|
Jacob Adriaensz Backer
Jacob Adriaensz Backer (1608 – 27 August 1651) was a Dutch Golden Age painter. He produced about 140 paintings in twenty years, including portraits, religious subjects, and mythological paintings. In his style, he was influenced by Wybrand de Geest, Rubens and Abraham Bloemaert. He is also noted for his drawings of male and female nudes. Biography Backer was born in Harlingen, Netherlands, but his father moved in 1611 to Amsterdam, after his wife died. The family lived on Nieuwendijk near the harbour. Between 1627 and 1633 he and Govert Flinck, both Mennonites, were pupils of Lambert Jacobsz in Leeuwarden, a mennonite teacher, father of Abraham Lambertsz van den Tempel, painter of religious work, and after moving to Amsterdam, a neighbor. In 1633 Backer returned to Amsterdam, and probably worked for Hendrick Uylenburgh. Backer never married, never bought a house, and might have lived with his brother or nephew Adriaen Backer, who also became a portrait painter. He died ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Adriaensz
Jacob (; ; ar, يَعْقُوب, Yaʿqūb; gr, Ἰακώβ, Iakṓb), later given the name Israel, is regarded as a patriarch of the Israelites and is an important figure in Abrahamic religions, such as Judaism, Christianity, and Islam. Jacob first appears in the Book of Genesis, where he is described as the son of Isaac and Rebecca, and the grandson of Abraham, Sarah, and Bethuel. According to the biblical account, he was the second-born of Isaac's children, the elder being Jacob's fraternal twin brother, Esau. Jacob is said to have bought Esau's birthright and, with his mother's help, deceived his aging father to bless him instead of Esau. Later in the narrative, following a severe drought in his homeland of Canaan, Jacob and his descendants, with the help of his son Joseph (who had become a confidant of the pharaoh), moved to Egypt where Jacob died at the age of 147. He is supposed to have been buried in the Cave of Machpelah. Jacob had twelve sons through four women, his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Von Sandrart
Joachim von Sandrart (12 May 1606 – 14 October 1688) was a German Baroque art-historian and painter, active in Amsterdam during the Dutch Golden Age. He is most significant for his collection of biographies of Dutch and German artists the ''Teutsche Academie'', published between 1675 and 1680. Biography Sandrart was born in Frankfurt am Main, but the family originated from Mons. According to his dictionary of art called the ''Teutsche Academie'', he learned to read and write from the son of Theodor de Bry, Johann Theodoor de Brie and his associate Matthäus Merian, but at age 15 was so eager to learn more of the art of engraving, that he walked from Frankfurt to Prague to become a pupil of Aegidius Sadeler of the Sadeler family. Sadeler in turn urged him to paint, whereupon he travelled to Utrecht in 1625 to become a pupil of Gerrit van Honthorst, and through him he met Rubens when he brought a visit to Honthorst in 1627, to recruit him for collaboration on part of his Marie d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rijksmuseum
The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw. The Rijksmuseum was founded in The Hague on 19 November 1798 and moved to Amsterdam in 1808, where it was first located in the Royal Palace and later in the Trippenhuis. The current main building was designed by Pierre Cuypers and first opened in 1885.The renovation Rijksmuseum. Retrieved on 4 April 2013. On 13 April 2013, after a ten-year renovation which cost 375 million, the main building was reopened by |
Night Watch (painting)
''Militia Company of District II under the Command of Captain Frans Banninck Cocq'', also known as ''The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch'', but commonly referred to as ''The Night Watch'' ( nl, De Nachtwacht), is a 1642 painting by Rembrandt van Rijn. It is in the collection of the Amsterdam Museum but is prominently displayed in the Rijksmuseum as the best-known painting in its collection. ''The Night Watch'' is one of the most famous Dutch Golden Age paintings. The painting is famous for three things: its colossal size (), the dramatic use of light and shadow (tenebrism) and the perception of motion in what would have traditionally been a static military group portrait. The painting was completed in 1642, at the peak of the Dutch Golden Age. It depicts the eponymous company moving out, led by Captain Frans Banninck Cocq (dressed in black, with a red sash) and his lieutenant, Willem van Ruytenburch (dressed in yellow, with a white sash). With ef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornelis De Graeff
Cornelis de Graeff, also Cornelis de Graeff van (Zuid-)Polsbroek (15 October 1599 – 4 May 1664) was the most illustrious member of the De Graeff family. He was a mayor of Amsterdam from the Dutch Golden Age and a powerful Amsterdam regent after the sudden death of stadholder William II of Orange, during the First Stadtholderless Period. Like his father Jacob Dircksz de Graeff, he opposed the house of Orange, and was the moderate successor to the republican Andries Bicker. In the mid 17th century he controlled the city's finances and politics and, in close cooperation with his brother Andries de Graeff and their nephew Johan de Witt, the Netherlands political system. Cornelis de Graeff followed in his father's footsteps and, between 1643 and 1664, was appointed mayor some ten times. De Graeff was a member of a family of regents who belonged to the republican political movement also referred to as the ‘ state oriented’, as opposed to the Royalists. Cornelis de Graeff was al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schutterij
