Italian Ballet
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Italian Ballet
Italian ballet is the training methods and aesthetic qualities seen in classical ballet in Italy. Ballet has a long history in Italy, and it is widely believed that the earliest predecessor of modern-day ballet originated in the Italian courts of the Renaissance. Two predominant training systems are used to teach Italian ballet today: the Cecchetti method, devised by Enrico Cecchetti, and that of the La Scala Theatre Ballet School. History (origins of ''il ballo'', or ballet) Ballet began during the Italian Renaissance court as an outgrowth of court pageantry, where aristocratic weddings were lavish celebrations. Court musicians and dancers collaborated to provide elaborate entertainment for them. Ballet was further shaped by the French ''ballet de cour'', which consisted of social dances performed by the nobility in tandem with music, speech, verse, song, pageant, decor and costume. When Catherine de' Medici, an Italian aristocrat with an interest in the arts, married the Fre ...
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Cecchetti Jpg
Cecchetti is an Italian surname. Notable people with the surname include: * Alberto Cecchetti (born 1944), politician of San Marino * Enrico Cecchetti (1850–1928), Italian ballet dancer and theorist, creator of the Cecchetti method The Cecchetti method is variously defined as a style of ballet and as a ballet training method devised by the Italian ballet master Enrico Cecchetti (1850–1928). The training method seeks to develop essential skills in dancers as well as streng ... * Silvia Cecchetti (born 1970), Italian singer :it:Silvia Cecchetti References {{surname, Cecchetti Italian-language surnames Surnames of Czech origin ...
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ...
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Ballet Styles
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian '' ...
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Marie Taglioni
Marie Taglioni, Comtesse de Voisins (23 April 1804 – 22 April 1884) was a Swedish-born ballet dancer of the Romantic ballet era partially of Italian descent, a central figure in the history of European dance. She spent most of her life in the Austrian Empire and France. She was one of the most celebrated ballerinas of the romantic ballet, which was cultivated primarily at Her Majesty's Theatre in London and at the Théâtre de l'Académie Royale de Musique of the Paris Opera Ballet. She is credited with (though not confirmed as) being the first ballerina to truly dance ''en pointe''. Early life Taglioni was born in Stockholm, Sweden, to the Italian choreographer Filippo Taglioni and the Swedish ballet dancer Sophie Karsten, maternal granddaughter of the Swedish opera singer Christoffer Christian Karsten and of the Polish opera singer and actress Sophie Stebnowska. Her brother, Paul (1808–1884), was also a dancer and an influential choreographer; they performed together ea ...
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Luciana Savignano
Luciana Savignano (born 30 November 1943) is an Italian ballet dancer. Life and career Luciana Savignano was born in Milan and trained at the Ballet School of La Scala and at the Bolshoi Theatre in Moscow. In 1968 she was chosen by Mario Pistoni as soloist for ''Mandarino Meraviglioso'' with music by Béla Bartók, which brought her to the notice of the dance world. In 1972 she became prima ballerina at La Scala, and later Maurice Béjart created roles for her in ''Leda and the Swan'', ''Ce que l'amour me dit'' and ''La Voce'', based on ''La Voix Humaine'' by Jean Cocteau. She has also interpreted ''Romeo and Juliet'', ''Buak'', ''Bolero'', ''Swan Lake'', ''The Taming of the Shrew'', ''Cinderella'', ''A la memoire'' (Mahler), ''Carmina Burana'' (Carl Orff) and ''Orpheus'' (Stravinsky). She gained critical acclaim in Europe and performed internationally, guesting with the Maurice Béjart's Ballet of the 20th Century in New York in 1977. In 1995 Savignano began a collaboration with ...
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Pierina Legnani
Pierina Legnani (September 30, 1863 – November 15, 1930) was an Italian ballerina considered one of the greatest ballerinas of all time. Biography Legnani was born on September 30, 1863, in Milan and originally studied with famous ballet dancer at La Scala, where she developed her technical expertise. Her professional career took off when she appeared as prima ballerina in the Casati ballet, Salandra, at Alhambra Theatre in London. She was titled prima ballerina for La Scala in 1892, before moving to St Petersburg in 1892, where she reached fame dancing with the Tsar's Imperial Ballet at the Maryinsky Theatre until 1901. Under the direction of famous ballet choreographer Marius Petipa, Legnani originated numerous roles including, ''Cinderella'' in 1893, ''Swan Lake'' in 1895, ''Raymonda'' in 1898, and '' La Camargo'' in 1901. She is widely reputed to be the first ballerina to perform 32 fouettés en tournant in the coda of the Grand Pas d'action of the ballet ''Cinderella ...
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Carlotta Grisi
Carlotta Grisi (born Caronne Adele Josephine Marie Grisi; 28 June 1819 – 20 May 1899) was an Italian ballet dancer. Born in Visinada, Istria (present-day Vižinada, Croatia). Although her parents were not involved in the theatre, she was brought up in an opera family. She was trained at the ballet school of Teatro alla Scala in Milan and later with dancer/balletmaster Jules Perrot. She was especially noted for her performance in the classic role of "Giselle". Biography At her 1836 debut in London, Grisi performed with the accomplished danseur Jules Perrot. She next appeared in Paris at the Théâtre de la Renaissance (1840) and a year later, toured with Perrot to other parts of Europe. Through Perrot's contacts, the pair worked in Paris, London, Vienna, Munich, and Milan where she sang and danced. Of her two talents, it was her dancing that was acclaimed. By dancing Perrot's choreography, which at that time was receiving great attention, she gained notable attention of both th ...
