|
J. G. Bubb
James George Bubb (1781-1853) was a prolific sculptor in marble and artificial stone of the early Victorian era who is now largely forgotten. His sculptures adorn buildings across the United Kingdom whilst his relief adorning the Italian Opera House in London was the largest undertaken in Great Britain at that time. Early career Born in London the son of Fanny and James Bubb, a tobacconist with a shop on The Strand, he was probably the James George Bubb who was christened at St Martin-in-the-Fields on 23 September 1781. In 1797, aged 15, Bubb was apprenticed to the sculptor John Fontum for seven years. Bubb had a prize-winning beginning at the Royal Academy Schools from 1801 and won a silver medal in 1805. Before 1806 he worked in the studio of John Charles Felix Rossi RA and John Bingley; Bingley said that Bubb "did studiously attend to the duties of his profession and was employed in the several works carried on in that period, particularly in marble, viz. Captain Faulkener's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monument To William Pitt The Younger, Guildhall, City Of London
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Some of the first monuments were dolmens or menhirs, megalithic constructions built for religious or funerary purposes. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. Etymology It is believed that the origin of the word "monument" comes from the Greek ''mnemosynon'' and the Latin ''moneo'', ''monere'', which means 'to remind', 'to advise' or 'to warn', however, it is also believed that the word monument originates from an Albanian word 'mani men' which in Albanian language means 'remember ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horatio Nelson, 1st Viscount Nelson
Vice-Admiral Horatio Nelson, 1st Viscount Nelson, 1st Duke of Bronte (29 September 1758 – 21 October 1805) was a British flag officer in the Royal Navy. His inspirational leadership, grasp of strategy, and unconventional tactics brought about a number of decisive British naval victories during the French Revolutionary and Napoleonic Wars. He is widely regarded as one of the greatest naval commanders in history. Nelson was born into a moderately prosperous Norfolk family and joined the navy through the influence of his uncle, Maurice Suckling, a high-ranking naval officer. Nelson rose rapidly through the ranks and served with leading naval commanders of the period before obtaining his own command at the age of 20, in 1778. He developed a reputation for personal valour and firm grasp of tactics, but suffered periods of illness and unemployment after the end of the American War of Independence. The outbreak of the French Revolutionary Wars allowed Nelson to return to service, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleanor Coade
Eleanor Coade (3 June 1733 – 18 November 1821) was a British businesswoman known for manufacturing Neoclassical architecture, Neoclassical statues, architectural decorations and garden ornaments made of ''Lithodipyra'' or Coade stone for over 50 years from 1769 until her death. She should not be confused or conflated with her mother, also named Eleanor.Since the mid-20th century, there has been some confusion between Eleanor and her mother (Eleanor, Elinore), as to which one ran the factory. This is primarily due to Miss Eleanor Coade's customary use of the title "Mrs"; this was a commonplace 'courtesy title' for any unmarried woman in business. But, analysis of the bills shows that Eleanor Coade (daughter) was fully in charge from 1771. ( Alison Kelly, ''Oxford National Dictionary of Biography'' (ONDB)) Alison Kelly states on page 23 of ''Mrs Coade's Stone'' – "Since mother and daughter had the same name, confusion has reigned over the contribution of each of them to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bristol
Bristol () is a city, ceremonial county and unitary authority in England. Situated on the River Avon, it is bordered by the ceremonial counties of Gloucestershire to the north and Somerset to the south. Bristol is the most populous city in South West England. The wider Bristol Built-up Area is the eleventh most populous urban area in the United Kingdom. Iron Age hillforts and Roman villas were built near the confluence of the rivers Frome and Avon. Around the beginning of the 11th century, the settlement was known as (Old English: 'the place at the bridge'). Bristol received a royal charter in 1155 and was historically divided between Gloucestershire and Somerset until 1373 when it became a county corporate. From the 13th to the 18th century, Bristol was among the top three English cities, after London, in tax receipts. A major port, Bristol was a starting place for early voyages of exploration to the New World. On a ship out of Bristol in 1497, John Cabot, a Venetia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commercial Rooms, Bristol
