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Ivie Anderson
Ivie Anderson (sometimes Ivy) (January 16, 1904 – December 28, 1949) was an American jazz singer. Anderson was a member of the Duke Ellington Orchestra for more than a decade. Personal life Anderson was born on January 16, 1904, in Gilroy, California. Although her mother's name is unknown, her father was Jobe Smith. From 1914 to 1918 (age 9 to 13), Anderson attended St. Mary's Convent and studied voice. At Gilroy grammar school and Gilroy High School, she joined glee club and choral society. She also studied voice under Sara Ritt while in Nannie H. Burroughs Institution in Washington, D.C. From 1930 to 1945, Anderson lived at 724 East 52nd Place in Los Angeles, part of the 52nd Place Historic District. Career Anderson's singing career began around 1921 with performances in Los Angeles. In 1924, she toured with the musical ''Shuffle Along''. By 1925, she had performed in Cuba, the Cotton Club in New York City, and Los Angeles with the bands of Paul Howard, Curtis Mosby, a ...
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Gilroy, California
Gilroy is a city in Northern California's Santa Clara County, south of Morgan Hill and north of San Benito County. Gilroy is the southernmost city in the San Francisco Bay Area, with a population of 56,766 as of the 2019 U.S. Census Projections. Gilroy's origins lie in the village of San Ysidro that grew in the early 19th century out of Rancho San Ysidro, granted to Californio ranchero Ygnacio Ortega in 1809. Following Ygnacio's death in 1833, his daughter Clara Ortega de Gilroy and son-in-law John Gilroy inherited the largest portion of the rancho and began developing the settlement. When the town was incorporated in 1868, it was renamed in honor of John Gilroy, a Scotsman who had emigrated to California in 1814, naturalized as a Mexican citizen, adopted the Spanish language, and converted to Catholicism, taking the name of Juan Bautista Gilroy. Gilroy is known for its garlic crop and the annual Gilroy Garlic Festival, featuring various garlicky foods such as garlic ice cream ...
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Metro-Goldwyn-Mayer
Metro-Goldwyn-Mayer Studios Inc., also known as Metro-Goldwyn-Mayer Pictures and abbreviated as MGM, is an American film, television production, distribution and media company owned by amazon (company), Amazon through MGM Holdings, founded on April 17, 1924 and based in Beverly Hills, California. MGM was formed by Marcus Loew by combining Metro Pictures, Goldwyn Pictures, and Louis B. Mayer Productions, Louis B. Mayer Pictures into one company. It hired a number of well known actors as contract players—its slogan was "more stars than there are in heaven"—and soon became Hollywood's most prestigious film studio, producing popular musical films and winning many Academy Awards. MGM also owned film studios, movie lots, movie theaters and technical production facilities. Its most prosperous era, from 1926 to 1959, was bracketed by two productions of ''Ben-Hur (1959 film), Ben Hur''. After that, it divested itself of the Loews movie theater chain, and, in the 1960s, diversified ...
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I Got It Bad (and That Ain't Good)
"I Got It Bad (and That Ain't Good)" is a pop and jazz standard with music by Duke Ellington and lyrics by Paul Francis Webster published in 1941. It was introduced in the musical revue ''Jump for Joy'' by Ivie Anderson, who also provided the vocals for Duke Ellington and His Orchestra on the single Victor 27531. Recordings to reach the Billboard charts in 1941/42 were by Duke Ellington (#13) and by Benny Goodman (vocal by Peggy Lee) (#25). Recorded versions by notable artists *Al Aarons * John "Johnny" Adriano Acea * Cannonball Adderley *Jamey Aebersold * Harry Allen * Carl Anderson *Ernestine Anderson *Ivie Anderson * Susie Arioli * Louis Armstrong *Benny Bailey *Guy Barker *Bruce Barth *Count Basie *BBC Big Band *Tobias Beecher *Madeline Bell * Joe Benjamin *Tony Bennett *Big Miller *Paul Bley *Carolyn Breuer * Marvin Gaye * Charles Brown * Sandy Brown *Beryl Bryden *Kenny Burrell * Charlie Byrd * Donald Byrd *Ann Hampton Callaway * Harry Carney *Benny Carter * Cher - ''B ...