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Mara Galeazzi
Mara Galeazzi (born 1973) is an Italian ballet dancer. She was a Principal Dancer of The Royal Ballet. Early life Galeazzi was born in Brescia, Italy. At age 10, she started ballet training at La Scala Theatre Ballet School, where she graduated full marks. Career In 1992, at age 18, Galeazzi joined The Royal Ballet as an Artist. At the time, she didn't speak any English or know anyone in the company. The following year, while the company was on tour, she replaced an injured Gillian Revie as Mary Vetsera in ''Mayerling'', with the approval of choreographer Kenneth MacMillan. She was promoted to First Artist in 1995, Soloist in 1998 and Principal in 2003. Her most notable roles in the company include Juliet in '' Romeo and Juliet'', the title role in ''Anastasia'', Tatiana in '' Onegin'', the title role in ''The Firebird'' and the title role in '' Giselle''. She has worked with choreographer such as Cathy Marston, Christopher Wheeldon, Wayne McGregor, Mats Ek, Jiri Kylian and W ...
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Carla Fracci
Carolina "Carla" Fracci (; 20 August 1936 – 27 May 2021) was an Italian ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ... dancer, actress and ballet director. Considered one of the greatest ballerinas of the 20th century, she was a leading dancer of La Scala Theatre Ballet in Milan, then worked freelance with international companies including the Royal Ballet, London, Stuttgart Ballet, Royal Swedish Ballet and American Ballet Theatre. Fracci is known for her interpretation of leading characters in several Romantic ballets, such as ''La Sylphide'', ''Giselle'', ''Swan Lake'', and ''Romeo and Juliet (ballet), Romeo and Juliet''. She also performed in ballets such as ''Nijinsky (film), Nijinsky'' and ''Complete Bell Telephone Hour Performances: Erik Bruhn 1961–1967''. She d ...
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Alessandra Ferri
Alessandra Ferri OMRI (born 6 May 1963) is an Italian prima ballerina. She danced with the Royal Ballet (1980–1984), American Ballet Theatre (1985–2007) and La Scala Theatre Ballet (1992–2007) and as an international guest artist, before temporally retiring on 10 August 2007, aged 44, then returning in 2013. She was eventually granted the rank of ''prima ballerina assoluta''. Career Alessandra Ferri was born in Milan, Italy. She began studying ballet at the La Scala Theatre Ballet School, later transferring to the upper school of the Royal Ballet School. She represented the Royal Ballet School in the 1980 Prix de Lausanne, winning a scholarship which enabled her to continue studying at the school. Royal Ballet Ferri joined the Royal Ballet in 1980, and in 1982, for her first major role in the ballet Mayerling, she was nominated for the Laurence Olivier Award for ''Outstanding First Achievement of the Year in Ballet''. In 1983, she was nominated for and won the Laurence ...
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Oriella Dorella
Oriella Dorella (born 25 January 1952) is an Italian ballet dancer. Life and career Born in Milan, Dorella studied at La Scala Theatre Ballet School for 8 years, and in 1975 she made her official debut as a dancer, becoming the étoile of La Scala Theatre Ballet in 1986.Giorgio Dell’Arti, Massimo Parrini ''Catalogo dei viventi''. Marsilio, 2009. . She was also a television personality, and her television appearances include the Saturday night variety show '' Fantastico'' and several television films. In 2006 she ran for the Senate in Milan with Rose in the Fist The Rose in the Fist ( it, Rosa nel Pugno, RnP) was a political alliance of parties in Italy. The RnP was composed of the Italian Democratic Socialists (SDI; a social-democratic party led by Enrico Boselli and Roberto Villetti), the Italian ..., without being elected. References External links * Living people Italian television actresses 1952 births Actresses from Milan Italian television pers ...
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Fanny Cerrito
Francesca "Fanny" Cerrito (11 May 1817 – 6 May 1909) was an Italian ballet dancer and choreographer. She was a ballerina noted for the brilliance, strength, and vivacity of her dancing. She was also one of few women in the 19th century to be recognized for her talent as a choreographer. Life Born in Naples, she studied under Carlo Blasis and the French choreographers Jules Perrot and Arthur Saint-Léon, the latter of whom was her husband from 1845 to 1851. Fanny Cerrito was trained in the ballet school of San Carlo Opera House, later under the supervision of Salvatore Taglioni. Her first stage appearance was in 1832 when she gained recognition almost immediately. In 1836–37 her fame started to spread beyond Italy and she appeared in Vienna to reveal some of her own choreographed works. From 1838 to 1840, she continued to dance with La Scala in Milan, where she gained even more attention. In 1843, Cerrito and Maria Taglioni danced in the same program in Milan; this event c ...
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