Iswara Temple Jalasangvi
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Iswara Temple Jalasangvi
Iswara temple also known by other names Kamalishwara temple, Kamaleshwara temple, Kalleshwara temple, Eshwara temple is located in Jalasangvi village, about 10 km north-west of Humnabad Taluk of Bidar district, Karnataka, India. According to the inscriptions found the temple was built during the reign of the celebrated emperor Vikramaditya VI of Kalyana Chalukya dynasty. Architecture The temple showcases Kalyani Chalukya style of architecture. The temple is constructed near the tank of the village. The temple consist of beautiful sculptured figures both in the interior and exterior surface of the temple. The figures on the exterior of the temple is of Salabhanjika or Mandakini style of sculptures. They are women in different kinds of apparel and with different styles of hairdressing. Some times having maize like items in their hands. These well-endowed feminine figures in seductive ''tribhanga'' poses are ''"...moon breasted, swan-waisted and elephant-hipped"'', according to t ...
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Karnataka
Karnataka (; ISO: , , also known as Karunāḍu) is a state in the southwestern region of India. It was formed on 1 November 1956, with the passage of the States Reorganisation Act. Originally known as Mysore State , it was renamed ''Karnataka'' in 1973. The state corresponds to the Carnatic region. Its capital and largest city is Bengaluru. Karnataka is bordered by the Lakshadweep Sea to the west, Goa to the northwest, Maharashtra to the north, Telangana to the northeast, Andhra Pradesh to the east, Tamil Nadu to the southeast, and Kerala to the southwest. It is the only southern state to have land borders with all of the other four southern Indian sister states. The state covers an area of , or 5.83 percent of the total geographical area of India. It is the sixth-largest Indian state by area. With 61,130,704 inhabitants at the 2011 census, Karnataka is the eighth-largest state by population, comprising 31 districts. Kannada, one of the classical languages of India, ...
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Indian Art
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms. The origin of Indian art can be traced to prehistoric settlements in the 3rd millennium BCE. On its way to modern times, Indian art has had cultural influences, as well as religious influences such as Hinduism, Buddhism, Jainism, Sikhism and Islam. In spite of this complex mixture of religious traditions, generally, the prevailing artistic style at any time and place has been shared by the major religious groups. In historic art, sculpture in stone and metal, mainly religious, has survived the Indian climate better than other media and provides most of the best remains. Many of the mos ...
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Archaeological Survey Of India
The Archaeological Survey of India (ASI) is an Indian government agency that is responsible for archaeological research and the conservation and preservation of cultural historical monuments in the country. It was founded in 1861 by Alexander Cunningham who also became its first Director-General. History ASI was founded in 1861 by Alexander Cunningham who also became its first Director-General. The first systematic research into the subcontinent's history was conducted by the Asiatic Society, which was founded by the British Indologist William Jones on 15 January 1784. Based in Calcutta, the society promoted the study of ancient Sanskrit and Persian texts and published an annual journal titled ''Asiatic Researches''. Notable among its early members was Charles Wilkins who published the first English translation of the '' Bhagavad Gita'' in 1785 with the patronage of the then Governor-General of Bengal, Warren Hastings. However, the most important of the society's achieveme ...
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Yali (mythology)
Yali ( ta, யாளி, IAST: Yāḷi), also called Vyala, is a Hindu mythological creature, portrayed with the head and the body of a lion, the trunk and the tusks of an elephant, and sometimes bearing equine features. The creature is represented in many South Indian temples, often sculpted onto the pillars. There also exist variations of the creature, with it possessing the appendages of other beasts. It has sometimes been described as a ''leogryph'' (part-lion and part-griffin), with some bird-like features, with the trunk referred to as a proboscis. Iconography Descriptions of, and references to, yalis are ancient, but they became prominent in South Indian sculptures in the 16th century. Yalis were described to be more powerful than the lion, the tiger, or the elephant. In its iconography, the yali has a cat-like graceful body, but the head of a lion with the tusks of an elephant (gaja), and the tail of a serpent. Sometimes, they have been shown standing on the back of ...
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Dvarapala
A Dvarapala or Dvarapalaka (Sanskrit, "door guard"; IAST: ' ) is a door or gate guardian often portrayed as a warrior or fearsome giant, usually armed with a weapon - the most common being the ''gada'' (mace). The dvarapala statue is a widespread architectural element throughout Hindu, Buddhist and Jaina cultures, as well as in areas influenced by them like Java. Names In most Southeast Asian languages (including Thai, Burmese, Vietnamese, Khmer and Javanese), these protective figures are referred to as ''dvarapala''. Sanskrit ''dvāra'' means "gate" or "door", and ''pāla'' means "guard" or "protector". The related name in Indonesian and Malaysia is ''dwarapala''. Equivalent door guardians in northern Asian languages are ''Kongōrikishi'' or ''Niō'' in Japanese, ''Heng Ha Er Jiang'' in Chinese, and ''Narayeongeumgang'' in Korean. Origin and forms Dvarapalas as an architectural feature have their origin in tutelary deities, like Yaksha and warrior figures, such as A ...
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Garbhagriha
A ''garbhagriha'' or ''sannidhanam'' is the ''sanctum sanctorum'', the innermost sanctuary of a Hindu and Jain temples where resides the ''murti'' (idol or icon) of the primary deity of the temple. In Jainism, the main deity is known as the ''Mulnayaka''. Literally the word means "womb chamber", from the Sanskrit words ''garbha'' for womb and ''griha'' for house. Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples. Traditionally, in Hinduism only 'priests' (''pujari'') are allowed to enter this chamber, though in modern practice this is often considerably relaxed. Architecture The room has a single entrance, normally facing east to be accessed by the rising sun, and no windows. It is normally square, and at least approximately a cube, with the representation of the temple's deity placed in the centre, so that it can be seen by worshippers outside. Relative to the size of the temple, and especially the large tower arising o ...
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Somanathapura
Somanathapura, also spelled Somanathpur, Somnathpur, or Somanathpura, is a town and Grama Panchayat in Tirumakudalu Narasipura, Mysore district in the state of Karnataka in India.Somanathapura
Census of India (2011) It is located from city and famous for the (also called ''Kesava'' or ''Keshava'' temple).


