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J. A. Fuller Maitland
John Alexander Fuller Maitland (7 April 1856 – 30 March 1936) was an influential British music critic and scholar from the 1880s to the 1920s. He encouraged the rediscovery of English music of the 16th and 17th centuries, particularly Henry Purcell's music and English virginal music. He also propounded the notion of an English Musical Renaissance in the second half of the 19th century, particularly praising Charles Villiers Stanford and Hubert Parry. Fuller Maitland was criticised for his failure to acknowledge the talents of the English composers Arthur Sullivan, Edward Elgar and Frederick Delius, and later it was shown that he had falsified the facts in a critique of Sullivan. He was also slow to recognise the worth of contemporary composers from mainland Europe such as Claude Debussy and Richard Strauss. Biography Fuller Maitland was born at 90 Gloucester Place, Portman Square, London, the son of John Fuller Maitland and his wife Marianne (''née'' Noble). He attended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Alexander Fuller Maitland
John Alexander Fuller Maitland (7 April 1856 – 30 March 1936) was an influential British music critic and scholar from the 1880s to the 1920s. He encouraged the rediscovery of English music of the 16th and 17th centuries, particularly Henry Purcell's music and English virginal music. He also propounded the notion of an English Musical Renaissance in the second half of the 19th century, particularly praising Charles Villiers Stanford and Hubert Parry. Fuller Maitland was criticised for his failure to acknowledge the talents of the English composers Arthur Sullivan, Edward Elgar and Frederick Delius, and later it was shown that he had falsified the facts in a critique of Sullivan. He was also slow to recognise the worth of contemporary composers from mainland Europe such as Claude Debussy and Richard Strauss. Biography Fuller Maitland was born at 90 Gloucester Place, Portman Square, London, the son of John Fuller Maitland and his wife Marianne (''née'' Noble). He attended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to "su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Hymen Cowen
Sir Frederic Hymen Cowen (29 January 1852 – 6 October 1935), was an English composer, conductor and pianist. Early years and musical education Cowen was born Hymen Frederick Cohen at 90 Duke Street, Kingston, Jamaica, the fifth and last child of Frederick Augustus Cohen and Emily Cohen ''née'' Davis. His siblings were Elizabeth Rose Cohen (b. 1843); actress, Henrietta Sophia Cohen (b. 1845); painter, Lionel Jonas Cohen (b. 1847) and Emma Magnay Cohen (b. 1849). At the age of four years Frederic was brought to England, where his father became treasurer to the opera at Her Majesty's Opera, now Her Majesty's Theatre, and private secretary to William Humble Ward, 11th Lord Ward (1817–1885). The family initially lived at 11 Warwick Crescent, London, in the area known as Little Venice. His first teacher was Henry Russell, and his first published composition, ''Minna-waltz'', appeared when he was only six years old. He produced his first published operetta, ''Garibaldi'', a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxbridge
Oxbridge is a portmanteau of Oxford and Cambridge, the two oldest, wealthiest, and most famous universities in the United Kingdom. The term is used to refer to them collectively, in contrast to other British universities, and more broadly to describe characteristics reminiscent of them, often with implications of superior social or intellectual status or elitism. Origins Although both universities were founded more than eight centuries ago, the term ''Oxbridge'' is relatively recent. In William Makepeace Thackeray's novel ''Pendennis'', published in 1850, the main character attends the fictional Boniface College, Oxbridge. According to the ''Oxford English Dictionary'', this is the first recorded instance of the word. Virginia Woolf used it, citing Thackeray, in her 1929 essay ''A Room of One's Own''. The term was used in the ''Times Educational Supplement'' in 1957, and the following year in ''Universities Quarterly''. When expanded, the universities are almost always referr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Emb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Augusta Wakefield
