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Jack Oleck
Jack Oleck (March 1, 1914 – March 10, 1981)Social Security Death Index, SS# 115-01-6988. was an American novelist and comic book writer particularly known for his work in the horror genre. The brother-in-law of comics pioneer Joe Simon, Oleck's comic book career was basically in two parts. During the Golden Age of comics Oleck wrote for EC Comics and the Simon-Jack Kirby Studio. After the mid-1950s temporary collapse of the industry following the publication of Fredric Wertham's ''Seduction of the Innocent'' and the establishment of the Comics Code Authority, Oleck left comics, instead writing novels and publishing an interior design magazine. From the late 1960s until his death in 1981, Oleck worked for DC Comics as a writer for their extensive line of horror/suspense titles. Biography Early career Oleck's first comics credit was as a writer for Lev Gleason Publications' '' Silver Streak'', in 1940. He served in the U.S. Army during World War II, leaving the service as a ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massapequa Park, New York
Massapequa Park is a village and hamlet located within the town of Oyster Bay in Nassau County, on the South Shore of Long Island, in New York, United States. The population was 17,008 at the 2010 census. Areas south and east of the village borders are considered the hamlet of Massapequa because they are under the jurisdiction of the Town of Oyster Bay rather than the village. The hamlet shares the same zip code, fire department and school district as the village. History The village located on the South Shore of Long Island shares the early Native American history of Massapequa. Then, in the 19th century, families of German descent relocated from Brooklyn to what is now Massapequa Park, and the resulting community was known as Wurtenberg or Stadtwurtemburg. The main attraction and center of activity was the Woodcastle Hotel, a rooming house built in 1868 on Front Street next to the fire department as a summer resort. It was destroyed by fire in 1952 and replaced by houses. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergeant
Sergeant (abbreviated to Sgt. and capitalized when used as a named person's title) is a rank in many uniformed organizations, principally military and policing forces. The alternative spelling, ''serjeant'', is used in The Rifles and other units that draw their heritage from the British light infantry. Its origin is the Latin , 'one who serves', through the French term . The term ''sergeant'' refers to a non-commissioned officer placed above the rank of a corporal, and a police officer immediately below a lieutenant in the US, and below an inspector in the UK. In most armies, the rank of sergeant corresponds to command of a squad (or section). In Commonwealth armies, it is a more senior rank, corresponding roughly to a platoon second-in-command. In the United States Army, sergeant is a more junior rank corresponding to a squad- (12 person) or platoon- (36 person) leader. More senior non-commissioned ranks are often variations on sergeant, for example staff sergeant, gunn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crime Illustrated
''Crime Illustrated'' was a black-and-white magazine published by EC Comics in late 1955 and early 1956. Part of EC's Picto-Fiction line, each magazine featured three to five stories. The format alternated panels of typography with panels of illustrations. Thus, it was arranged in tiers like a comic book but eliminated hand-lettering, balloons and panel borders. The first issue appeared with a cover date of November–December 1955. ''Crime Illustrated'' ran for a total of two issues. The Picto-Fiction magazines lost money from the start, and when EC's distributor went bankrupt, they had no choice but to cancel them. Writers The editor of ''Crime Illustrated'' was Al Feldstein. As with EC's comics, Feldstein was the most prolific writer of this title, and generally wrote up to three stories per issue. In addition to stories credited to him, Feldstein also wrote using the pseudonyms Maxwell Williams and Alfred E. Neuman. In a move suggested by publisher William Gaines, Feldstein in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weird Science-Fantasy
''Weird Science-Fantasy'' was an American science fiction-fantasy anthology comic, that was part of the EC Comics line in the early 1950s. Over a 14-month span, the comic ran for seven issues, starting in March 1954 with issue #23 and ending with issue #29 in May/June 1955. Origin The comic, published by Bill Gaines and edited by Al Feldstein, was a merger of two previous bi-monthly titles, '' Weird Science'' and ''Weird Fantasy'', which ran from 1950 to 1953, both ending at issue #22. Because of the losses suffered from those two comics, Gaines and Feldstein combined the two into a single comic, published quarterly and priced at 15 cents. The price would be lowered back down to 10 cents after the first two issues. The comic reverted to a bi-monthly schedule with issue #27 in January/February 1955. In the summer of 1955, there was yet another title change as ''Weird Science-Fantasy'' became ''Incredible Science Fiction'' for the final four issues. Artists and writers Cover ill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Vault Of Horror (comics)
''The Vault of Horror'' was an American bi-monthly horror comic anthology series published by EC Comics in the early 1950s. Along with ''Tales from the Crypt'' and ''The Haunt of Fear'', it formed a trifecta of popular EC horror anthologies. ''The Vault of Horror'' hit newsstands with its April/May 1950 issue and ceased publication with its December/January 1955 issue, producing a total of 40 issues. Origin In 1950, William Gaines and his editor Al Feldstein discovered they shared similar tastes in horror and began experimenting with such stories in EC's crime comic ''War Against Crime'' and its companion title, ''Crime Patrol''. With issue #12 the ''War Against Crime'' title was replaced with ''The Vault of Horror''. Due to an attempt to save money on second-class postage permits, characteristic of comics publishing of the era, the numbering did not change with the title; the first issue of ''The Vault of Horror'' was thus labelled "No. 12". There is, however, evidence of an in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crime SuspenStories