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Mood Indigo
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills. Composition Although Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, Mitchell Parish claimed in a 1987 interview that he had written the lyrics. The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues". It was "the first tune I ever wrote specially for microphone transmission", Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo", it became a jazz standard." The main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". Ellington's arrangement was first recorded by his band for Brunswick on October 17, 1930. It was recorded twice more in 1930. These recordings included Arthur Whetsel (trumpet), Tricky Sam Nanton (tr ...
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(In My) Solitude
"(In My) Solitude" is a 1934 composition by Duke Ellington, with lyrics by Eddie DeLange and Irving Mills. It has been recorded numerous times and is considered a jazz standard. Ellington reported that he composed it in a recording studio in 20 minutes, as his orchestra had arrived with three pieces to record and required another. It is in D major and has an AABA form (although "the IV chord in measure 3 is replaced by a II7 the second time"). According to Ellington, the title was suggested by trumpeter Arthur Whetsel. An AllMusic writer describes the composition as "at once optimistic in its tone but somber in its pace, conflicted with the emotions of bitter loneliness and fond remembrance". The mood is set "in the very first phrase of the melody, with its ascent to the leading tone of the scale falling just short of the tonic, and in the seemingly unremarkable chord progressions that nevertheless manage to transform harmonic resolution into wistful resignation". The first recor ...
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When My Sugar Walks Down The Street
"When My Sugar Walks Down the Street (All the Little Birdies Go Tweet-Tweet-Tweet)" is a 1920s jazz standard, written by Gene Austin, Jimmy McHugh and Irving Mills in 1924. The Victor Talking Machine, bought by RCA and renamed RCA Victor at the end of 1928, made the first major recording of the song in January 1925. In his autobiography, Nathaniel Shilkret, who was a Victor A&R executive at the time and soon to replace Edward T. King as Victor's Director of Light Music, described the events leading to the recording:Shilkret, Nathaniel, ed. Niel Shell and Barbara Shilkret, ''Nathaniel Shilkret: Sixty Years in the Music Business'', Lanham, Maryland: Scarecrow Press, 2005, pp. 74--75. It was Austin who demonstrated the song when Mills Music presented it to Victor for recording. Shilkret liked Austin's voice and paired Aileen Stanley, a top Victor artist, with Austin, unknown at the time, as vocalists, to be accompanied by Shilkret directing the Victor orchestra (see EDVR for detai ...
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All God's Chillun Got Rhythm
"All God's Chillun Got Rhythm" is a 1937 jazz standard. It was written by Walter Jurmann, Gus Kahn and Bronisław Kaper especially for Ivie Anderson, who performed it in the Marx Brothers' 1937 film '' A Day at the Races'', the tune was also used for the opening theme. The lyrics state that "All God's Children Got Rhythm" even if they "maybe haven't got money, maybe haven't got shoes". The authors (European immigrants from Poland, Germany, and Austria) were likely influenced by a traditional Negro spiritual " All God's Chillun Got Wings" alternately called "All God's Children Got Shoes" which affirms that all God's children have shoes. This was the inspiration for a Eugene O'Neill play of the same name in the 1924 and recorded by Paul Robeson,''All God's Chillun Got Wings'' sung by Paul Robeson
on YouTube who also ...
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Chick Webb
William Henry "Chick" Webb (February 10, 1905 – June 16, 1939) was an American jazz and swing music drummer and band leader. Early life Webb was born in Baltimore, Maryland, to William H. and Marie Webb. The year of his birth is disputed. The ''Encyclopædia Britannica'' and Allmusic indicate 1905, and this seems to be supported by census information. Other publications claim other years. During Webb's lifetime, a December 1937 ''DownBeat'' magazine article, "The Rise of a Crippled Genius", stated he was born in 1909, which is the year that appears on his grave marker. In 1939, ''The New York Times'' stated that Webb was born in 1907, the year also suggested in ''Rhythm on Record'' by Hilton Schleman. Webb was one of four children; the other three were sisters (Bessie, Mabel, and Ethel). His sister Mabel married Wilbur Porter around 1928. When an infant, Webb fell down some stairsteps in his family's home, crushing several vertebrae and requiring surgery, from which he nev ...
