 1968) was a German operatic tenor, best known for the non-heroic roles for tenor in Wagner operas, such as Mime the dwarf and David the shoemaker's apprentice. Wohlfahrt studied at the Music Academy in his native Nuremberg. He sang numerous character-tenor roles in Wagner operas at Bayreuth from 1963 through 1967, including the very demanding role of Mime the evil dwarf. Several of his performances are available on CD, including Mime, David, Pedrillo, the ''Hirt'' in ''Tristan und Isolde'', and the Painter in ''Lulu''. He sings Mime on the recorded 1967 performance of the ''Ring Cycle'' from Bayreuth conducted by Karl Böhm, which has been available since the vinyl days. Like his fellow German tenor Fritz Wunderlich, Wohlfahrt died in his mid-thirties. The two vocalists can be heard together in a recorded performance of ''Die Entführung aus dem Serail'' from Salzburg 1961.
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Francis Of Assisi
Giovanni di Pietro di Bernardone, better known as Saint Francis of Assisi ( it, Francesco d'Assisi; – 3 October 1226), was a mystic Italian Catholic friar, founder of the Franciscans, and one of the most venerated figures in Christianity. He was inspired to lead a life of poverty and itinerant preaching. Pope Gregory IX canonized him on 16 July 1228. He is usually depicted in a robe with a rope as belt. In 1219, he went to Egypt in an attempt to convert the sultan al-Kamil and put an end to the conflict of the Fifth Crusade. In 1223, he arranged for the first Christmas live nativity scene. According to Christian tradition, in 1224 he received the stigmata during the apparition of a Seraphic angel in a religious ecstasy. He founded the men's Order of Friars Minor, the women's Order of St. Clare, the Third Order of St. Francis and the Custody of the Holy Land. Once his community was authorized by the Pope, he withdrew increasingly from external affairs. Francis ...
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Kurt Marschner
Kurt Marschner (27 April 1913 – 25 September 1984) was a German operatic tenor and actor. Life and career Born in Krásná Lípa, Marschner trained as a singer at the Dresden Conservatory. He made his debut in Karlsbad (Sudetenland), not far from his native village. From 1942 to 1944 Marschner sang at the opera in German-occupied Oslo. After the end of the war he played in Oldenburg and Frankfurt. In 1949 Marschner joined the Hamburg State Opera where he remained a member of the ensemble for several decades. At this venue he took part in over 4000 performances. In addition to his work on stage, Marschner also appeared in filmed performances beginning in the 1960s: At first he played and sang small parts in works such as ''Fidelio'' and ''The Magic Flute''. In later years Marschner also took over bigger supporting roles such as Balthasar Zorn in Wagner's ''Die Meistersinger von Nürnberg'' and also leading roles such as Orpheus in Offenbach's ''Orpheus in the Underworld''. I ...
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Wandering Jew
The Wandering Jew is a mythical immortal man whose legend began to spread in Europe in the 13th century. In the original legend, a Jew who taunted Jesus on the way to the Crucifixion was then cursed to walk the Earth until the Second Coming. The exact nature of the wanderer's indiscretion varies in different versions of the tale, as do aspects of his character; sometimes he is said to be a shoemaker or other tradesman, while sometimes he is the doorman at the estate of Pontius Pilate. Name An early extant manuscript containing the Legend is the ''Flores Historiarum'' by Roger of Wendover, where it appears in the part for the year 1228, under the title ''Of the Jew Joseph who is still alive awaiting the last coming of Christ''. The central figure is named ''Cartaphilus'' before being baptized later by Ananias as ''Joseph''. The root of the name ''Cartaphilus'' can be divided into ''kartos'' and ''philos'', which can be translated roughly as "dearly" and "loved", connecting the L ...
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Hans Sotin
Hans Sotin (born 10 September 1939) is a German operatic bass. He was born in Dortmund and studied at the Dortmund Hochschule für Musik. He made his operatic debut in 1962 in Essen as the Police Commissioner in Strauss's ''Der Rosenkavalier''. He joined the Hamburg State Opera in 1964 where he was made a Kammersänger. He had a long career in which he sang most of the major bass roles in many opera houses, both in Europe and America. He made numerous appearances at the Bayreuth Festival over several decades. His signature roles were Sarastro and the major Wagnerian noble-bass roles, including King Marke, Gurnemanz, the Landgrave, and Veit Pogner. He occasionally played Baron Ochs, and Hunding. He played Wotan a few times. Sotin made numerous recordings of operatic, sacred, and symphonic works, including the Verdi '' Requiem'', the Rossini ''Stabat Mater'', Beethoven's ''Choral Symphony'', ''Missa Solemnis'' and ''Mass in C'', Mahler's ''Symphony of a Thousand'', Moza ...