''Crime SuspenStories'' was a bi-monthly anthology crime comic published by EC Comics in the early 1950s. The title first arrived on newsstands with its October/November 1950 issue and ceased publication with its February/March 1955 issue, producing a total of 27 issues. Years after its demise, the title was reprinted in its entirety, and four stories were adapted for television in the HBO's ''Tales From The Crypt''. Writers and artists Each issue contained four stories centering on a wide variety of criminal activities, and it differed from other crime comic books of the period because the content was strongly influenced both by ''film noir'' and the writers of short fiction for magazines. Issues three through 16 featured a guest appearance from ''The Haunt of Fears Old Witch. Artists included Al Feldstein, Johnny Craig, George Evans, Jack Kamen, Wally Wood, Graham Ingels, Harvey Kurtzman, Jack Davis, George Roussos, Sid Check, Al Williamson, Fred Peters, Joe Orlando, Will El ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Feldstein
Albert Bernard Feldstein ( ; October 24, 1925 – April 29, 2014) was an American writer, editor, and artist, best known for his work at EC Comics and, from 1956 to 1985, as the editor of the satire, satirical magazine ''Mad (magazine), Mad''. After retiring from ''Mad'', Feldstein concentrated on Visual arts of the United States, American paintings of Western wildlife. Early life and education Al Feldstein was born October 24, 1925, in Brooklyn, New York (state), New York, to a Jewish household. He was the son of Max, who made dental molds, and Beatrice Feldstein. After winning an award in the 1939 New York World's Fair poster contest, he decided on a career in the art field and studied at the Fiorello H. LaGuardia High School of Music & Art and Performing Arts, High School of Music and Art in Manhattan. During World War II, he served stateside in the United States Army Air Forces, Army Air Forces. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Comics
Horror comics are comic books, graphic novels, black-and-white comics magazines, and manga focusing on horror fiction. In the US market, horror comic books reached a peak in the late 1940s through the mid-1950s, when concern over content and the imposition of the self-censorship Comics Code Authority contributed to the demise of many titles and the toning down of others. Black-and-white horror-comics magazines, which did not fall under the Code, flourished from the mid-1960s through the early 1980s from a variety of publishers. Mainstream American color comic books experienced a horror resurgence in the 1970s, following a loosening of the Code. While the genre has had greater and lesser periods of popularity, it occupies a firm niche in comics as of the 2010s. Precursors to horror comics include detective and crime comics that incorporated horror motifs into their graphics, and early superhero stories that sometimes included the likes of ghouls and vampires. Individual horror stor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crime Comics
Crime comics is a genre of American comic book, American comic books and format of crime fiction. The genre was originally popular in the late 1940s and early 1950s and is marked by a moralistic editorial tone and graphic depictions of violence and criminal activity. Crime comics began in 1942 with the publication of ''Crime Does Not Pay (comic), Crime Does Not Pay'' published by Lev Gleason Publications and edited by Charles Biro. As sales for superhero comic books declined in the years after World War II, other publishers began to emulate the popular format, content and subject matter of ''Crime Does Not Pay'', leading to a deluge of crime-themed comics. Crime and horror comics, especially those published by EC Comics, came under official scrutiny in the late 1940s and early 1950s, leading to legislation in Canada and Great Britain, the creation in the United States of America, United States of the Comics Magazine Association of America and the imposition of the Comics Code Autho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Comics
War comics is a genre of comic books that gained popularity in English-speaking countries following World War II. History American war comics Shortly after the birth of the modern comic book in the mid- to late 1930s, comics publishers began including stories of wartime adventures in the multi-genre omnibus titles then popular as a format. Even prior to the U.S. involvement in World War II after the attack at Pearl Harbor, Hawaii, comic books such as '' Captain America Comics'' #1 (March 1941) depicted superheroes fighting Adolf Hitler and the Nazis. Golden Age publisher Quality Comics debuted its title ''Blackhawk'' in 1944; the title was published more or less continuously until the mid-1980s. In the post-World War II era, comic books devoted solely to war stories began appearing and gained popularity in the United States and Canada through the 1950s, the 1960s, and 1970s, i.e. covering the time periods of the Korean War and the Vietnam War. The titles tended to concentrate o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romance Comics
Romance comics is a comics genre depicting strong and close romantic love and its attendant complications such as jealousy, marriage, divorce, betrayal, and heartache. The term is generally associated with an American comic books genre published through the first three decades of the Cold War (1947–1977). Romance comics of the period typically featured dramatic scripts about the love lives of older high school teens and young adults, with accompanying artwork depicting an urban or rural America contemporaneous with publication. The origins of romance comics lie in the years immediately following World War II when adult comics readership increased and superheroes were dismissed as ''passé''. Influenced by the pulp magazine, pulps, radio soap operas, newspaper comic strips such as ''Mary Worth'', and adult confession magazines, Joe Simon and Jack Kirby created the flagship romance comic book ''Young Romance'' and launched it in 1947 to resounding success. By the early 1950 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainline Publications
Mainline Publications, also called Mainline Comics, was a short-lived, 1950s American comic book publisher established and owned by Jack Kirby and Joe Simon. Foundation With the 1950s backlash against comics, led by the psychiatrist Fredric Wertham, and propagated during the televised debates about comics leading to juvenile delinquency, as part of the Kefauver hearings, several publishing houses folded. This caused a problem for the printers. As Joe Simon detailed, "Comic book publishers were dropping out of the business in wholesale numbers. The printers grew frantic. It was a necessity of their business that the presses keep running. When the presses were silent, printing companies still had to pay overhead, so they were more than willing to back a new comics organization if it showed promise." Reissued (Vanguard Productions, 2003) . Page numbers refer to 1990 edition. To serve as business manager for their Mainline Publications, Inc., they brought in Crestwood Publications off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