Demographics

According to the

Halebidu
Halebidu (IAST: Haḷēbīḍ, literally "old capital, city, encampment" or "ruined city") is a town located in Hassan District, Karnataka, India. Historically known as Dorasamudra (also Dwarasamudra), Halebidu became the regal capital of the Hoysala Empire in the 11th century CE. In the modern era literature it is sometimes referred to as Halebeedu or Halebid as the phonetic equivalent, a local name after it was damaged and deserted after being ransacked and looted twice by the forces of the Delhi Sultanate in the 14th century. Halebidu is home to some of the best examples of Hindu and Jain temples with Hoysala architecture. These show the breadth of Hindu artwork traditions – Shiva, Vishnu, Devi and Vedic deities – fused into the same temple complex, depicted with a diversity of regional heritages, along with inscriptions in scripts from South and North India. The Hindu temples include Jaina reliefs in its panel. Similarly, the Jaina artwork includes the different Tirth ...
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Belur, Karnataka
Belur () is a town and tehsil, taluk in Hassan district in the state of Karnataka, India. The town is renowned for its Chennakesava Temple, Chennakeshava Temple dedicated to Vishnu, one of the finest examples of Hoysala architecture and the largest Hindu temple complex that has survived from pre-14th-century Karnata-Dravida tradition. A historic site inspired by the teachings of Ramanujacharya, it has been a Vaishnava Hindu pilgrimage center since at least the 12th century. It was also the first capital of the Hoysala dynasty, before they built Dwarasamudra (modern Halebid). Belur is also Town Municipal Council and taluka. The Hoysala monuments at Belur and Halebidu have been proposed as UNESCO World Heritage Sites.Permanent Delegation of India to UNESCO (2014)Sacred Ensembles of the Hoysala UNESCO Geography Belur is situated on the banks of Yagachi River in the Hassan district of south Karnataka. It is about northwest of Hassan, Karnataka, Hassan and about west from the fam ...
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Hoysala
The Hoysala Empire was a Kannada people, Kannadiga power originating from the Indian subcontinent that ruled most of what is now Karnataka, India, Karnataka between the 10th and the 14th centuries. The capital of the Hoysalas was initially located at Belur, Karnataka, Belur, but was later moved to Halebidu. The Hoysala rulers were originally from Malenadu, an elevated region in the Western Ghats. In the 12th century, taking advantage of the internecine warfare between the Western Chalukya Empire and Kalachuris of Kalyani, the Hoysalas annexed areas of present-day Karnataka and the fertile areas north of the Kaveri delta in present-day Tamil Nadu. By the 13th century, they governed most of Karnataka, minor parts of Tamil Nadu and parts of western Andhra Pradesh and Telangana in the Deccan Plateau. The Hoysala era was an important period in the development of South Indian art, architecture, and religion. The empire is remembered today primarily for Hoysala architecture; 100 survi ...
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Tribhanga
Tribhaṅga or Tribunga is a standing body position or stance used in traditional Indian art and Indian classical dance forms like the Odissi, where the body bends in one direction at the knees, the other direction at the hips and then the other again at the shoulders and neck. The pose goes back at least 2,000 years in Indian art, and has been highly characteristic for much of this period, "found repeated over and over again in countless examples of Indian sculpture and painting". Indian religions carried it to East and South-East Asia. Like the equivalent contrapposto and "S Curve" poses in Western art, it suggests movement in figures and gives "rhythmic fluidity and ... youthful energy". The word derives from Sanskrit, where ''bhanga'' (or ''bhangha'') is the word for an attitude or position, with ''tri'' meaning "triple", making "triple-bend position". Other poses described in old texts on dance were ''samabhanga'' for the "figure in equipoise", whether standing, si ...
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Bidar District
Bidar district is the northernmost part of the Karnataka state in India. The administrative headquarters of district is Bidar city. Geographically, it resembles the "Crown of the State", occupying its northeastern end. It is bounded by Kamareddy and Sangareddy districts of Telangana state on the eastern side, Latur and Osmanabad districts of Maharashtra state on the western side, Nanded district of Maharashtra state on the northern side and Kalaburagi district on the southern side. The Bidar district is constituted by eight talukas, namely Bidar, Humnabad, Bhalki, Aurad, Hulsoor, Chitgoppa, Kamalnagar and Basavakalyan with Bidar being the headquarters of the district. Bidar district is connected with the NH-9 and NH-218 highways. History Traditional tales refer to the surrounding region of Bidar district as "Viduranagara" and also as the place where Nala and Damayanthi met. The area was ruled by the Mauryas, Satavahanas, Rashtrakutas, Chalukyas, Kalachuris, Kakatiyas, ...
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