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Peter Roth-Ehrang
Peter Roth-Ehrang (8 June 1925 – 28 December 1966) was a German operatic bass and actor. Life Born in Ehrang, Roth-Ehrang came from a family of craftsmen; his father was a master printer. Before embarking on a full-time career as an artist, he was a trained surveyor. After his release from French captivity (May 1948), Roth-Ehrang trained his bass voice in Trier and Wiesbaden. He composed his stage name Peter Roth-Ehrang from his civil name Peter Roth and his hometown Ehrang. Stations in his career were Theater Trier, Anhaltisches Theater, Municipal Opera in West Berlin, Leipzig Opera, Hamburg State Opera, German Festival in Central Germany, Bayreuth Festival, Handel Festival in Hanover Herrenhausen and many guest performances in German and European cities. Roth-Ehrang was also a TV actor. In the television film ' (1966) he played the broomsquire alongside Theo Lingen, Brigitte Mira and Henry Vahl. Before he could start his guest performance contract at the Metropolitan ...
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Saint-Jean-de-Luz
Saint-Jean-de-Luz (; eu, Donibane Lohitzune,Donibane Lohitzune
Auñamendi Encyclopedia, Auñamendi Eusko Entziklopedia
es, San Juan de Luz, oc, Sent Joan de Lus, ) is a communes of France, commune in the Pyrénées-Atlantiques Departments of France, department, southwestern France. Saint-Jean-de-Luz is part of the Basque Country (greater region), Basque province of Labourd (Lapurdi).


Geography

Saint-Jean-de-Luz is a fishing port on the Basque coast and now a famous resort, known for its architecture, sandy bay, the quality of the light and the cuisine. The town is located south of Biarritz, on the right bank of the river Nivelle (river), Nivelle (French language, French for Urdazuri) opposite to Ciboure. The port lies on the estuary just before the river joins the ocean. ...
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Maria Von Ilosvay
Mária von Ilosvay (8 May 1913 – 16 June 1987) was a Hungarian contralto renowned for her performances of the role of Erda in Richard Wagner's Der Ring des Nibelungen. She studied in Budapest and Vienna, where her teachers included Laura Hilgermann, Felicie Kashovska and Mária Budanovicz.Potter T. Ladies of low repute - Part 7. ''Classical Recordings Quarterly'', Autumn 2014, No 78, p42. In 1937 won first prize in the International Singing Contest in Vienna. During 1937 and 1938 she toured America with an opera company. In 1940, she joined the Hamburg company, while appearing as a guest artist in Vienna, Brussels, Amsterdam, and Salzburg. She became a mainstay at the Bayreuth Festival following its re-opening in 1951 when she made her debut there, until 1958. She recorded the role of Erda in live recordings from Bayreuth conducted by Clemens Krauss (1953) and Joseph Keilberth (1955, Decca stereo). Among her other recordings of opera excerpts on two 10 inch LPs are arias fr ...
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Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ...
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Arras
Arras ( , ; pcd, Aro; historical nl, Atrecht ) is the prefecture of the Pas-de-Calais Departments of France, department, which forms part of the regions of France, region of Hauts-de-France; before the regions of France#Reform and mergers of regions, reorganization of 2014 it was in Nord-Pas-de-Calais. The historic centre of the Artois region, with a Baroque town square, Arras is in Northern France at the confluence of the rivers Scarpe (river), Scarpe and Crinchon. The Arras plain is on a large chalk plateau bordered on the north by the Marqueffles fault, on the southwest by the Artois and Ternois hills, and on the south by the slopes of Beaufort-Blavincourt. On the east it is connected to the Scarpe valley. Established during the Iron Age by the Gauls, the town of Arras was first known as ''Nemetocenna'', which is believed to have originated from the Celtic word ''nemeton'', meaning 'sacred space.' Saint Vedast (or St. Vaast) was the first Catholic bishop in the year 499 a ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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