Schutterij () refers to a voluntary city guard or citizen militia in the medieval and early modern Netherlands, intended to protect the town or city from attack and act in case of revolt or fire. Their training grounds were often on open spaces within the city, near the city walls, but, when the weather did not allow, inside a church. They are mostly grouped according to their district and to the weapon that they used: bow, crossbow or gun. Together, its members are called a ''Schuttersgilde'', which could be roughly translated as a "shooter's guild". It is now a title applied to ceremonial shooting clubs and to the country's Olympic rifle team. Function The ''schutterij'', civic guard, or town watch, was a defensive military support system for the local civic authority. Its officers were wealthy citizens of the town, appointed by the city magistrates. In the Northern Netherlands, after the formal changeover in civic authority after Beeldenstorm, which depending on the town, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sibiu
Sibiu ( , , german: link=no, Hermannstadt , la, Cibinium, Transylvanian Saxon: ''Härmeschtat'', hu, Nagyszeben ) is a city in Romania, in the historical region of Transylvania. Located some north-west of Bucharest, the city straddles the Cibin River, a tributary of the river Olt. Now the capital of the Sibiu County, between 1692 and 1791 and 1849–65 Sibiu was also the capital of the Principality of Transylvania. Nicknamed ''The City with Eyes'', the city is a well-known tourist destination for both domestic and foreign visitors. Known for its culture, history, gastronomy and diverse architecture, which includes the iconic houses with eyes that gave Sibiu its nickname, the city has garnered significant attention since the beginning of the 21st century. In 2004, its historical center began the process of becoming a UNESCO World Heritage Site. Sibiu was designated the European Capital of Culture in 2007. One year later, it was ranked "Europe's 8th-most idyllic place to li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brukenthal National Museum
The Brukenthal National Museum ( ro, Muzeul Național Brukenthal; german: Brukenthalmuseum) is a museum in Sibiu, Transylvania, Romania, established in the late 18th century by Samuel von Brukenthal (1721-1803) in his city palace. Baron Brukenthal, governor of the Grand Principality of Transylvania has established his first collections around 1790. The collections were officially opened to the public in 1817, making the museum the oldest institution of its kind on the territory of modern-day Romania. Today, in its extended form, it is a complex comprising six museums, which, without being separate administrative entities, are situated in different locations around the city and have their own distinct cultural programmes. The Art Galleries The Art Galleries are located inside the Brukenthal Palace and include a number of about 1,200 works belonging to the main European schools of painting, from the 15th to the 18th century: Flemish-Dutch, German and Austrian, Italian, Spanish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trekschuit
Trekschuit (, literally ''"tug-boat"'', but true meaning ''"tugged-boat"'') is an old style of sail- and horse-drawn boat specific to the Netherlands, where it was used for centuries as a means of passenger traffic between cities along ''trekvaarten'', or tow-canals. History The first trekschuit 'sailed' in 1632 between Amsterdam and Haarlem and could carry 30 passengers. The ''trekvaart'' or canal was dug in a straight line to facilitate an easy pulling process and to guarantee the shortest route. The passengers needed to step out and change boats in Halfweg, which means "halfway". This is how the town of Halfweg was formed. Because of the enormous success of this Haarlemmertrekvaart, the service was extended from Haarlem to Leiden in 1657. In 1668 the first evening service was announced in the Haarlems Dagblad, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wet-on-wet
Wet-on-wet, or ''alla prima'' (Italian, meaning ''at first attempt''), direct painting or au premier coup, is a painting technique in which layers of wet paint are applied to previously administered layers of wet paint. Used mostly in oil painting, the technique requires a fast way of working, because the work has to be finished before the first layers have dried. Technique Traditionally, a new layer of oil-based paint is applied to most parts of a painting only after allowing a previous layer to dry completely; this drying process can take from several days to several weeks, depending on the thickness of the paint. In contrast, work performed using ''alla prima'' can be carried out in one or more sessions (depending on the types of paint used and their respective drying times), and it is common for such a work to be finished in only one session or "sitting". In the medium of watercolors, wet-on-wet painting requires a certain finesse in embracing unpredictability. Highly trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Library For Dutch Literature
The Digital Library for Dutch Literature (Dutch: Digitale Bibliotheek voor de Nederlandse Letteren or DBNL) is a website (showing the abbreviation as dbnl) about Dutch language and Dutch literature. It contains thousands of literary texts, secondary literature and additional information, like biographies, portrayals etcetera, and hyperlinks. The DBNL is an initiative by the DBNL foundation that was founded in 1999 by the Society of Dutch Literature (Dutch: Maatschappij der Nederlandse Letterkunde). Building of the DNBL was made possible by donations, among others, from the Dutch Organization for Scientific Research (Dutch: Nederlandse Organisatie voor Wetenschappelijk Onderzoek or NWO) and the Nederlandse Taalunie. From 2008 to 2012, the editor was René van Stipriaan. The work is done by eight people in Leiden (as of 2013: The Hague), 20 students, and 50 people in the Philippines who scan and type the texts. As of 2020, the library is being maintained by a collaboration of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