The Commercial Rooms () are in Corn Street, Bristol, England. Built in 1810 by Charles Busby, the building has sculpture by J. G. Bubb. Originally it housed a club for mercantile interests and during the mid-19th century it was a haunt of local prostitutes. The retained wind vane above the bar would let merchants know whether it was safe for their ships to negotiate the treacherous Avon Gorge, and the wall boards still contain the names of all the club's presidents, treasurers and secretaries. It is now a pub owned by Wetherspoons. History The first formal site for businessmen to meet in Bristol was the Tolzey in 1614 which was built onto the south wall of All Saints' Church.Clarke, ''The Commercial Rooms 1811-1951'', JW Arrowsmiths, 1951 The Exchange was built in 1743, originally for use by all commercial businesses in Bristol but once the Commercial Rooms opened in 1808 the Exchange became the headquarters of the corn trade. The first president of the Commercial Rooms was Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bas-relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Bacon (1777–1859)
John Bacon (1777–1859), also known as John Bacon the Younger, or Junior, to distinguish him from his equally famous John Bacon (sculptor, born 1740), father, was an English sculptor. Biography Bacon was the second son of the sculptor John Bacon (sculptor, born 1740), John Bacon and his wife Elizabeth Wade. He was born at his parents' home in Newman Street in the City of Westminster on 13 March 1777. He entered the Royal Academy Schools at the age of twelve, one of the youngest pupils ever admitted. At fifteen, Bacon exhibited his first work; at sixteen, he was awarded the silver medal of the Royal Academy; and in 1797 he won the gold medal for his statue of Cassandra. His brother Thomas Bacon also exhibited at the Royal Academy between 1793 and 1795. Their father died in 1799, and the younger John Bacon succeeded to his business. He finished such works as he found in progress, including the well-known statue of Lord Cornwallis, and managed to secure ample patronage for himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Turnerelli
Peter Turnerelli (c.1772–1839) was an Irish-born sculptor of Italian descent working in Britain in the early 19th century. Life and career He was born in Belfast, the son of Iacomo (James) Turnerelli, a sculptor, whose own father had left Italy as a refugee, despite being landed gentry in the Lake Como region. His grandfather's surname had been Tognarelli, but this was quickly adapted to the Irish vernacular. The family moved to Dublin in 1787, often thereafter identifying him as "from Dublin". Peter initially studied for the priesthood, at Saul's Court under Father Thomas Betagh, but following the death of his mother in 1792 the family moved again, to London the following year. Peter abandoned his studies in 1794 and joined them there. He then began studies in October of that year at the Royal Academy to specifically train as a sculptor. In 1796/7 he took a study trip to Rome, a normal practice at this time, and is thought to have specifically studied Antonio Canova as his w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Leggatt Chantrey
Sir Francis Leggatt Chantrey (7 April 1781 – 25 November 1841) was an English sculptor. He became the leading portrait sculptor in Regency era Britain, producing busts and statues of many notable figures of the time. Chantrey's most notable works include the statues of King George IV (Trafalgar Square); King George III (Guildhall), and George Washington (Massachusetts State House). He also executed four monuments to military heroes for St Paul's Cathedral, London. He left the ''Chantrey Bequest'' (or ''Chantrey Fund'') for the purchase of works of art for the nation, which was available from 1878 after the death of his widow. Life Chantrey was born at Jordanthorpe near Norton (then a Derbyshire village, now a suburb of Sheffield), where his family had a small farm. His father, who also dabbled in carpentry and wood-carving, died when Francis was twelve; and his mother remarried, leaving him without a clear career to follow. At fifteen, he was working for a grocer in Sheffiel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Theed The Elder
William Theed (1764–1817), called William Theed the elder, was an English sculptor and painter, the father of William Theed the younger, who was also a sculptor. Life He was born on 3 August 1764 the son of William Theed, a wig-maker in Wych Street in London and his wife Sarah Palmer.Dictionary of British Sculptors 1660-1851 by Rupert Gunnis p.385 He was trained at the Royal Academy Schools in 1786 and began a career in oil painting: both portraits and classical subjects. After a tour with other artists of Italy beginning in 1791 (where he spent 4 or 5 years in Rome and reportedly got married) he returned to England around 1796. He worked as a modeller for Wedgwood from 1799 to 1804, and then for the gold and silversmiths Rundell and Bridge back in London from 1804 to 1817. He was elected an associate of the Royal Academy in 1811 and as Royal Academician in 1813. He trained his son in the early stages of the latter's career.. Known Works *Memorial ceramic to Thomas Byerl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy Of Arts
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Royal Society of Arts, Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_01.JPG "Click for more on -> Bas-relief")