Mary Augusta Wakefield (19 August 1853 – 16 September 1910) was a British composer, contralto, festival organiser, and writer. Biography Early life Wakefield was born in Kendal, where her paternal ancestors had been members of the Quaker community before converting to Anglicanism. Her mother was from an Irish-American background. In the 1860s her father took over the family business, which included a bank and a gunpowder mill. He built Sedgwick House near the gunpowder mill a few miles outside Kendal. Her parents William Henry Wakefield and Augusta Hagarty Wakefield had four sons (including the cricketer William Wakefield) and two other daughters. As a child, Wakefield learned traditional border folksongs from her nurses, which she later included in her collection ''Northern Songs''. As a teenager she was sent to a finishing school in Brighton. She studied in London with Alberto Randegger and George Henschel, and in Rome with Giovanni Sgambati. Later life Wakefield ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Folk Dance And Song Society
The English Folk Dance and Song Society (EFDSS, or pronounced 'EFF-diss') is an organisation that promotes English folk music and folk dance. EFDSS was formed in 1932 when two organisations merged: the Folk-Song Society and the English Folk Dance Society. Karpeles, Maud and Frogley, Alain (2007–2011)'English Folk Dance and Song Society' In: ''Grove Music Online'', Oxford Music Online. Retrieved 24 October 2011. . The EFDSS, a member-based organisation, was incorporated in 1935 and became a registered charity in 1963. History The Folk-Song Society, founded in London in 1898, focused on collecting and publishing folk songs, primarily of Britain and Ireland although there was no formal limitation. Participants included: Lucy Broadwood, Kate Lee, Cecil Sharp, Percy Grainger, Ralph Vaughan Williams, George Butterworth, George Gardiner, Henry Hammond, Anne Gilchrist, Mary Augusta Wakefield, and Ella Leather. The English Folk Dance Society was founded in 1911 by Cecil Sharp. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucy Broadwood
Lucy Etheldred Broadwood (9 August 1858 – 22 August 1929) was an English folksong collector and researcher, and great-granddaughter of John Broadwood, founder of the piano manufacturers Broadwood and Sons. As one of the founder members of the Folk-Song Society and Editor of the Folk-Song Journal, she was one of the main influences of the British folk revival of that period. She was an accomplished singer, composer, piano accompanist, and amateur poet. She was much sought after as a song and choral singing adjudicator at music festivals throughout England, and was also one of the four main organisers of the Leith Hill Music Festival in Surrey from its commencement in 1904 until her death in 1929. Life and work Early life and family She was born at 2am on 9 August 1858, at the Pavilion, the summer residence that her father rented at Melrose in Scotland, the daughter of the piano manufacturer (1811–1893) (eldest son of James Shudi Broadwood) and his wife Juliana Maria née Birc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purcell Society
{{primary sources, date=March 2015 The Purcell Society, founded in 1876 (principally by William Hayman Cummings) is an organization dedicated to making the complete musical works of Henry Purcell available. Between 1876 and 1965, scores of all the known works of Purcell were published, in 32 volumes. Advances in musical scholarship and editorial techniques in the decades after the first volumes were issued meant that by the second half of the 20th century they were no longer meeting the needs of users. Beginning in the 1960s, the Purcell Society began to issue revised versions of the scores. The website gives details of the scores in the revised series that are currently available. Holding libraries All volumes of the complete work of Henry Purcell published by the Purcell Society are available in thZentral- und Landesbibliothek Berlinand the British Library in London. The FAL library at the University of New Mexico has in its possession most of the volumes, with some added revised ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fitzwilliam Virginal Book
The ''Fitzwilliam Virginal Book'' is a primary source of keyboard music from the late Elizabethan and early Jacobean periods in England, i.e., the late Renaissance and very early Baroque. It takes its name from Viscount Fitzwilliam who bequeathed this manuscript collection to Cambridge University in 1816. It is now housed in the Fitzwilliam Museum at Cambridge. The word virginals does not necessarily denote any specific instrument and might refer to anything with a keyboard. History It was given no title by its copyist and the ownership of the manuscript before the eighteenth century is unclear. At the time ''The'' ''Fitzwilliam Virginal Book'' was put together most collections of keyboard music were compiled by performers and teachers: other examples include ''Will Forster's Virginal Book'', ''Clement Matchett's Virginal Book'', and ''Anne Cromwell's Virginal Book''. It is possible that the complexities of typesetting music precluded the printing of much keyboard music durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