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Stormy Weather (song)
"Stormy Weather" is a 1933 torch song written by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 and recorded it that year, and in the same year it was sung in London by Elisabeth Welch and recorded by Frances Langford. Also in 1933, for the first time the entire floor revue from Harlem's Cotton Club went on tour, playing theatres in principal cities. The revue was originally called ''The Cotton Club Parade of 1933'' but for the road tour it was changed to ''Stormy Weather Revue''; it contained the song "Stormy Weather", which was sung by Adelaide Hall. In September 1933, the group Comedian Harmonists released their German cover version, titled "''Ohne Dich''" ("Without You") with lyrics that are quite different. The song has since been performed by Frank Sinatra, Judy Garland, Etta James, Ella Fitzgerald, Dinah Washington, Clodagh Rodgers, Reigning Sound, Lena Horne, Billie Holiday, The Spaniels and others. Leo Reisman's o ...
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I've Got The World On A String
"I've Got The World on a String" is a 1932 popular jazz song composed by Harold Arlen, with lyrics written by Ted Koehler. It was written for the twenty-first edition of the Cotton Club series which opened on October 23, 1932, the first of the Cotton Club Parades. Recordings *The song was recorded and popularized by Cab Calloway who had a #18 hit in 1932. *Bing Crosby recorded the song on January 26, 1933, with the Dorsey Brothers and their Orchestra. *The song was one of the first recorded by Frank Sinatra when he transferred to Capitol Records in 1953. His recording on April 30, 1953, with an orchestra conducted by Nelson Riddle reached #14 on ''Billboard'''s most played list. Other notable recordings *Bing Crosby – (1933) *Louis Armstrong – (1933) *Lee Wiley – "Manhattan Lights" circa 1940 * Ralph Young, with Jack Pleis and His Orchestra (1950) *Perry Como – So Smooth (1955) *Frank Sinatra – ''This is Sinatra!'' (1956) *Louis Prima – ''The Call of the Wildest'' ...
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California Eagle
The ''California Eagle'' (1879–1964) was an African-American newspaper in Los Angeles, California. It was founded as ''The Owl'' in 1879 by John J. Neimore. Charlotta Bass became owner of the paper after Neimore's death in 1912. She owned and operated the paper, renamed the ''California Eagle'', until 1951. Her husband, J. B. Bass, served as editor until his death in 1934. In the 1920s, they increased circulation to 60,000. During this period, Bass was also active as a civil rights campaigner in Los Angeles, working to end segregation in jobs, housing and transportation. The newspaper was next owned for more than a decade by Loren Miller, who had been city editor. He also worked as a civil liberties lawyer and was a leader in the community. After he sold the paper in 1964 to accept an appointment as a judge of the Superior Court of the State of California .e., the trial courtsfor Los Angeles County, the publication quickly lost ground, and closed that year. History Neimo ...
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Jump For Joy (1941 Revue)
''Jump for Joy'' is a 1941 musical revue by Duke Ellington that opened on July 10, 1941, at the Mayan Theater of Los Angeles and ran for nine weeks (122 performances). It included many songs by Ellington, including the jazz standard "I Got It Bad (and That Ain't Good)" and the title track, "Jump for Joy." Reception The musical received rave reviews, and both Orson Welles and Charles Chaplin considered buying the show, but were refused, as the show was collaborative in nature and the writers did not want it to be owned. Despite the original success, "it never made it to Broadway, but it made it to history"."Jump For Joy: Duke Ellington’s Celebratory Musical", David Johnson, February 6, 2008, ''Indiana Public Media'', consulted on 26 March 2017. http://indianapublicmedia.org/nightlights/jump-for-joy-duke-ellingtons-celebratory-musical/ Political message Contrary to other all-African-American revues of the time, it was very outspoken on racial matters, with the songs "Jump f ...
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